17 Best Original Movies On Mubi India

Staff & contributors

Thanks to technological and artistic innovations, in the past couple of decades inventiveness in film has become truly limitless. From novel formats to unusual scripts and cinematography, here are the most original movies and shows to stream now.

Find the best original movies to watch, from our mood category. Like everything on agoodmovietowatch, these original movies are highly-rated by both viewers and critics.

It’s a testament to Agnès Varda’s remarkable ability to glean so much raw beauty and truth from the world that this autobiographical documentary is such a rewarding watch, even for people unfamiliar with her. The Beaches finds the pioneering director in reflective mode as she looks back at her work and life, but her artistic impulses are by no means stagnant: she approaches the past with the same — if not more of the — generous candor and youthful spirit that colored her career.

It’s also a testament to Varda’s inimitable artistic touch that she turns a usually-bleak subject — mortality — into something this life-affirming. The Beaches was made when she was 81, aware of her own ticking clock and still nursing the decades-long loss of so many loved ones (chiefly, husband Jacques Demy). Just as her grief-stricken reflections don’t overwhelm the film with sadness, the whimsical impulses she indulges here — like constructing a beach on the street in front of her office — don’t blunt the sharpness of her candor. The overall effect is bittersweet and profoundly inspiring: as with the mirrors she places in front of the tide in the film's first scene, she’s showing us it’s possible to face the inescapable with a twinkle in your eye.

Genre: Documentary, Drama

Actor: Agnès Varda, Gérard Depardieu, Harrison Ford, Jane Birkin, Mathieu Demy, Robert De Niro, Rosalie Varda

Director: Agnès Varda

Though it’s without a plot, Faya Dayi nonetheless weaves a stunning, expansive narrative about khat and the people who farm it and chew its leaves for their hallucinogenic effect. The documentary seems to take place in the same hazy dreamlike stupor that khat-chewers chase: shot in luminous black and white, the film is set to a reflective rhythm that floats from folklore to contemporary stories of romantic heartbreak, migration, and oppression.

Largely featuring members of Ethiopia's Oromo community — a marginalized ethnic group — including the farmers and workers involved in khat production, Faya Dayi is a portrait of economic hardship, emotional pain, and transcendent escape that hits straight in the chest for all the rawness and yearning it depicts. (As disembodied voice-overs put it, “people chew to get away” to the khat-induced “empty and lonely hideout where no one can ever visit you, your own dark and lonely world.”) Full of textures and images that evoke all of the senses, this is virtually a 5D movie, a hypnotic out-of-body experience that floats an astonishing expanse of ideas into your head — no talky explanations needed.

Genre: Documentary

Actor: Biniam Yonas, Destu Ibrahim Mumade, Hashim Abdi, Mohammed Arif, Urji Abrahim Mumade

Director: Jessica Beshir

An early gem from Finnish maestro Aki Kaurismäki, Drifting Clouds is a deceptively simple story. The aftermath of job losses for wife Ilona (Kati Outinen) and husband Lauri (Kari Väänänen) holds a series of misfortunes, all of them tests to their marital bond. But this is only the beginning: as with Kaurismäki's endearing use of flat irony and detached performances by regular actors of his, things can only get worse before they get better. Humanism has always shined through the director's films, and this first part of a "Finland" trilogy makes no exception to the rule: the fact that labor and closeness are the two main themes (and are equally important for one's survival) already elevates the absurdist comedy to something way more caring, engaged, and ultimately, tender.

Genre: Comedy, Drama

Actor: Aarre Karén, Antti Reini, Clas-Ove Bruun, Elina Salo, Esko Nikkari, Kaija Pakarinen, Kari Väänänen, Kati Outinen, Markku Peltola, Mato Valtonen, Matti Onnismaa, Ona Kamu, Outi Mäenpää, Pentti Auer, Rose-Marie Precht, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Tero Jartti, Vesa Mäkelä

Director: Aki Kaurismäki

In Cameraperson, documentarian and cinematographer Kirsten Johnson creates an incredible patchwork of her life—and her life’s work. Johnson has been behind the camera of seminal documentaries like Citizenfour, The Invisible War, and The Edge of Joy. Here, Johnson stitches together fragments of footage, shot over 25 years, reframes them to reveal the silent but influential ways in which she has been an invisible participant in her work. 

In one segment, Johnson places the camera down in the grass. A hand reaches into the frame briefly, pulling up weeds that would otherwise obscure the shot. Cameraperson is a must-see documentary that challenges us to reconsider and reflect upon how we see ourselves and others through the camera lens, and beyond it.

