11 Movies Like Carol (2015) On Netflix UK

Staff & contributors

Chasing the feel of watching Carol ? Here are the movies we recommend you watch right after.

Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.

If you're a fan of the Beach Boys' legacy, or you want to find out more about Wilson, the person, this movie will give you what you need. It has been widely praised as being true to the facts – even by Bryan Wilson himself. But thanks, in part, to the incredible writing by Oscar-nominated Oren Moverman and the work of director Bill Pohlad, this is much more than a fact-based fictionalization of a famous musician's biography. It is a singularly convincing account of the artistic process and the effects of mental illness.

Love and Mercy tells the tale of two Bryan Wilsons: the first of a young and slightly square-looking musical pioneer in the 1960s, when Wilson was working on Pet Sounds, the Beach Boys' most ambitious and ground-breaking album. Paul Dano's performance here is nothing short of perfect. And, second, the tale of the tormented, middle-aged Bryan Wilson, played by John Cusack, during a time when he was under treatment for his deteriorating mental health in the late 1980s. The juxtaposition of these two very different people and the brilliant performances of Cusack and Dano will completely absorb you and change the way you look at things. A unique and beautiful film!

Genre: Drama, History, Music

Actor: Bill Camp, Brett Davern, Carolyn Stotesbery, Dee Wallace, Diana Maria Riva, Dylan Kenin, Elizabeth Banks, Erica Jenkins, Erik Eidem, Erin Darke, Fred Cross, Graham Rogers, Haylee Roderick, Jake Abel, Jeff Galfer, Jeff Meacham, Joanna Going, John Cusack, Johnny Sneed, Kenny Wormald, Max Schneider, Misha Hamilton, Nick Gehlfuss, Paul Dano, Paul Giamatti, Tyson Ritter, Wayne Bastrup

Director: Bill Pohlad

Rating: PG-13

Being an intimate, black-and-white portrayal of just two people, it is worth mentioning the two leads in the very first sentence: Blue Jay stars the incredibly versatile Sarah Paulson, who most of you will know from her depiction of Marcia Clark in The People vs. O.J., and Mark Duplass from Creep. In this incredibly intricate dialogue-driven drama, he is of course named Jim, a regular guy with some issues, who runs into his high-school sweetheart Amanda at the grocery store. She is only in town briefly because her sister is having a baby. Amanda agrees to have coffee with him, later they get beer and jellybeans, and find themselves recreating silly tapes at his late mother's house that they use to make when they were still at school. This could quickly become a soppy affair if it wasn't for the heart-felt realness of the acting, for lack of a better term, and all the fine details that the two leads bring to the screen. The chemistry between them is something to behold!

Genre: Drama, Romance

Actor: Alex Lehmann, Clu Gulager, James Andrews, Mark Duplass, Sarah Paulson

Director: Alex Lehmann, Alexandre Lehmann

Rating: Not Rated, Unrated

More simply called La Vie d'Adèle in its native language, this French coming-of-age movie was hugely successful when it came out and was probably one of the most talked-about films of the time. On the one hand, the usual puritans came to the fore, criticizing the lengthy and graphic sex scenes. On the other hand, Julie Maroh, who wrote the source material that inspired the script, denounced Franco-Tunisian filmmaker Abdellatif Kechiche for directing with his d*ck, if you don't mind me saying so, while also being an on-set tyrant. Whatever you make of this in hindsight, the only way to know is to watch this powerfully acted drama about the titular Adèle (Adèle Exarchopoulos), and her infatuation with Emma, a free-spirited girl with blue hair, played by Léa Seydoux. The film beautifully and realistically portrays Adele's evolution from a teenage high-school girl to a grown, confident woman. As their relationship matures, so does Adèle, and she slowly begins to outgrow her sexual and philosophical mentor. Whatever your final verdict on the controversial sex scene, Blue Is the Warmest Color is without doubt an outstanding film as are the performances from Exarchopoulos and Séydoux.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Alain Duclos, Alika Del Sol, Alma Jodorowsky, Anne Loiret, Aurélien Recoing, Aurelie Lemanceau, Aurélien Recoing, Baya Rehaz, Benjamin Siksou, Benoît Pilot, Benoît Pilot, Bouraouïa Marzouk, Camille Rutherford, Catherine Salée, Catherine Salée, Éric Paul, Fanny Maurin, Halima Slimani, Jérémie Laheurte, Jérémie Laheurte, Judith Hoersch, Justine Nissart, Karim Saidi, Klaim Nivaux, Léa Seydoux, Maelys Cabezon, Maud Wyler, Mona Walravens, Quentin Médrinal, Salim Kechiouche, Samir Bella, Sandor Funtek

Director: Abdellatif Kechiche

Rating: NC-17

Disclosure is a patient and articulate study of the ways movies have physically conditioned us to respond to certain expressions of queerness with fear, disgust, or laughter. But it also serves as a reminder that trans bodies have been represented on screen for as long as movies have existed—making it all the more unacceptable that we still often only see reductive and harmful stereotypes of trans people over 100 years since the birth of cinema. However, Disclosure is far from a "takedown" designed to make viewers feel bad. At the end of it all this remains a celebration film's power to dignify perspectives we rarely get to see through, and it's one of the nerdiest and most passionate trips through film history you could hope to have.

