17 Best Weird Movies On Fubo

Staff & contributors

What’s absurd to one viewer could just be mildly odd for the next. But if you love anything highly unusual, this list is a good start. Here are the best weird movies and shows to stream, from the avant-garde to the surreal.

Find the best weird movies to watch, from our mood category. Like everything on agoodmovietowatch, these weird movies are highly-rated by both viewers and critics.

David Lynch's star-studded provocation Blue Velvet was both revered and criticised upon its release because of how heavily it leans on sexuality and violence to advance its plot, but today the film's hailed as a contemporary masterpiece. Still, scenes with that kind of content are quite hard to stomach in combination with Isabella Rossellini's depiction of an unstable, delicate singer named Dorothy. But Dorothy is surely not in Kansas anymore... It takes a young college student (Jeffrey Beaumont played by Kyle McLachlan) who becomes fascinated with her as part of his self-appointed detective quest, to uncover deep-rooted conspiracies. In his endeavours, Jeffrey is joined by butter blonde Sandy (Laura Dern), and the twisted love triangle they form with Dorothy in the middle is one for the ages. Dennis Hooper stars as one of the most terrifying men on screen and Lynch regular Angelo Badalamenti scores the film with an eerie precision like no other. 

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Angelo Badalamenti, Brad Dourif, Dean Stockwell, Dennis Hopper, Donald Moore, Frances Bay, George Dickerson, Hope Lange, Isabella Rossellini, J. Michael Hunter, Jack Nance, Ken Stovitz, Kyle MacLachlan, Laura Dern, Peter Carew, Priscilla Pointer

Director: David Lynch

Rating: R

A wacky viral story — the kind that gets played for laughs at the end of news broadcasts — gets uncommonly deep consideration in this documentary gem. That’s not to say that Finders Keepers ignores the surreal comedy of the situation that John Wood and Shannon Whisnant, two star-crossed North Carolina men, found themselves in in 2007: battling over the custody rights of John’s mummified amputated leg. The humor in this bizarre tale and all the myriad eccentricities of its real-life characters is never left untapped, but to simply focus on that would add nothing new to the way the story had been told thus far. 

Unlike the many clips from news segments and reality TV that we see in the film, Finders Keepers instead looks beyond the low-hanging fruit and finds deep pathos simmering under the surface of this wacky tale. What emerges is a complex, often tragic, and very American picture of the way traumas shape our lives, the addictive pull of drugs and attention, and fate’s habit of twisting nightmares into blessings and vice versa. It’s the kind of film that makes you wonder how many other unexpectedly poignant stories have been short-changed by our impulse to be flippant.

Genre: Documentary

Actor: John Wood, Shannon Whisnant

Director: Bryan Carberry, J. Clay Tweel

Rating: R

Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle's critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle's Whiplash, or the dreaminess of La La Land, Babylon's restlessness doesn't resemble Hollywood spectacle so much as it begins to feel like an unscratchable itch, desperate to feel anything. The film ends up trying to say so much that it threatens to say nothing at all, but its vision of cinema becoming reality is so potent that just the experience is more than worth getting lost in.

