This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached.The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff).This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.
A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal's character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife's response to this event and the implications of both parents' behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn't need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.
Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.
Leave No Trace is the amazing new movie from the director of Winter's Bone, Debra Granik. It's the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It's not the sensational, tear-jerker story that you'd expect something with this premise to be. Rather, and like Winter's Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.
Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.
Serenity is a futuristic sci-fi film that serves as a feature-length continuation of the story-line from the TV program Firefly (2002-2003). The story revolves around the captain (Nathan Fillion) and crew of the titular space vessel that operate as space outlaws, running cargo and smuggling missions throughout the galaxy. They take on a mysterious young psychic girl and her brother, the girl carrying secrets detrimental to the intergalactic government, and soon find themselves being hunted by a nefarious assassin (Chiwetel Ejiofor). The first feature-length film from Joss Whedon (The Avengers), Serenity is a lively and enjoyable adventure, replete with large-scale action sequences, strong characterizations and just the right touch of wry humor. An enjoyable viewing experience that stands alone without demanding that you have familiarity with the original program beforehand.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
There are movies that make you a bit more mature when you watch them. This movie is one of them. They took very hard and controversial topic, but presented in so you do understand both sides and agree with them. Winner of an Academy Award and a Golden Globe, it tells the true story of a man who spent 28 years campaigning for the right to end his own life. Now you get why I said it was a hard topic, right? It's a heart-wrenching watch to say the least, but thanks to a perfect performance from Javier Bardem the complex story gains such a big grasp that it ends up having uplifting and even funny moments.
In many ways, The Perks of Being a Wallflower is a modern masterpiece. It's a psychological experience - one that is sincere to its premise and the troubled nature of the human beings in it. You will be surprised by the depth of its many layers and the extents to which a similar movie can go (on paper it's a coming-of-age story). Its character-driven chemistry will catch you even more as it reaches its perfect mix between comedy, warmth, tragedy, and honest depiction of depression.
Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.
In The Salesman, Oscar-winning director Asghar Farhadi (A Separation, About Elly), tells the story of a happily married couple who live in Tehran: Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti). When they are forced to move to a new apartment, something about the previous tenant causes a sudden eruption of violence that turns their lives upside down, causing strain on their relationship. Farhadi does what he does best here: deliver on complex issues that characterize his society through ordinary events. Every scene is a privileged look into Iran's collective consciousness. And even with all that aside, the film still stands as an extraordinary drama, with a tense plot and amazing performances across the board.