12 Best Slow Movies On Mubi

Staff & contributors

Slow pacing is a surprisingly common factory across some of the most engrossing movies in history. If you love to take your time and bask in the scenery, check out the best slow movies and shows to stream now.

Find the best slow movies to watch, from our mood category. Like everything on agoodmovietowatch, these slow movies are highly-rated by both viewers and critics.

This French-Canadian slow-burner, written and directed by Denis Villeneuve, will pull you in with one of the best movie beginnings of all time – and its outstanding ending will leave you shaken. To fulfill their mother’s last wish after her sudden death in Montreal, the two twins Jeanne and Simon must travel separately to an unnamed Middle-Eastern country (with strong resemblances to civil-war-torn Lebanon) to deliver letters to close relatives they never knew they had.

The twins’ quest into a dark and staggering family history makes them experience themselves and the violence of war like they had never imagined. Their ordeal is interrupted by a series of flashbacks telling the story of their mother, Nawal Marwan, before leading them to uncover a deeply disturbing secret. Based on Wajdi Mouawad's 2003 play of the same name, this melodramatic war thriller takes a poetic and poignant look at how families are shaped by atrocities – even long the after wars that produced them have ended.

Genre: Drama, Mystery, War

Actor: Abdelghafour Elaaziz, Ahmad Massad, Allen Altman, Baraka Rahmani, Baya Belal, Dominique Briand, Hamed Najem, Hussein Sami, Jackie Sawiris, John Dunn-Hill, Karim Babin, Lara Atalla, Lobna Azabal, Lubna Azabal, Mélissa Désormeaux-Poulin, Majida Hussein, Maxim Gaudette, Mélissa Désormeaux-Poulin, Mohamed Majd, Mustafa Kamel, Nabil Sawalha, Nadia Essadiqi, Rémy Girard, Rémy Girard

Director: Denis Villeneuve

Rating: R

Clocking in at just over four hours and shot in vivid color, Norte, the End of History stands not only as Filipino auteur Lav Diaz's best work since his earliest films, but as the easiest entry point into his unique filmography. Told on a sweeping yet intimate scale, the film has all the trademarks of Diaz's work: slow, lengthy shots; bursts of dense dialogue and philosophizing; and copious amounts of human despair and systemic corruption. As our three protagonists' souls (who rarely share the screen, if at all) are pushed to the limit after a terrible crime is committed, everything heads toward universal truths—the perseverance of love, and the inevitability of divine justice.

It can be difficult to recommend any film of this length and deliberate pace, but Norte remains a masterful example of how to use time itself to build a monumental story.

Genre: Crime, Drama

Actor: Angeli Bayani, Archie Alemania, Hazel Orencio, Mae Paner, Mailes Kanapi, Moira Lang, Noel Sto. Domingo, Perry Dizon, Sheenly Gener, Sid Lucero, Soliman Cruz

Director: Lav Diaz

In Things to Come, life tests a philosophy professor on the very same subject she teaches. For Nathalie (Isabelle Huppert) — who has two grown-up children, a husband of 25 years, and a recurring publishing contract — the future isn’t something she gives much thought, because she assumes it’ll be more of the same. When her students protest against a law to raise the pension age, this middle-aged ex-anarchist can’t bring herself to engage with their apparently far-sighted cause; unlike them, all she can think about is the present. But then a series of events overturn her life as she knew it and she finds herself, at middle age, staring at a blank slate.

This is a movie about our surprising ability to deal with disaster — the instincts that emerge when we least expect them to. What’s more, it’s about the insistence of life to keep going no matter how difficult a period you’re experiencing — something that might initially seem cruel but that is, actually, your salvation. The film’s academic characters and philosophical preoccupations never feel esoteric, because Hansen-Løve’s gentle, intelligent filmmaking puts people at its center as it explores human resilience — not through stuffy theory, but an intimate study of someone coming to terms with a freedom she never asked for.

Genre: Drama

Actor: André Marcon, Charline Bourgeois-Tacquet, Edith Scob, Edward Chapman, Elie Wajeman, Élise Lhomeau, Grégoire Montana-Haroche, Guy-Patrick Sainderichin, Isabelle Huppert, Jean-Charles Clichet, Julianne Binard, Lina Benzerti, Lionel Dray, Margaretta Scott, Olivier Goinard, Rachel Arditi, Ralph Richardson, Raymond Massey, Roman Kolinka, Sarah Le Picard, Solal Forte, Yves Heck

Director: Mia Hansen-Løve, Mia Hansen-Løve, William Cameron Menzies

Rating: Not Rated, PG-13

Slow cinema might be an acquired taste for many viewers, but Tsai Ming-liang's gorgeous feature debut about Taiwan's aimless youth should have enough mystery and suspense to draw anybody in. They key, as with many of these films, isn't to demand that things happen or actions get explained, but to surrender to every possibility and suggestion of what might be motivating these characters beneath the surface. And through patient, perceptive observation, Tsai gives us so much to chew on: the sleeplessness of urban life, the unpredictability of relationships, and most importantly the morality that forms when a disillusioned young man fully embraces his being an outcast.

And if nothing else, Tsai provides us with some of the most beautiful and honest images of city life around. It's hard to describe, but just the neon-lit arcade halls and dingy hotel rooms are enough to let you into who these characters are. It's an experience not to be missed.

Genre: Crime, Drama, Romance

Actor: Chen Chao-jung, Lee Kang-sheng, Lu Yi-Ching, Miao Tian, Miao Tien, Wang Yu-wen, Yu-Wen Wang

Director: Tsai Ming-liang

It’s hard not to watch The Unknown Country and think of Nomadland: along with similarities in their Terrence Malick-inspired visuals, both films follow lone women seeking catharsis on the road as they grieve profound losses. But Morrisa Maltz’s debut feature is a decidedly lower-key, more spiritual affair — and is all the better for it.