Genre: Documentary

Actor: Jacques Derrida, Kirsten Johnson, Michael Moore, Roger Phenix

Director: Kirsten Johnson

Rating: Not Rated

Krzysztof Kieślowski’s drama stars Irène Jacob as two identical women living separate lives, and the intricate and indelible ways in which they are bound together. While Weronika, a Polish singer, balances her familial duties and intimate romantic relationship, a French music teacher named Véronique senses that she is not alone.

The Double Life of Véronique’s hypnotic and entrancing qualities will wash over you like a tide crashing over a bed of sand. It is a tough film to capture in words, when so much of it is just beyond words—Kieślowski’s film is one to be seen, sensed, and experienced. 

Genre: Drama, Fantasy, Mystery, Romance

Actor: Alain Frérot, Aleksander Bardini, Bogusława Schubert, Chantal Neuwirth, Claude Duneton, Gilles Gaston-Dreyfus, Guillaume de Tonquédec, Halina Gryglaszewska, Irène Jacob, Janusz Sterninski, Jerzy Gudejko, Kalina Jędrusik, Lorraine Evanoff, Louis Ducreux, Philippe Volter, Sandrine Dumas, Thierry de Carbonnières, Władysław Kowalski, Youssef Hamid

Director: Krzysztof Kieślowski

Rating: R

Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

The magic of this movie — and every other one directed by Aki Kaurismäki — is in the way it inspires so much hope despite the darkness of its subject. When a man (Markku Peltola) is beaten and robbed one night, he wakes up without any memory of who he is. Forced to start life all over again, he’s subjected to yet more cruelty at the hands of a greedy slum landlord and callous authorities, but finds sympathy and support from his equally downtrodden neighbors. Though the street thugs have emptied his wallet, the unquestioning generosity of the people around him suggests he’s now richer than he was at the film’s outset — as does the sweetly simple romance he strikes up with a lonely Salvation Army worker (Kati Outinen). 

Kaurismäki doesn’t just make films about the disenfranchised for the sake of it: he shows us how easy — and yet momentous — acts of human kindness and solidarity can be, how radical they are in a bleak world. It’s not often a movie can so persuasively reassure us of people’s inherent goodness, but it’s even rarer still for it to be done with as much deceptive, charming simplicity as here.

Genre: Comedy, Drama, Romance

Actor: Aarre Karén, Aino Seppo, Andrey Chernyshov, Anneli Sauli, Antti Reini, Elina Salo, Esko Nikkari, Janne Hyytiäinen, Juhani Niemelä, Kaija Pakarinen, Kati Outinen, Liisa Mustonen, Markku Peltola, Olli Varja, Outi Mäenpää, Panu Vauhkonen, Pentti Auer, Pertti Sveholm, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Vesa Mäkelä

Director: Aki Kaurismäki

Dogtooth is a bonkers tale about three teenagers who live an isolated life on their family’s estate due to strict rules set by totalitarian parents. Their vocabulary is limited and their perception of the world is strange. They’re taught that cats are bloodthirsty monsters, that disobedience is grounds for horrific punishment, and that the world outside the house will kill them.

Equal parts bizarrely funny and disturbingly terrifying, director Yorgos Lanthimos pulls no punches with this fascinating examination of authoritarianism. As usual with his actors, they are directed to deliver lines in a matter-of-fact, often even deadpan manner, making the escalating lies and deceptions more and more unsettling as the film goes on. Thimios Bakatakis’ cinematography also places the twisted tale in a home that has a somewhat dreamlike beauty.

Those who enjoy dark, comical situations told with dry humor will be amused by Dogtooth. Those who enjoy stories that quietly build up to gruesome conclusions will also be amused by Dogtooth. It takes a unique mind to depict nameless children being subjugated and stripped of the fundamentals of conceptualization in an isolated world, and treat it as an absurdist comedy rather than a flat-out horror film. Lanthimos does it.

Genre: Drama

Actor: Alexander Voulgaris, Angeliki Papoulia, Anna Kalaitzidou, Christos Stergioglou, Hristos Passalis, Mary Tsoni, Michele Valley, Sissi Petropoulou, Steve Krikris

Director: Yorgos Lanthimos

Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.

