Keira Knightley stars in this incredible true story of an Iraq War whistleblower who remains relatively little-known in the U.S. Katharine Gun was working for the communications office for the British government when she received a memo in the months leading to the war that showed that the U.S. requested illegal wiretapping assistance from the U.K. on U.N. diplomats. In a heroic act, she chooses to share this memo, hoping that it would stop her government (then led by Tony Blair) from going to war. Spoiler alert: didn't happen, but this decision, which first seemed like a personal sacrifice, has severe implications on her family as the government finds out that she was behind the leak. A compelling political mystery of a case that deserves much more attention than it once got.
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Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?
The Dig is a reliable telling of an archaeological expedition. The setting is Britain in World War II, and a widow (played by Carey Mulligan) hires an archaeologist (played by Ralph Fiennes) to dig through her estate where a historic discovery is waiting to be found. The biggest thrills are a conflict regarding control of the land and its treasures, and an affair that blossoms within the archaeological team.
The film’s cadence is akin to that of a weary traveler sharing a fascinating tale, with each frame lit softly and beautifully. No twist or surprise appears as you turn the corner — you’re merely beckoned to uncover the past amidst a tumultuous, wartime present. Director Simon Stone has capable hands and Mulligan and Fiennes as the leads — supported by a cast that includes the charming Lily James — tick all the British, repressed, stiff upper lip boxes. All, in varying juicy degrees, exhibit an emotional undercurrent befitting the film’s subtle dramatic tension. Those seeking more insight into those undercurrents will come away sorely disappointed, however, as the well-tempered nature of the film keeps it mild and tasteful.
Though it’s not as compelling as it could have been, The Dig is, by all accounts, a lovely film.