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agoodmovietowatch recommends highly-rated and often little-known movies on popular streaming services. Read More

agoodmovietowatch

agoodmovietowatch's Good Movies

Good movies to watch on Netflix and elsewhere.

Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.

9.6
Very Best

A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

9.6
Very Best

First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena's talents -- which thanks to a documentary-style cinematography, and the actors' 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.

9.6
Very Best

A heart-breaking examination of a decaying shell of a once-bright marriage, this sad yet erotic-seeming story mixes happy flashbacks of attraction and desire with the grim reality of a dull life. It boosts an electrifying performance from Michelle Williams and Ryan Gosling, who seamlessly combine tenderness, rage, lust and sadness. This is a guaranteed tear-jerker, so make sure you've brought your Kleenexes!

9.5
Very Best

When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.

9.2
Very Best

Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.

9.1
Very Best

This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached. The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff). This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.

9.0
Very Best

A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie  by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too.  It grossed around $80 million on a budget of $8.5 million.

9.0

Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena. Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.

9.0

A documentary that is immediate and plays out like a thriller. Beautifully shot in Virunga National Park in the Eastern Congo, the story focuses on the struggles between Park Rangers and a list of adversaries including poachers, oil company goons, and an Islamic revolutionary army. The stories of the endangered gorillas and the people who struggle to protect them will break your heart and at the same time give you hope in humanity. On top of this, the editing is superb and gives the film an intensity that rivals any recent thriller.

9.0
Very Best