Based on the 2015 Pulitzer-Prize-winning article “An Unbelievable Story of Rape”, here is one of the best Netflix productions in a while and definitely the best detective-centric show since the first season of True Detective. The eight-part drama examines the case of a 16-year-old from Washington, who claims she has been raped in her bedroom before rescinding her statement after fierce questioning of the police. Later, her initial story is substantiated by a similar incident surfacing elsewhere.

Two detectives, played masterfully by Toni Collette and Merritt Wever, refuse to assume the young girl’s guilt and embark on a relentless journey to catch the perpetrator. In addition to being a thrilling watch and insanely bingeable, Unbelievable was highly praised for shifting the attention from the abusers to the victims and making their stories heard in a true crime format. Everybody should listen closely!

On the surface, The Makanai is a simple, slice-of-life show about food and friendship. While it is that, to be sure, it’s also a substantial drama that tackles questions about art vs. love, and love vs. companionship, and career vs. purpose. Under the gentle guidance of showrunner Hirokazu Kore-eda (Still Walking, Shoplifters, Broker), who generously allows up-and-coming directors to take the helm on certain episodes, The Makanai feels at once light and hefty, comforting and challenging. We’re seeing mundane events unfold before us as if we were bystanders, but we also understand that there is so much more happening than what meets the eye. A prolonged gaze, a lovingly prepped meal, an especially sharp wing-eye, all of these have much to say about the state of mind of these girls. 

It’s a supremely gentle and culturally rich show with a tender heart; a truly great watch on all accounts.

Set in the 1980s, this captivating series uncovers the dark side of a Japanese-style nightclub called “Light” in Taipei’s red-light district, challenging the façade of its joy and glamour. Beginning with the shocking discovery of a dead body uncovered by a typhoon, the show delves into the lives of its complex characters, revealing the personal dramas of the mamasans, Rose and Sue, and every “Light” hostess. While some may find its pace across 3 seasons tedious, Light the Night is a must-watch for fans of slow-burning suspense with strong performances, impactful dialogue, and a story with the intricate layers of a well-crafted mystery.

Like Charlie Brooker’s Black Mirror, the premise of the extremely bingeable and thrilling Norwegian TV show is a bit too close for comfort. Amidst a global fuel crisis, Europe has become dependent on energy from oil-rich Norway. Despite this fact, the Norwegian electorate votes the charismatic Green Party prime minister Jesper Berg (Henrik Mestad) into office, who halts the country’s oil production in an effort to combat climate change. With the European energy emergency escalating, Russia proceeds to occupy Norway with the EU’s support.

When best-selling crime author Jo Nesbø pitched this show in the early 2010s, this seemed like an unlikely, dystopian premise. However, since the annexation of Crimea and similar incidents in the mid-2010s, this is not quite as counterfactual as one would hope. Russian diplomats were not amused. But don’t be mistaken, this is not an academic experiment or a political provocation but a veritable, big-budget thrill ride, featuring amazing shots of the Norwegian wilderness, great writing, and stirring suspense.

This historical fantasy show is based on the best-selling novel The Saxon Stories, a story set during the Viking / Dane invasion of Britain.

Uhtred was a small boy when he was kidnapped and then raised by the Danes. When he unexpectedly gets caught up in the conflict, his half-Saxon half-Dane mix makes at the same time valuable and untrustworthy for both sides.

There has never been a better alternative to Game of Thrones. The great writing and great performances from a cast of newcomers inevitably induce the same sense of addiction.

A hilarious BBC/Viceland comedy about an underground hip-hop station and the unique characters that run it. Kurupt FM is lead by MC Grindah, a disillusioned but dedicated DJ. He is introduced in the first episode by his wife as someone who has been arrested before, but only for “silly little things” like “drug dealing and hate crimes”. His friend and manager is Chabuddy G, a “business” man who lives in the cybercafé he runs with his Eastern European wife he can’t communicate with, all while trying to start a company to import “peanut dust” (the last bits of peanut that remain at the end of a peanut pack). People Just Do Nothing is legitimately funny with quick episodes and even quicker seasons. The first one only has four episodes, so it’s a guilt-free yet amazing binge.

In the early 2000s, amid the rapid rise of online piracy and the consequent fall of paid music, tech genius Daniel Ek would find Spotify, a revolutionary streaming platform that served as a middle ground between user accessibility and artist rights. But even now, at its peak, Spotify’s success seems mystifying. How did they get away with providing free music to all? 

Enter The Playlist—an impressive attempt at answering that very question. In this fictionalized account, key players in Spotify’s success are given their own episode-long arc, starting with the visionary himself, Ek (played by Edvin Endre), followed by the artist, the coder, and the industry insider, to name a few. By employing multiple perspectives, each with its own cinematic style (a particular favorite is that of the lawyer’s, the most experimental out of all the episodes), The Playlist manages to spin the technical and complicated story of Spotify’s origins into something fresh, dynamic, and addictive. Despite utilizing the Rashomon effect—risky but rewarding in this case—The Playlist rarely strays from its main point and, the result is a lean, well-rounded story that’s just as credible as it is heightened. 

This is the type of show where you will laugh your ass off in one scene, and then find yourself moved to tears in the next. It’s so heartfelt, so smart, and so, so well-written. The premise of the show is the revelation of a Nobel laureate that he used his own semen in his trailblazing research on fertilization. This prompts his daughter to search for her unknown siblings. She is stuck with two particularly interesting sisters, one of whom is a lawyer who tries to sue their father. One additional plus for me personally is the Australian accent. I love it in a comedy/drama, ever since I watched The Let Down on Netflix.

This excellent new miniseries is a drama that takes place in an ultra-Orthodox Jewish family. Esty, a nineteen-year-old girl who is unhappy in her arranged marriage, escapes this community and travels from New York to Berlin in hopes of starting a new life.

Like all good realistic dramas, there are no truly bad people in Unorthodox. Everyone is trying to do what they think is right, which still makes for very complicated situations. Esty is played by Israeli actor Shira Haas and I know this word is overused but she really is a revelation.

Leya is a businesswoman and single mother in her 20s who is trying to get her struggling startup off the ground while working at a restaurant.

When she finds an investor who’s willing to help her realize her dreams, he requests that she first pays off her outstanding debts to her previous investors. For this, she borrows from her brother-in-law who is in a violent drug gang.

It’s such a stylish and fast-paced thriller, based on Jens Lapidus’s famous Stockholm Noir Trilogy, except the gender of the lead role is reversed.