A deadpan anthology of three interconnected stories set in a run-down hotel in Memphis, Tennessee. The film’s deliberate pacing, minimalist approach, and observational style are present throughout, capturing the essence of each character and their encounters with the city. 

Director Jim Jarmusch’s indie film displays its characters’ quirks and desires, all underlined with a love letter to Elvis Presley. Each unique segment has some charm, humor, and soundtrack that creates a palpable sense of time and place even if the sum displaces the overall narrative.

Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.

Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It’s full of cynicism and warmth. If you are familiar with Jason Reitman’s previous work, you’ll feel right at home, if you don’t : Get to it!

Expect both heavy emotional punches and great comedic moments in this engaging comedy-drama. Boosted by amazing writing, the characters are easy to relate to but remain interesting throughout the movie, with many ideas and layers to them. Jenny Slate and Chris Evans are both great as a very gifted child and her uncle who find themselves at the center of a custody battle. The plot may be a little unusual but it offers a great vehicle to explore the dynamics between a caring uncle, a gifted child, and an obsessive mother.

Bree (Felicity Huffman) is an uptight transwoman who gets a phone call from her long lost son who is in trouble. She does not tell him she is his father but bails him out of jail and they end up on a long road trip to LA. Bree’s high strung conservative personality intersecting with a wild young man and people they meet along the way leads to some comical situations. Felicity Huffman’s performance is excellent. It is enjoyable to watch the characters develop over the film.

In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).

Snatch is all things great. The film strings together multiple plots with a great ensemble of actors – which turns it into an excellent thriller movie. Jason Statham leads the film with Brad Pitt close behind, both turning in performances of enormous physicality. You’ll recognize many actors in the film as well, but the acting is not the only area where this movie shines. The style, quick cuts, and narration will surely keep you on your toes and engaged.

Galaxy Quest may be a parody of the sci-fi franchise, but it’s also a huge fan of it. It forgoes cynical takes for smart odes to the genre, all while retaining an endearing sense of humor about it. It’s silly and self-aware, and it has a lot of fun letting us know that they’re in on the joke. You can watch for the interesting premise, but you’ll stay for the laughs and the promise of a genuine thrill ride. Everyone is a blast to watch, but Sigourney Weaver and Sam Rockwell deserve special praise for being outright hilarious, elevating Galaxy Quest from B-movie to camp classic status. 

One of those movies that even if you know all the jokes by heart, you’ll still laugh at them whenever you see the movie. The chemistry between Simon Pegg and Edgar Wright is exceptional, and the jokes are spot-on.  The movie starts with Shaun character trying to turn his life around by winning back his ex and reconnect with his mother. Only problem? Oh yeah, everyone is coming back from the dead.  

As Nicole Holofcener’s directorial debut, Walking and Talking stands out not only for its honest dialogue and wonderful performance from the young Catherine Keener, but also for its portrayal of female friendship in a genre which too often portrays mindless cliches. The movie focuses on two best friends as one of them gets engaged and the other fears their friendship is getting lost in the middle of the excitement around her friend’s marriage. Catherine Keener does a brilliant job as the likable but depressed friend and Anne Heche does an equally as good job playing her sympathetic half. A great movie if you’re in the mood for something sweet, honest and sometimes sad.