The film is light on plot exposition, but it’s clear from her soft melancholy that Tana (Lily Gladstone) has set off on this road trip following a personal loss, a meandering journey that takes her from freezing Minnesota to Oglala Lakota reservations in South Dakota and down through Texas. Along the way, she reunites with loved ones and crosses paths with total strangers, all of whom are played by charismatic non-professional actors whose real life stories earn as much of the spotlight as Tana’s impressionistically shot journey. These moments of documentary, Gladstone’s naturalistic performance, Andrew Hajek’s contemplative images of lush American landscapes, and the film’s aversion to outright drama enrich the fictional elements by grounding them in earthy reality. There aren’t many more emotionally rewarding ways to spend 80-ish minutes than watching this poignant meditation on the tangled richness of human lives and the land we live on.

Genre: Drama

Actor: Devin Shangreaux, Lainey Bearkiller Shangreaux, Lily Gladstone, Raymond Lee, Richard Ray Whitman

Director: Morrisa Maltz

Rating: NR

On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. 

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do. 

Genre: Drama

Actor: Berta Pipó, Jordi Pujol Dolcet

Director: Carla Simón

Consisting almost entirely of a single camera angle and long stretches of either silence or mundane conversation, The Plains makes for a particularly challenging—but incredibly unique—example of slow cinema. While its premise may seem almost too minimalist for its own good, the way the film is set up immediately draws us toward how distant people in the present day can be to each other despite our urbanized society. Stuck in this car with these two characters, one becomes hyperaware of how things are both moving too quickly and too slowly, and how so much of life is made up of the in-between moments. The film's fiction elements eventually break the docudrama illusion a little too bluntly (mainly through some suspiciously structured dialogue), but by then one should be too invested to want to get off.

Genre: Documentary, Drama

Actor: Andrew Rakowski, Cheri LeCornu, David Easteal, Inga Rakowski

Director: David Easteal

It doesn’t feel quite right to call Pacifiction a political thriller — at 2 hours 45 minutes and with an unhurried, dreamlike pace, it’s hardly the adrenaline rush that that categorization suggests. But Albert Serra’s film is still suffused with all the paranoia and intrigue that the genre promises, just at a slower burn. The specters of colonialism and nuclear apocalypse hang low over the movie, which is set in an idyllic Tahiti, where Benoît Magimel’s Monsieur De Roller is stationed as France’s outgoing High Commissioner, a bureaucratic relic of the country’s imperialist history. As shady figures and strange rumors about a military submarine begin to arrive on the island, a paranoid De Roller struggles to exert political control — and, in the process, seems to lose some of his own sanity. With an ethereal score, defiantly murky plot, hallucinatory cinematography, and some of humanity’s greatest horrors hanging over it like a pall, Pacifiction feels like a fever dream in the truest sense.

Genre: Drama, Thriller

Actor: Benoit Magimel, Cécile Guilbert, Marc Susini, Montse Triola, Sergi Lopez

Director: Albert Serra

Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

, 2013

Ida, the 2015 Academy Award for Best Foreign Language Film, is a stark black & white drama set in the early 60’s about a young Polish nun-to-be and her bawdy Aunt Wanda searching for the truth behind her family’s demise at the hands of the Nazis. What initially comes off as a painfully slow sleep-inducer pretty quickly evolves into a touching and lively contrast between the two lead characters; one virtuous and pure, the other boorish and hedonistic. Their journey is equal parts amusing, insightful and heartbreaking, with Ida’s personal exploration of self playing out as a remarkably humanistic affair. The cinematography by Lukasz Za and Ryszard Lenczewski is particularly striking, each shot a work of art in it’s own right. Logging in at just 82 minutes, the entire story whizzes by in a flash. The kind of film that will stay with you long after you’ve watched it.

Genre: Drama

Actor: Adam Szyszkowski, Agata Kulesza, Agata Trzebuchowska, Artur Janusiak, Dawid Ogrodnik, Dorota Kuduk, Halina Skoczynska, Izabela Dąbrowska, Jerzy Trela, Joanna Kulig, Marek Kasprzyk, Mariusz Jakus, Paweł Burczyk

Director: Paweł Pawlikowski

Rating: PG-13

A very particular dark comedy. If it’s for you, you’ll find it to be hilarious and thought provoking. If not, you might find it too weird and a bit slow. The movie centers around the relationships between couples having brunch together one morning and what happens when they are hit by a weird tragedy. Not only do you get to learn a lot about the characters, it offers you the opportunity to put yourself in their unlikely situation. Watch this movie with a friend and you'll have a lot to talk about for sure, it as one of the best endings I've ever seen in a movie. It's one of those films you can't say too much about without giving it away, but it's definitely worth the watch.

Genre: Drama

Actor: Kevin M. Brennan, Laura Adkin, Rachel Boston

Director: Todd Berger

Rating: 15

With expired film stock, seemingly random shots, not much dialogue, and virtually no plot, there is little to recommend It is Night in America for casual viewing. It is definitely experimental, and as director, editor, and sound designer Ana Vaz presents these shots of animals and urban landscapes, it doesn’t feel like it’s meant for entertainment. But there’s a curiously poignant tone, with the blue tint darkening the cityscape, in their eyes. Night falls for these creatures, who once had a home in this city, and all they can do is survive. É Noite na América isn’t quite the eco-horror it proclaims to be, but its moody and trancelike direction is an interesting approach to the nature documentary genre.

Genre: Documentary

Director: Ana Vaz