Our purpose at agoodmovietowatch is to reference good little-known films so that on one hand you never wonder what to watch, and on the other so that deserving movies that went unnoticed or which didn't get the exposure they deserve can be introduced to a large audience. You can find all our suggestions here, and only the ones available on Netflix here.
Below meet our best Netflix movies, 32 acclaimed suggestions available to stream on Netflix Instant America.
Some actors you think you see a lot until a role comes by that makes you think they are actually underused. That’s Ellen Page’s role as Tallulah, a young girl with seemingly little regard to anyone but herself, travelling the country while living in a van with her boyfriend. With no one to turn to or any idea how to manage such a situation, she comes across a toddler abandoned by her mother and decides to take care of her. Page, who was also executive producer of the film, shines through the character oriented script and direction by first-timer Sian Heder. A beautiful movie.
Nine years after his out-of-nowhere, mind-bending premier Primer, writer/producer/director/ star Shane Carruth returns with this exponentially more challenging feature—a neo sci-fi/drama/romance/thriller quite nearly impossible to describe effectively in words. Ostensibly focused upon a woman who has been drugged, brainwashed and robbed and is subsequently drawn to an unknown man who has experienced a similar theft, Carruth draws out the drama in a fractured narrative that challenges the viewer to piece together the dream-like story fragments and implications like a complicated puzzle. Certainly not “audience friendly” in any sort of traditional sense, I love how Carruth paints such an elaborate, intelligent tale in such a remarkably original manner. If this is the future of film, I’m definitely on board.
Good Bless America is a deeply ironic and violent action comedy from folk legend Bobcat Goldthwait. In a turn of events sure to ring true to many viewers, the protagonist, Frank Murdoch (Joel Murray), after being informed of his terminal brain cancer, sets out on a killing spree out of sheer distaste for the vile, rude, and materialistic culture that surrounds him. Large swaths of the movie are pure rage fantasy, a cathartic blend of violence and humor as the cretinous bogeymen of the modern era are gleefully dispatched. Obviously not a fantastic date movie, but perhaps a good one for a bad mood.
Take this Waltz is a movie that wants you to have a problem with it. It’s about a woman (Michelle Williams, Blue Valentine) torn between her husband (played by Seth Rogan) and a new man who entered her life. It’s an emotional and honest account as well as a mature slice-of-life film that you will appreciate either if you are familiar with a similar situation in real life, or if you give the film a chance, which I recommend you do.
There are movies that make you a bit more mature when you watch them. This movie is one of them. They took very hard and controversial topic, but presented in so you do understand both sides and agree with them. Winner of an Academy Award and a Golden Globe, it tells the true story of a man who spent 28 years campaigning for the right to end his own life. Now you get why I said it was a hard topic, right? It’s a heart-wrenching watch to say the least, but thanks to a perfect performance from Javier Bardem the complex story gains such a big grasp that it ends up having uplifting and even funny moments.
A rock singer (played by Julianne Moore) and an art dealer (Steve Coogan) start a battle for the custody of their daughter, Maisie, mainly to spite each other. When one of them marries, the other rushes a marriage as well. What Maisie Knew is all that and more from the perspective of the little child, Maisie. Written by two writers, directed by two directors, and sporting an excellent cast, you should not be surprised to learn that What Masie Knew perfectly portrays its complex and sad subject matter, giving an honest, bitter portrayal of dysfunctional families.
“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will teach you and surprise you no matter how much you think you know the soul singer, not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you get to discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.
In “The Way”, an American doctor, Tom (Martin Sheen), travels to Spain to identify the remains of his deceased son (Emilio Estevez, also writer/director) who has died while traveling “El Camino de Santiago”, the famous pilgrimage across Northern Spain. Once there, Tom unexpectedly finds himself inspired to continue his son’s journey, sprinkling his ashes along the lengthy expedition to the Cathedral of Santiago de Compostela in Galicia, home to the shrine of the apostle St. James the Great. Along the way Tom gains several unlikely traveling companions: a Dutchman (Yorick van Wageningen), a Canadian (Deborah Kara Unger) and an Irishman (James Nesbitt), each of whom has his/her own personal reasons for making the pilgrimage, with each adding various degrees of of drama and humor to the proceedings as well. A touching and inspiring film marred a bit by some unnecessarily roughly-hewn characterizations, but overall a pleasant experience with a warm feeling of adventure and camaraderie throughout.
