Winning him Best Director at the Academy Awards, Kenneth Lonergan's drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of the possibility that grief cannot be overcome has rarely been successful in American cinema, if ever. The last best attempt was probably You Can Count on Me. Originally a playwright, this is Lonergan's third film and Manchester by the Sea is where he unveils his full potential. It follows a depressed handyman, Lee Chandler (Casey Affleck), who leads a quiet but angry life. After his brother dies, he returns to his hometown only to discover that he is the only left to take care of his teenage nephew. There, he is confronted with his past and the blue-collar community from which he was raised. Co-produced by Matt Damon, it grossed around $80 million on a budget of $8.5 million. One of the most noted films of 2016.
Still Alice is a drama about a renowned linguistics professor (Julianne Moore) who slowly begins to lose words and find herself lost in familiar places, leading to an unexpected diagnosis of Early Onset Alzheimer's Disease. Alice’s husband (Alec Baldwin) and three grown children subsequently struggle to maintain balance as her condition deteriorates, even as she steadfastly strives to maintain her self-composure. Interestingly, Alice uses her professional skills in communication to employ innovative ways to maintain her language and memory as well as possible, despite her ongoing decline. It’s a melancholy yet wonderfully touching film that feels thoroughly honest and real every step of the way. Julianne Moore is superb throughout—a role that earned her a well-deserved Best Actress Oscar for her performance.