12 Best Movies In Italian On Netflix

Staff & contributors
Find the best Italian-language movies to watch. These movies in Italian are: highly-rated by critics, highly-rated by viewers, and handpicked by our staff.

On their drive back from a Tinder date that was only average, a couple are pulled over by a racist police officer. Things escalate unexpectedly and the couple, one of whom is a lawyer aware of the corruptedness of the system, start a life on the run together. This thrilling set-up mixing social commentary and romance is a movie that's actually many movies in one. And almost as if to cut in-between the different tonalities, there are so many quiet and beautiful shots of the couple: silent, still or dancing - these moments are true cinematic magic. 

Genre: Crime, Drama, Mystery, Romance

Actor: Andre De'Sean Shanks, Andy Dylan, Benito Martinez, Bokeem Woodbine, Brian Thornton, Bryant Tardy, Chloe Sevigny, Colby Boothman-Shepard, Daniel Kaluuya, Dickson Obahor, Flea, Gayle King, Gralen Bryant Banks, Indya Moore, Jahi Di'Allo Winston, Jodie Turner-Smith, Joseph Poliquin, Karen Kaia Livers, Lucky Johnson, Melanie Halfkenny, Robert Walker Branchaud, Soledad O'Brien, Sturgill Simpson, Thom Gossom Jr.

Director: Melina Matsoukas

Rating: R

The Hand of God is the autobiographical movie from Paolo Sarrantino, the director of the 2013 masterpiece The Great Beauty. He recently also directed The Young Pope with Jude Law and Youth Paul Dano, both in English. He is back to his home Italy with this one. 

More precisely, he’s in his hometown Naples, in the 1980s, where awkward teenager Fabietto Schisa’s life is about to change: his city’s soccer team Napoli is buying the biggest footballer at the time, Diego Maradona.

Sarrantino, who is also from Naples, made this movie that is half a tribute to the city and half to what it meant growing up around the legend of Maradona.

The Hand of God is to Sarrantino what Roma was to Alfonso Cuarón, except it’s more vulgar, fun, and excessive. It is equally as personal though, and it goes from comedy to tragedy and back with unmatched ease.

Genre: Comedy, Drama

Actor: Alessandro Bressanello, Alfonso Perugini, Betti Pedrazzi, Birte Berg, Ciro Capano, Cristiana Dell'Anna, Daniele Vicorito, Dora Romano, Enzo De Caro, Filippo Scotti, Lino Musella, Luisa Ranieri, Marina Viro, Marlon Joubert, Massimiliano Gallo, Monica Nappo, Renato Carpentieri, Sofya Gershevich, Teresa Saponangelo, Toni Servillo

Director: Paolo Sorrentino

This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality. The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling. Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

Genre: Drama

Actor: Aleksandros Memetaj, Alessandro Borghi, Alessio De Persio, Andrea Lattanzi, Andrea Mautone, Antonio Gargiulo, Aurora Casavecchia, Bernardo Casertano, Daniela Amato, Daniele Amendola, Dora Romano, Elisa Casavecchia, Elodie Treccani, Emanuele Cerman, Federico Tocci, Francesca Tomassoni, Gaetano Aronica, Giuseppe Ragone, Italo Amerighi, Jasmine Trinca, Marco Giuliani, Massimiliano Tortora, Mauro Conte, Max Tortora, Michele Botrugno, Milvia Marigliano, Orlando Cinque, Paolo D Bovani, Pietro Faiella, Roberta Sferzi, Roberto Galano, Rodolfo Bigotti, Stefano Miglio, Vincenzo Tanassi, Walter Nestola

Director: Alessio Cremonini

Rating: TV-MA

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

The colloquial phrase "May-December" refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a sex offender after being caught having a relationship with a minor, a student of hers, 12 years old (22 years her junior). May December begins twenty years after the tabloid scandal surrounding the marriage of Joe and Gracie has died down. Elizabeth, an actress, is conducting research in preparation to play Gracie in a film production, but she doesn't know what to expect. Alongside her, we are welcomed into the family home, meet their teenage children, sit through their family dinners, marvelling at the levity and nonchalant atmosphere in the air. Something is missing, or at least that's what Elizabeth suspects. A psychological drama-thriller-black comedy, May December is impossible to pin down. A profound film on human confusion, identities, and past traumas, it unites two of the best Hollywood stars, Julianne Moore and Natalie Portman, in a delightfully eerie play of doubling and revelations.

Genre: Comedy, Drama

Actor: Allie McCulloch, Andrea Frankle, Charles Green, Charles Melton, Chris Tenzis, Cory Michael Smith, D.W. Moffett, Drew Scheid, Elizabeth Yu, Gabriel Chung, Hailey Wist, Hans Obma, Joan Reilly, Jocelyn Shelfo, Julianne Moore, Julie Ivey, Kelvin Han Yee, Lawrence Arancio, Natalie Portman, Piper Curda, Zachary Branch

Director: Todd Haynes

Rating: R

Clive Owen stars as a struggling writer who reluctantly accepts a lucrative offer to work as a croupier at a London casino. His characteristic aloofness, hatred of gambling, and sharp observational skills allow him to remain uncompromised and able to catch any attempt at cheating within his field of vision. But when a savvy professional gambler he shares an attraction with asks him to participate in a heist in an uncompromised way, he’s forced to consider playing the angles. Owen’s coolly detached performance is a marvel, and the depiction of the London casino scene is detailed and gritty, both of which make for compelling British noir.

Genre: Drama, Thriller

Actor: Alex Kingston, Alexander Morton, Barnaby Kay, Clive Owen, David Hamilton, Eddie Osei, Gina McKee, Kate Hardie, Nicholas Ball, Nick Reding, Ozzie Yue, Paul Reynolds, Rhona Mitra, Sheila Whitfield

Director: Mike Hodges

Rating: Unrated

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

Genre: Drama, Fantasy

Actor: Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Alice Rohrwacher, Antonio Salines, Carlo Massimino, Carlo Tarmati, Daria Deflorian, Daria Pascal Attolini, David Bennent, Elisabetta Rocchetti, Gala Othero Winter, Leonardo Nigro, Luca Chikovani, Natalino Balasso, Nicoletta Braschi, Pasqualina Scuncia, Sergi Lopez, Tommaso Ragno

Director: Alice Rohrwacher

Rating: PG-13

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

Nuovo Olimpo is stunning, atmospheric, and the very concept of the film – where lost love intersects with Italian cinema – is an interesting one. Starting the film’s relationship at a specific movie theater feels reminiscent of Cinema Paradiso, especially as Enea’s path mirrors Salvatore becoming a famous director. However, the film doesn’t really dive deep into this concept, nor does it add much to say with its gay romance. There’s something here about the relationship between the creator and the viewer that is undeniably interlinked, and there’s a hope that they can meet in the middle. But when the film doesn’t care about the couple’s individual paths, there are times it feels like it’s just going through the motions.

Genre: Drama, Romance

Actor: Aglaia Mora, Andrea Di Luigi, Aurora Giovinazzo, Damiano Gavino, Giancarlo Commare, Greta Scarano, Loredana Cannata, Luisa Ranieri

Director: Ferzan Özpetek

Rating: R

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laurel Marsden, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Andrea Dodero, Andrea Scarduzio, Bruno Bilotta, Dakota Fanning, David Denman, Denzel Washington, Eugenio Mastrandrea, Gaia Scodellaro, Giovanni Scotti, Lucia Zotti, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Sonia Ammar

Director: Antoine Fuqua

Rating: R