Genre: Comedy, Drama

Actor: Alexandru Papadopol, Andrei Mateiu, Bryan Jardine, Cezara Dafinescu, Cosmin Pădureanu, Dana Marineci, Daniel Filipescu, Hadewych Minis, Hans Löw, Hartmut Stanke, Ingrid Bisu, Ingrid Burkhard, Irene Rindje, John Keogh, Julischka Eichel, Jürg Löw, Luana Stoica, Lucy Russell, Manu Sabo, Manuela Ciucur, Michael Wittenborn, Miriam Rizea, Nicolas Wackerbarth, Niels Bormann, Ozana Oancea, Peter Simonischek, Radu Bânzaru, Ruth Reinecke, Sandra Hüller, Sava Lolov, Thomas Loibl, Trystan Putter, Ursula Renneke, Valentin Popescu, Victoria Cocias, Victoria Malektorovych, Vlad Ivanov

Director: Maren Ade

Rating: R

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He loses his wallet, his children fight, the art he oversees is does not make sense to an interviewer... Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that's just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

Genre: Drama

Actor: Anna-Stina Malmborg, Annica Liljeblad, Christopher Læssø, Christopher Laesso, Claes Bang, Daniel Hallberg, Denise Wessman, Dominic West, Elijandro Edouard, Elisabeth Moss, Geica Pruteanu, Jan Lindwall, Johan Jonason, John Nordling, Julia Sporre, Lilianne Mardon, Linda Anborg, Lise Stephenson Engström, Lise Stephenson Engström, Madeleine Barwén Trollvik, Marina Schiptjenko, Martin Sooder, Moa Enqvist Stefansdotter, Nicki Dar, Pauline Hansson, Peter Vitanen, Sarah Giercksky, Sofie Hamilton, Stefan Godicke, Terry Notary

Director: Ruben Östlund

Rating: R

Once banned by Chinese censors, Suzhou River depicts love and obsession amidst the gritty, urban underbelly of Shanghai. As the film is portrayed through an anonymous videographer, seen only by his hands, it’s easy to fall in love as he does, with the mesmerizing Meimei (Zhou Xun), performing as a mermaid in a dive bar. However, he can’t seem to trust her, as she flits in and out of his life, with no clear notice. Likewise, the tragic romance told by motorcycle courier Mardar can’t be trusted, given that the river’s inhabitants warped it into folklore. Faces can’t even be trusted, especially with the double casting of actress Zhou Xun as Meimei and as innocent rich daughter Moudan. Because of these contrasts and its ambiguity, Suzhou River sweeps us into an alluring, mysterious tale, but reminds us not to get caught by the current.

Genre: Drama, Romance

Actor: Jia Hongsheng, Nai An, Yao Anlian, Zhou Xun

Director: Lou Ye

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes

Director: Olivier Assayas

Rating: R

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

The single-take conceit of this high-camp whodunnit set in the world of competitive hairdressing is not without its knots. Without the charity of a cut, it falls on the screenplay to pull us through the film’s murder mystery in real-time, and the result contains more than a few inorganic segues, despite the cast’s best efforts at smoothing things out. What’s more, when the mystery does eventually unravel, it feels unsatisfying in a way that even a heavy round of conventional editing couldn’t resolve.

And yet, with its very game cast; razor-sharp one-liners; inspired hairdos; Robbie Ryan’s wheeling, smartly perspective-hopping cinematography; and a wry chamber-piece premise — in the midst of a cutthroat contest, a senior stylist is found with his scalp removed — Medusa Deluxe still bristles with passion and wit. It’s abundantly clear that first-time director Thomas Hardiman and his crew are as ostentatiously die-hard about their film as the catty characters are about their hair design, and the sheer force of their enthusiasm is enough to zhuzh up even the plot’s flattest moments. A feature debut doesn’t often come without flaws, but it’s equally as rare for one to be as boldly ambitious or as irreverently fun as this.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Anita-Joy Uwajeh, Clare Perkins, Darrell D'Silva, Harriet Webb, Heider Ali, John Alan Roberts, Kae Alexander, Kayla Meikle, Lilit Lesser, Luke Pasqualino, Michelle Parker, Nicholas Karimi

Director: Thomas Hardiman

When it comes to darker subjects such as suicide, an emotionally resonant, minimalistic film like this leaves an impression. The film follows Mr. Badii, a middle-aged man contemplating suicide, as he drives around Tehran searching for someone willing to bury him. Abbas Kiarostami's meticulous framing creates a sense of intimacy and introspection, allowing the audience to delve into the profound existential questions raised. The sparse dialogue, breathtaking landscapes of Tehran, and the use of natural warm lighting enhance the visual beauty and contemplation of the film. Poignant and hopeful in just twenty-four hours and one car.

Genre: Drama

Actor: Abdolrahman Bagheri, Homayoun Ershadi

Director: Abbas Kiarostami