Genre: Comedy, Drama

Actor: Aaron Oltman, Albert Hammond Jr., Alex Reznik, Alexandre Chen, Andrew Hawtrey, Anna Chazelle, Ariel Flores, Armando Cosio, Benjamin Jacobson, Bob Clendenin, Brad Pitt, Bregje Heinen, Bryan Scott Johnson, Chloe Fineman, Chris Doubek, Christopher Allen, Cici Lau, Circus-Szalewski, Cyrus Hobbi, Danny Jolles, David Abed, David Ury, Dean Anderson, Diego Calva, E.E. Bell, Eamon Hunt, Eric Roberts, Ethan Suplee, Evan Greer, Flea, Frederick Koehler, Freya Parker, Hansford Prince, J.C. Currais, James Crittenden, James Vincent, James Wellington, Jean Smart, Jeff Garlin, Jennifer Grant, Jeremy Roberts, Jim O'Brien, Jimmy Ortega, Joe Dallesandro, Joey de Leon, John Kerry, John Macey, John Mariano, John Polite, Johnny Britt, Jonathan Ohye, Jordan Seigel, Jovan Adepo, Kaia Gerber, Karen Bethzabe, Karina Fontes, Karolina Szymczak, Katherine Waterston, Katia Gomez, Kenajuan Bentley, Kevin Symons, Kevin Toney, Lewis Tan, Li Jun Li, Lukas Haas, Marc Platt, Marcos A. Ferraez, Margot Robbie, Mather Zickel, Max Minghella, Mike C. Manning, Miraj Grbić, Nana Ghana, Olivia Hamilton, Olivia Wilde, P. J. Byrne, Pat Skipper, Patrick Fugit, Pete Ploszek, Phoebe Tonkin, Ric Sarabia, Robert Beitzel, Robert Morgan, Rory Scovel, Ryan Porter, Samara Weaving, Sarah Ramos, Sean O'Bryan, Shane Powers, Sol Landerman, Spike Jonze, Taylor Hill, Taylor Nichols, Terry Walters, Tobey Maguire, Todd Giebenhain, Trisha Simmons, Troy Metcalf, Vanessa Bednar, Walker Hare, William Roper

Director: Damien Chazelle

Rating: R

There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.

Genre: Documentary, Drama

Actor: David Farrier

Director: David Farrier, Dylan Reeve

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R

Filmed as a “found footage” of a Norwegian college film crew investigating local poachers, this movie really surprised me. To be fair, I didn’t really know what to expect. But I definitely didn’t expect to like this movie as much as I did. The pacing is on point. The suspense hits you at just the right times. There are a few drops of humour trickled throughout to keep a smile on your face. And that’s how my face stayed when the credits rolled.

Genre: Action, Comedy, Drama, Fantasy, Horror

Actor: André Øvredal, Anton Yelchin, Eirik Bech, Glenn Erland Tosterud, Hans Morten Hansen, Inge Erik Henjesand, Johanna Mørck, Johanna Mørck, Kelsey Grammer, Knut Nærum, Knut Nærum, Lexi Medrano, Otto Jespersen, Robert Stoltenberg, Tomas Alf Larsen, Torunn Lødemel Stokkeland, Urmila Berg-Domaas

Director: André Øvredal, André Øvredal

Rating: PG-13

Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis

Director: Amr Salama

, 2023

Jules’ wacky premise — an extra-terrestrial crash-lands in eccentric widower Milton’s (Ben Kingsley) flowerbeds — is a bit of a misdirection. While the movie is technically a sci-fi (featuring, as it does, some very out-there alien engineering), it’s really a charming, mostly-human drama about the isolation and surreality of aging. 

Though the mute presence of the alien (nicknamed Jules and played brilliantly by a totally silent Jade Quon) is a constant reminder of the expansiveness of the universe and strange wonders yet to be discovered, the movie keeps its feet firmly on the ground with a sensitive exploration of just how small the worlds of lonely, dementia-struck Milton and two other isolated elderly townspeople (Jane Curtin and Harriet Sansom Harris) are. Rather than expand outwards into a story about the extra-terrestrial itself, Jules focuses on the painful disorientation felt by its lonely trio of protagonists, who all find therapeutic relief and connection by way of the alien and its “understanding eyes.” Though the movie's zany forays into sci-fi territory do sometimes boggle the mind, they never undermine the genuine emotion in Jules’ raw grappling with the experience of aging, as well as give the movie a quirky charm that ensures you won't see anything like this again soon — an increasingly rare experience in itself.

Genre: Comedy, Drama, Science Fiction

Actor: Andy Daly, Anna George, Ben Kingsley, Cody Kostro, Donald Paul, Edward James Hyland, Eric T. Miller, Harriet Sansom Harris, Jade Quon, Jane Curtin, Lee Sellars, Patrick Noonan, Teddy Cañez, Zoe Winters

Director: Marc Turtletaub

Rating: PG-13

Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Genre: Drama, Romance

Actor: Ali Amine, Anton Yelchin, Aurélie Thépaut, Carter Logan, Ego Sensation, Jeffrey Wright, John Hurt, Mia Wasikowska, Slimane Dazi, Tilda Swinton, Tom Hiddleston, Wayne Brinston, Yasmine Hamdan

Director: Jim Jarmusch

Rating: R

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Yong-nyeo, Moon Chang-gil, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård. After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed. Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.