Genre: Documentary

Actor: Ajita Wilson, Alexandra Billings, Alexandra Grey, Angelica Ross, Anne Heywood, Arsenio Hall, Barbra Streisand, Blanche Sweet, Brian Michael Smith, Caitlyn Jenner, Candis Cayne, Candy Darling, Carmen Carrera, Cathy Moriarty, Chaz Bono, Chloe Sevigny, Chris Sarandon, Christine Jorgensen, Crystal LaBeija, Dana Wynter, Daniela Sea, Daniela Vega, David E. Harrison, Divine, Dorian Corey, Dustin Hoffman, Eddie Redmayne, Elliot Fletcher, Eric Gurry, Esme Percy, Ethel Lloyd, Flip Wilson, Gary Collins, Georges Du Fresne, Glenn Close, Hailie Sahar, Harry Langdon, Henry B. Walthall, Hilary Swank, Holly Woodlawn, Jackie Curtis, James Garner, Jamie Clayton, Janet McTeer, Jared Leto, Jaye Davidson, Jazzmun, Jean Harlow, Jeffrey Tambor, Jen Richards, Jim Carrey, Joan Rivers, John Gavin, John Lazar, John Lithgow, John Lone, Julie Andrews, Junior LaBeija, Katie Couric, Kim Kardashian, Lady Chablis, Laverne Cox, Leo Sheng, Lesley Ann Warren, Lilly Wachowski, Mandy Patinkin, Marquise Vilson, Mary Badham, Matthew McConaughey, Mercedes Ruehl, Michael Blodgett, Michael D. Cohen, Michaela Jaé Rodriguez, Milton Berle, Mya Taylor, Nick Adams, Octavia St. Laurent, Oprah Winfrey, Paris Dupree, Pepper LaBeija, Peter Scolari, Phil Donahue, Raúl Juliá, Ray Charles, Robert Preston, Roscoe 'Fatty' Arbuckle, Roscoe Arbuckle, Sandra Caldwell, Sean Young, Ser Anzoategui, Stephen Rea, Susan Stryker, Sylvia Rivera, T.C. Jones, Tom Hanks, Trace Lysette, Veronica Redd, Vivian Vance, Wendy Williams, William Hurt, Yance Ford, Zackary Drucker

Director: Sam Feder

Rating: R

, 2014

It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.

You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.

Genre: Comedy, Drama

Actor: Abram Rooney, Adam Ewan, Alexander Perkins, Andrew Scott, Ben Schnetzer, Bill Nighy, Bryan Parry, Chris Overton, Christian Patterson, Dean Ashton, Deddie Davies, Derek Barr, Dominic West, Dyfan Dwyfor, Ed Coleman, Faye Marsay, Freddie Fox, George MacKay, Giles Cooper, Henry Garrett, Imelda Staunton, Jack Baggs, Jaimi Barbakoff, James McGregor, Jâms Thomas, Jessica Gunning, Jessie Cave, Jim McManus, Johnny Gibbon, Jordan Metcalfe, Joseph Gilgun, Joseph Wilkins, Joshua Hill, Julie Barclay, Karina Fernandez, Kyle Rees, Lauren Johns, Lee Shepherd, Lisa Palfrey, Liz White, Matthew Flynn, Matthew Seadon-Young, Matthew Tennyson, Menna Trussler, Monica Dolan, Neal Barry, Nia Gwynne, Olwen Medi, Paddy Considine, Rhodri Meilir, Richard Shanks, Roger Morlidge, Ross Waiton, Russell Tovey, Sean Hart, Sophie Evans, Tomos Eames, Will Haddington

Director: Matthew Warchus

Rating: R

“As fragile as she was strong, as vulnerable as she was dynamic, she was African royalty. How does royalty stomp around in the mud and still walk with grace?”. What Happened, Miss Simone? will surprise you no matter how much you thought you knew about the soul singer - not only in its exploration of Nina Simone’s personal life and complexities, but by being both a personal and political documentary. As you discover an original singer with talents that reach all the way to performance art, you will also learn about a Civil Rights activist’s journey and an unstable woman’s struggle. The documentary is not about answering the question of what happened, Miss Simone? – it’s an exploration of why that question is so important.

