7 Movies Like The Wrestler (2008) On Tubi

Staff & contributors

Chasing the feel of watching The Wrestler ? Here are the movies we recommend you watch right after.

In 2008, legendary and controversial director Darren Aronofsky delivered yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime, who is struggling to retain a sense of identity, purpose, and dignity later in life. Rourke, who worked as a professional boxer in his 90s and, like his protagonist, almost hung his hat at the time the movie was shot, delivers a once-in-a-lifetime performance that rightly earned him a Golden Globe. Everybody talked about this movie when it came out! Marisa Tomei's performance, who plays the mid-40s stripper The Ram pursues a serious relationship with, was also deemed iconic by some critics. Shot on 16mm film, The Wrestler's cinematography, like its acting, feels incredibly raw, intimate, and realistic. It is essentially about bouncing back, making amends, and growing old and features acting performances that will be remembered for a long time. One for the books!

The self destructive, substance abusing history teacher Dan (Ryan Gosling) works in a Brooklyn middle-school and is constantly at odds with the curriculum, preferring to teach 13 year old kids Marxist theory in class. Meanwhile, his student Drey (Shareeka Epps) has to go through struggles of her own, her brother being in jail on drug charges and her single mother having to work long hours to make ends meet. Slowly, an unlikely and tender friendship between teacher and student evolves, in which it becomes less and less clear who of them is the adult part. Steering away from cliches, Half Neslon is not your typical social drama. Its intelligent plot twists, great cast (with outstanding performances by both Gossling and Epps) and slow, non dramatic storytelling makes this a highly underestimated movie that, although treating depressive topics without any easy relief for the viewer, will leave with an inner smile, albeit a sad one.

Genre: Drama

Actor: Adepero Oduye, Anthony Mackie, Collins Pennie, Deborah Rush, Deidre Goodwin, Denis O'Hare, Eleanor Hutchins, Jay O. Sanders, Jeff Lima, Karen Chilton, Katie Nehra, Leslie Eva Glaser, Matt Kerr, Monique Gabriela Curnen, Nathan Corbett, Nicole Vicius, Raymond Anthony Thomas, Ron Cephas Jones, Ryan Gosling, Sebastian Sozzi, Shareeka Epps, Sharon Washington, Starla Benford, Stephanie Bast, Thaddeus Daniels, Tina Holmes, Tristan Mack Wilds

Director: Ryan Fleck

Rating: R

Man on Wire is a true technical masterpiece. You can almost feel the director telling the cameraman what angle to choose, or thinking about the questions that will generate the most resounding answers. However, this does not diminish the story this documentary tells one bit. It’s one that is glorious, riveting, and fun. It’s one where you feel like an insider to a world lived on and below wires, with high-stake risks. Hopefully the edge of your seat is comfortable, because this is where the movie will keep you till the very end.

Genre: Documentary

Actor: Annie Allix, David Forman, Jean François Heckel, Jean-Louis Blondeau, Mark Lewis, Philippe Petit

Director: James Marsh

Rating: PG-13

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch. 

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Yehezkel Lazarov

Director: Ari Folman

Rating: R

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

Genre: Documentary, Drama

Actor: Jacqueline Siegel, Virginia Nebab

Director: Lauren Greenfield

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Genre: Comedy, Drama, Romance

Actor: Alexie Gilmore, Bobcat Goldthwait, Cheri Minns, Daryl Sabara, Ellie Jameson, Evan Martin, Geoff Pierson, Henry Simmons, Jermaine Williams, Jill Talley, Krist Novoselic, Lorraine Nicholson, Mitzi McCall, Morgan Murphy, Naomi Glick, Rebecca Erwin Spencer, Robin Williams, Toby Huss, Tom Kenny

Director: Bobcat Goldthwait

Rating: R

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG