Demian Bichir was nominated for an Oscar for his role in this movie where he plays an illegal immigrant and father. You might be wondering "who is that?", but trust me you won't after watching this movie. The kindness, complexity, and authenticity he brings to this story are unparalleled.A Better Life is about the illegal immigrant experience, about the line between the fear of being caught and the aspiration for a better future. It's an excellent and important movie.
There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.
This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached.The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff).This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.
Three unassuming housewives team up with a violent street gang to make a little extra cash. What better TV show premise could you ask for?Good Girls is the often hilarious, always thrilling show dubbed “Breaking Bad meets Thelma And Louise.” The three lead actresses are fun and have great chemistry together as they navigate a sometimes fast-paced show, and other times a family drama. And that may be the only issue with this show, it doesn’t exactly pick a lane. However, if, like me, you don’t mind a little Detroit housewive drama mixed in with your thrilling scenes, you’ll have a great time.
An innocent-fun movie, Always Be My Maybe is a lovely thing to turn your brain off to. Sasha and Marcus are high-school best friends who dated briefly and went their separate ways. 16 years later, they meet again - Sasha is a famous chef, and Marcus is still living with his dad.What really makes this movie is the writing from Ali Wong and Randall Park, who also play the two leads. The dialogue is sharp, believable and smart - going as far as covering themes of gender and parenting. But also, because a rom-com about two Asians from San Francisco is not exactly a common occurrence, the characters are fresh, the jokes are fresh - everything is fresh.Watch out for the character who plays Marcus' dad, he plays the character of an overly honest Korean dad perfectly. And also watch out for Keanu Reeves, he plays a crazy version of himself!
Rilakkuma and Kaoru is that perfect mix of cute and profound that you’d expect from a Japanese show about a woman living with teddy-bear roommates. The first episode is about cherry blossoms, but really, it’s about loneliness.Actually, the best term I can find to describe this show, and I’m not joking, is “slice-of-life.” The stories are endearing and intimate. You won’t be able to help but relate to the main character as she deals with being single while her friends are in relationships, her apartment building being demolished and she can’t find another affordable place to move into, her stressful job, etc.I have never seen a show combine this many absurd elements (the woman lives with three goddamn teddy bears), with so much realism. And all of this is done in an easy, quiet tone.
When I learned about Street Food the first time, I was reluctant to sit through yet another Netflix cooking show. They’ve made so many that when I want to bring up an episode with a friend I forget if I saw it in Ugly Delicious, Chef’s Table, Salt Fat Acid Heat or others.I can’t say that Street Food is a different format. It uses the same slow-motion takes of food, the same close-ups on chefs and the same style of interviews.Here is the thing though. Street Food might be similar to other Netflix cooking shows, but it’s also better than them in almost every way. Much better.It’s only 30 minutes long per episode, so it doesn’t indulge in egos or stray into unrelated stories. It doesn’t showcase kitchens where only the rich eat, like Chef’s Table often does, but stalls that are accessible to everyone. And in the best way, it connects the story of the food makers to the food.The show is mostly about middle-aged to senior women, and people who do not make that much money. It’s not about glamorous young chefs. It’s about food stripped away from any marketing or showbiz.Real cooking, real chefs, real diners. In its unpretentious nature, Street Food feels euphoric.
Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films.That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz).In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners.Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.
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