«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks on his girlfriend with whom he has twins cheating on him on the twin’s birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and charmingly led by Jemaine Clement, this film will strike you in its simplicity.
Two-time Oscar nominee Don Hertzfeldt crafts this provocative film in the most skillful way. With only stick figure drawings and some stock footage, he compellingly walks you through the crumbling mind of a man. It is funny. It is sad. It is unsettling. Unlike most movies – or perhaps any movie – there is no point in the film where you feel safe. Unpredictable. Engrossing. Disturbing. By the end of it, you will not be sure what you’ve just seen, but you will feel as if it has changed you. **Personal suggestion: do not watch alone late at night**
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
This little gem of a sci-fi is based on actual physics theory and doesn’t make you cringe every time some technobabble word comes out. Watching it the first time around leaves most viewers puzzled at the end, but wanting to see it again. Shot at a budget of ~$7000, don’t expect any flashy special effects or CGI. Do be prepared, however, for some mind boggling paradoxical ideas that require some effort to wrap your brain around.
A thrilling and fun film about a British working class bunch who find themselves in confrontation with the rich and powerful. This happens when their once-in -a-lifetime job lands them not on ly the expected money and jewelry, but documents with big secrets. The phrase “the good version of Jason Statham” applies not only to the actor but to the whole film – as it is enjoyable like all similar heist movies but adds that sadly forgotten thing called character. If you liked The Italian Job, The Town, or even films like Argo; you will love The Bank Job.
A sleek revision of the classic Charlotte Brontë novel, the 2011 version of Jane Eyre features Mia Wasikowska as the titular governess and Michael Fassbender as her employer-and-lover-with-a-secret,
Rochester — both lending stunningly aggrieved performances to the tale of their burgeoning love affair. The film is somber yet wonderfully polished as it plays out their individual complexities and growing passions. This film is also notable as the sophomore directorial effort of Cary Fukunaga, who would go on to great acclaim for his work on the first season of True Detective as well as Beasts of No Nation. Fans of Fukunaga’s work are just a likely to enjoy this one as are devotees of well-crated adaptations of classic literature.
A documentary that is immediate and plays out like a thriller. Beautifully shot in Virunga National Park in the Eastern Congo, the story focuses on the struggles between Park Rangers and a list of adversaries including poachers, oil company goons, and an Islamic revolutionary army. The stories of the endangered gorillas and the people who struggle to protect them will break your heart and at the same time give you hope in humanity. On top of this, the editing is superb and gives the film an intensity that rivals any recent thriller.
The film stars Jake Gyllenhaal as Lou Bloom, an impromptu freelance videographer who begins covering the crime world in LA for a local TV station. Almost as dark as a mystery can get, it is disturbing, and plays out as a combination of “Drive” and “The Network”.
The film is visually stunning as well as immensely suspenseful. It then becomes almost impossible to look away, even when you’re the most horrified by just how far Bloom is willing to go to reach success. Gyllenhaal’s performance is widely compared to that of Robert De Niro in Taxi Driver, which should give you an idea of its caliber.
Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertaintiy, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.
What happens when Banksy, one of the most famous ambassadors of street art, meets Mr. Brainwash, an egocentric aspiring French artist? Well, one of the funniest, most interesting and most exciting documentaries ever made about art, commercialism and the apparent gulf between them. But is it really a documentary? This confident and zany film will leave you guessing.
Two twelve year olds, Sam, an introverted Khaki scout (Jared Gilman) and the sharp yet sassy Suzy (Kara Hayward), fall in love and run away to their own personal paradise they call “Moonrise Kingdom.” The young girl’s parents (Bill Murray and Frances McDormand) call the authorities. A search party compiled of the local Sheriff (Bruce Willis), Khaki Scout Troop Leader (Edward Norton) and his scouts along with an assortment of other characters try to track down the young runaways through the wilderness.
The characters are as bright, quirky and colourful as their surroundings. The film’s trademark stylistic handmade art direction and clever camera choices add character to the storytelling itself. Even with its sweet and playful wrapper, major real world issues such as bullying and infidelity are touched upon. Moonrise Kingdom is a delightfully charming film with a meticulously executed plot and sophisticated humour.