Genre: Action, Comedy, Crime, Thriller

Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann

Director: Hans Petter Moland

Rating: R

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are.

Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well. 

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original. 

 

Genre: Drama, Fantasy, Horror, Mystery, Thriller

Actor: Anders Mossling, Camilla Belsvik, Eili Harboe, Ellen Dorrit Petersen, Grethe Eltervag, Henrik Rafaelsen, Ingrid Jørgensen Dragland, Ingrid Unnur Giæver, Irina Eidsvold Tøien, Isabel Christine Andreasen, Kaya Wilkins, Lars Berge, Marte Magnusdotter Solem, Sigve Bøe, Steinar Klouman Hallert, Tom Louis Lindstrøm, Vanessa Borgli

Director: Joachim Trier

Rating: Not Rated

A black and white movie, A Coffee in Berlin is an early Woody Allen reminiscent film with a great emphasis on the emotions it handles.  It flows naturally, telling the story of Niko, a young college dropout in a period of his life where he has to face loneliness and lack of money and success. He goes from observing the people of Berlin to first realizing he is becoming a stranger to them and then lastly deciding to do something about his life. It's a whimsical German film with a lot of heart, as much of a tribute to youth as it is a tribute to the city of Berlin.

Genre: Comedy, Drama

Actor: Alexander Altomirianos, Andreas Schroders, Annika Ernst, Arnd Klawitter, Fred Aaron Blake, Frederick Lau, Friederike Kempter, Inga Birkenfeld, Justus von Dohnányi, Katharina Schüttler, Katharina Schüttler, Leander Modersohn, Lis Böttner, Marc Hosemann, Martin Brambach, Michael Gwisdek, Robert Hofmann, Rolf Peter Kahl, Sanne Schnapp, Steffen Jürgens, Theo Trebs, Tim Williams, Tom Schilling, Ulrich Noethen

Director: Jan-Ole Gerster

Rating: Not Rated, Unrated

The Cabin in the Woods came to be as Buffy The Vampire Slayer writers Drew Goddard and and Joss Whedon set themselves on a mission to upgrade the slasher genre. With this film, they wanted to satirize the way it slips into torture porn. In other words, they aspired to make a clever, punchy new classic. Amassing a 30 million dollar budget attests to their hopes: a massive backend of VFX work provided an elaborate film world, where different levels of 'reality' are at play. As six college students head into the woods to spend a debaucherous weekend undisturbed, a whole underground laboratory monitors their every move. It appears that a big operation is underway to trap the unsuspecting crowd into a curated murder scenario, straight out of a horror movie. Among the victims, we see Chris Hemsworth at the time his career was just taking off, so that's history in the making for you.

Unfortunately, in its devotion to provocatively render some horror tropes irrelevant, The Cabin in the Woods cannot help but reinforce others. It still carries the whiff of the late 2000s' misogyny in the way it portrays women and it certainly doesn't try hard enough to disrupt the genre's opposition to female sexuality. The characters of Dana (the virgin) and Jules (the experienced one) are sure to make you wince, as they're written as flat as a piece of paper. So you say no to torture porn, but embrace misogyny...?

Genre: Fantasy, Horror

Actor: Adrian Holmes, Amy Acker, Anna Hutchison, Aya Furukawa, Brad Dryborough, Bradley Whitford, Brian J. White, Chelah Horsdal, Chris Hemsworth, Dan Payne, Dan Shea, Ellie Harvie, Fran Kranz, Greg Zach, Heather Doerksen, Jesse Williams, Jodelle Ferland, Kristen Connolly, Lori Stewart, Matt Drake, Nels Lennarson, Patrick Gilmore, Patrick Sabongui, Peter Kelamis, Phillip Mitchell, Richard Cetrone, Richard Jenkins, Rukiya Bernard, Sigourney Weaver, Terry Chen, Terry Notary, Tim DeZarn, Tom Lenk

Director: Drew Goddard

Rating: R