Genre: Documentary, Music

Actor: Dick Gregory, Elisabeth Henry-Macari, James Baldwin, Lisa Simone, Liz Garbus, Nina Simone, Stokely Carmichael, Walter Cronkite

Director: Liz Garbus

Rating: Not Rated

If you’ve never heard of Sonia Braga, you’re in for a ride with this movie. She is, in my opinion, one of the best actresses alive today. In Aquarius, she stars as a 65-year-old trying to keep the home in which she pledged to die. In a quiet, yet stoically powerful performance, she reminds us that identity often intersects with the spaces in which we live.

Genre: Drama

Actor: Allan Souza Lima, Arly Arnaud, Bárbara Colen, Bruno Goya, Buda Lira, Carla Ribas, Clarissa Pinheiro, Daniel Porpino, Edilson Silva, Fábio Leal, Fernando Teixeira, Germano Melo, Humberto Carrao, Irandhir Santos, Joana Gatis, Julia Bernat, Kleber Mendonça Filho, Lula Terra, Maeve Jinkings, Pedro Queiroz, Rubens Santos, Sônia Braga, Tavinho Teixeira, Thaia Perez, Zoraide Coleto

Director: Kleber Mendonça Filho

Rating: Not Rated

Charlotte Rampling and Tom Courtenay both won Berlinale Best Actress and Best Actor for this movie. They play a couple who are only a few days away from their 45th marriage anniversary when they learn that the remains of the husband’s first lover have been found. He then starts obsessing about his previous relationship, to the extent that when the day of the anniversary comes, there might not be a marriage left to celebrate. This is a very ‘adult’ movie – it’s quiet, sometimes slow, very well-executed, and overall a fascinating look at marriage.

Genre: Drama, Romance

Actor: Camille Ucan, Charlotte Rampling, David Sibley, Dolly Wells, Geraldine James, Hannah Chalmers, Richard Cunningham, Rufus Wright, Sam Alexander, Tom Courtenay

Director: Andrew Haigh

Rating: R

A Kurdish-Iraqi immigrant runs into serious immigration problems as he tries to immigrate from France to England in order to be reunited with his girlfriend. Eventually he begins to train in swimming, in an attempt to swim the channel between France and England. Welcome is a gripping tale of tolerance as well as relationships between locals and immigrants. It also gives a great look into the shortcoming of the European immigration system, and will have you crying by the end of it, no question.

Genre: Drama, Romance

Actor: Audrey Dana, Behi Djanati Atai, Blandine Pélissier, Bruno Tuchszer, Carine Bouquillon, Derya Ayverdi, Emmanuel Courcol, Éric Herson-Macarel, Firat Ayverdi, Firat Celik, Florence Hebbelynck, Jacques Herlin, Jean-François Fagour, Jean-Paul Comart, Jean-Pol Brissart, Joakim Latzko, Mehmet Selim Akgul, Murat Subasi, Olivier Rabourdin, Patrick Ligardes, Thierry Godard, Vincent Lindon, Vincent Pietton, Yannick Renier

Director: Philippe Lioret

Rating: Not Rated, Unrated

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

Genre: Drama

Actor: Abdullrahman Al Gohani, Ahd, Alanoud Sajini, Dana Abdullilah, Haifaa Al-Mansour, Rafa Al Sanea, Reem Abdullah, Sultan Al Assaf, Waad Mohammed

Director: Haifaa al-Mansour

Rating: PG

, 2015

This  exploration of the complex and loving relationship between a mother and her son will take you through a variety of emotions: it's uplifting, disturbing, provocative, sad, and hopeful. We don't get many of these middle-class-budget films anymore, and this one might be one of the category's best.

A kidnapped girl (Brie Larson) has a son after being raped by her abductor. She tries to provide a "normal" environment for the kid in the room where they're being held captive until they can escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

Genre: Drama, Thriller

Actor: Amanda Brugel, Brie Larson, Cas Anvar, Chantelle Chung, Graeme Potts, Jack Fulton, Jacob Tremblay, Jee-Yun Lee, Joan Allen, Joe Pingue, Justin Mader, Kate Drummond, Katelyn Wells, Matt Gordon, Megan Park, Ola Sturik, Randal Edwards, Rodrigo Fernandez-Stoll, Rory O'Shea, Sean Bridgers, Tom McCamus, Wendy Crewson, William H. Macy, Zarrin Darnell-Martin

Director: Lenny Abrahamson

Rating: R