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometowns 20 years later. They talk, then get coffee, and then beer and jelly beans, until they move to Jim’s mother’s house. As they talk, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.
Chiwetel Ejiofor stars as a disgraced doctor-turned-immigrant cab driver who inadvertently stumbles upon London’s black market organ trade. Audrey Tatou and Sophie Okonedo also star as fellow “illegals” struggling to make ends meet in the shadows of England. This film is about illegal immigrants, it is told from their perspective, and because of that it becomes so humane that it indulges in social commentary. It’s a really interesting, sometimes thrilling, watch.
An American romantic comedy, Beginners is told through a series of flashbacks telling the story of Oliver and his complicated and difficult relationship with his father. The film is gorgeously heartbreaking, demonstrating how hurtful we are to those we love, while showing the ties of mutual need that bind people. In the way it also takes on the process of finding one’s happiness, through the character’s eyes and his father’s, what that process has in common for both, and how one is inspired from the other. Beginners is lovely, funny, interesting, and above all very enjoyable.
There is a unique emotional approach to Danish films rarely matched by anything else, that has to be seen to be understood. Oscar-nominated After The Wedding perfectly embodies that. Jacob Peterson (played by Mads Mikkelsen) is an idealist who runs a financially struggling orphanage in India. He returns to Copenhagen to seek a large donation when he discovers that in order to get the money he will be unveiling dark secrets about his own personal past. Scenes are stretched, and feel incredibly realistic. But because of the great plot and premise as well as the fantastic cast, they’re never boring — on the contrary, After the Wedding is thrilling and at all times interesting. You will also feel that it is capturing every emotion you’ve ever encountered, or will ever encounter in the short two hours it spans.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as Ben, a man attempting to overcome tragedy and looming divorce by becoming the caretaker for a teenager with muscular dystrophy named Trevor (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside. They eventually embark on a road trip across the western United States, at Ben’s urging, in order for Craig to see something of the world beyond his wheelchair and television. It’s a formulaic yet fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. An undeniable winner, all-in-all.
The Station Agent is about loneliness, change and friendship. Sounds corny right? It’s not. The characters are developed, they have their own reasons for the choices they make and nothing feels forced, neither actions or conversations. It’s a small and wonderful movie about a little man that moves out of the city and his comfort zone when his only friend dies, moves to said friend’s old train station and sets his life there. From there on it follows his social interactions with a slew of people, the relationships he forms with them. Oh, and the little man? Peter Dinklage (Tyrion Lannister), who pulls off a great performance, albeit a quiet one.
Undefeated won an Oscar but since it’s a documentary, few sadly paid attention to it. It tells the story of a football team in a poor area in Tennessee. Kids without a bright future, until the new coach arrives. Yes, that sounds like a very old, cliché tale. But keep in mind it is a documentary, and the story it tells is so powerful, so gripping, that any familiarity quickly becomes irrelevant. Even if you have no interest in American football, or in sports in general, you will love it and more than likely find yourself reaching for the Kleenex at least a few times before the credits roll.
An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.
The true story of Oscar Grant III, a 22-year-old black man on the last day of 2008, where his will to change is challenged by his past, surroundings, and the police. You’ve probably read and heard a lot about young black men’s sad recent encounters with the police, and for this reason you might feel like skipping this film. Don’t.
Produced by Academy Award winner Forest Whitaker, it is so compassionate and powerfully told, that it surpasses the sadness of its subject matter to almost be a celebration of life. It is an extraordinary and important watch.
An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending, pathetic state of war in Africa. From there it takes you to varying conclusions, most of which you will have trouble admitting you’ve reached.
As Commandant, Idris Elba is transfixing, proving once more that he is one of the best actors of our time. The whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are both mesmerizing. So, while undeniably a tough watch, on a scale of 1 to go watch this movie immediately, this film ranks a million.
You will not come out of this movie the same person you were going into it. Get ready to cry your eyes out, scream in anger, and rejoice that such a powerful love can exist in our world. DO NOT READ ANY SPOILERS OR SUMMARIES BEFORE VIEWING! This loving documentary about the father of a young boy is one of the best movies of this decade! We can’t recommend this film enough!