8 Best Documentary Movies On Mubi

Staff & contributors

They say art imitates life, but nothing gets to the heart of humanity like documentary filmmaking. Whether you want to flex your history knowledge or binge a true crime, here are the best documentaries and docuseries available to stream now.

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

, 2022

The film unfolds in the rhythm of a cow’s life: birth, mating, feeding, milking, checkups. Soon, these events become regular occurrences. Instead of showcasing the more ‘spectacular’ parts of these animal lives in order to build a narrative that's engaging in a more conventional sense, British director Andrea Arnold opts for intimacy through banal instances. Even if female cows are symbolic of labour (reared for milk, meat, and reproduction), the actual cows in the documentary are not actors in a traditional sense. Yet, Cow opens up the dialogue about the on-screen role of animals beyond the call for activism. In it, the protagonists dictate the camera movements and positions just as any other human subject would, but since Arnold is an intuitive and sharp filmmaker, she embraces the opportunity to challenge cinema's status quo. A beautiful addition here is the presence of pop music needle drops, through which the film jolts us into being more attentive, helping us to experience everything we consume in everyday life unperturbed (milk, meat, or pop songs) anew.

Genre: Documentary

Actor: Lin Gallagher

Director: Andrea Arnold

The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Werner Herzog

Director: Werner Herzog

Rating: PG

Consisting almost entirely of a single camera angle and long stretches of either silence or mundane conversation, The Plains makes for a particularly challenging—but incredibly unique—example of slow cinema. While its premise may seem almost too minimalist for its own good, the way the film is set up immediately draws us toward how distant people in the present day can be to each other despite our urbanized society. Stuck in this car with these two characters, one becomes hyperaware of how things are both moving too quickly and too slowly, and how so much of life is made up of the in-between moments. The film's fiction elements eventually break the docudrama illusion a little too bluntly (mainly through some suspiciously structured dialogue), but by then one should be too invested to want to get off.

Genre: Documentary, Drama

Actor: Andrew Rakowski, Cheri LeCornu, David Easteal, Inga Rakowski

Director: David Easteal

Whores’ Glory leads us through the hidden world of prostitution in three different countries. The lack of narration is an excellent choice here—all too often, it’s easy to accept preconceived notions about this type of work. Instead, what leads us through the film are words from the sex workers themselves and their clientele. In some ways, these words reveal their differences. The workers pray, worry about money, and share their troubles with each other, but it’s their employers and clientele who reveal their misogyny. Overall, while the Western soundtrack and glamorizing shots can be distracting, it’s clear that the film gives respect to sex workers and prioritizes their perspective.

Genre: Documentary, Drama

Director: Michael Glawogger

Rating: Not Rated

While primarily a showcase of endoscopic footage of various surgeries in different hospitals throughout Paris—which should already be enough to either make you queasy or inspire introspection into the fragility of our lives—this singular, experimental documentary places all this bloodshed in the context of the mundanity of the medical profession. Much of the film is taken up by muted conversation from the surgeons and footage of elderly patients wandering around, creating an even more surreal look into the lack of support these hospitals receive. It's far more abstract than it is educational, but its commitment to getting its hands dirty makes it an unforgettable experience.

Genre: Documentary

Director: Lucien Castaing-Taylor, Véréna Paravel

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG

With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.

Genre: Documentary

Director: Ana Vaz