Below meet our best Amazon Prime movies.
A dramatic recreation of the last 10 years in the life of famed pianist Liberace (Michael Douglas), told primarily from the perspective of his young lover Scott Thorson (Matt Damon). Directed by Steven Soderbergh, the film follows from naive young Thorson’s early introduction to Liberace through his 6-year romance and live-in relationship with the celebrated luminary. Coming from a broken home and multiple foster families, Thorson finds newfound comfort in the fawning adoration and financial protection that Liberace provides to him, as they quickly become lovers and confidants. Much of the story re-enacts their often stormy, behind-the-scenes affairs in candid fashion—including the lengths to which Thorson alters himself physically to conform to Liberace’s standards. Both Douglas and Damon are excellent in their roles, with Douglas in particular providing a striking recreation of Liberace in both appearance and mannerism. He truly embodies the role, and provides the viewer with a genuine glimpse into the personal life of “Mr. Showmanship”—replete with all of his passions, concerns and insecurities. It’s an intimate depiction of a real-life May-December relationship, told with striking honesty, and ending with a remarkably touching tribute to Liberace in all of his campy yet sincere glory.
Inside Llewyn Davis tells the interesting and captivating story of a young, struggling singer navigating through the Greenwich Village folk scene in 1961. The movie conveys all sorts of emotions, thanks to Coen brothers’ stroke of genius: it is strange, funny, dramatic and satisfying at the same time. Not to mention, the ensemble case is superb, and the music is absolutely great. It is the kind of movie that will put an unfamiliar yet wondrous feeling into you as you live through Llewyn Davis’ eyes and feel his pain.
Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?
A true story based film about three girls whose lives become a tragedy shaped by the Rabbit-proof fence, which runs along Australia splitting it to two parts. These girls, daughters of an aboriginal mother and a white father who worked on building the fence and then moved on, get taken from their mother to a so-called re-education camp. This is the story of their escape to find the fence and then their mother, a journey of 1500 miles that they can only do on foot. Tragic, yes, but this is an honest film that sends clear messages without any excessive emotional dwelling.
A man accidentally gets into a time travel machine and travels one hour back in time. He finds himself stuck in a series of disasters of unforeseeable consequences, with unusual and thrilling moments at every corner. Similarly to Primer, this movie goes to prove that with intelligence and attention to detail, you don’t need a big budget to create an unforgettable story. Great acting, great story-line, and a great thriller.
Electrick Children is the debut film for director Rebecca Thomas and one of the most unique and visually stunning films I’ve seen in a while. This gem is about a teenager born and raised in a religious community who believes she has been impregnated with the son of God from a cassette tape she listened to. She decides to run away to neighboring Las Vegas in search of the real father, “the man who sings on the cassette tape.” Heavy stuff, man. Electrick Children is one of those films you see once and it stays with you. It deals with teenagers so delicately and accurately, depicting the butterflies, the excitement, the romance, the heartbreak, the trials and tribulations of this age and beyond. Its cinematography is hypnotizing and its soundtrack is divine (listen to Top of the Hill by Conduits on repeat and it’ll start to have an impact on your life.) Its plot is completely fresh and is able to grab and keep your attention from the first second until the very end. Watching this film made me want to go back in time and fall in love all over again. It made me feel lusty and gave me butterflies and made my heart flutter unlike any other film I’ve seen. You can’t pass this one up.
Slow West is a modern western about a young Scotsman (Kodi Smit-McPhee) trekking across America in search of Rose, the young woman he loves, while accompanied by a wayward outlaw named Silas (Michael Fassbender). Jay soon realizes that he is unwittingly leading a pack of nefarious bounty hunters toward Rose and her father as well, as a sizable reward rests on their heads for the accidental killing of a nobleman. It’s a melancholy yet clever and enjoyable film with a distinct Coen Brothers-esque sense of dark humor and quirky violence. In his debut feature, John Maclean gives the western a fresh spin and a nice creative twist, marking his territory as a promising new name in the film world.
A quirky and lovely coming of age film, the Kings of Summer celebrates the beauty and madness of adolescence and the sheer joy of long summer days. The plot follows three teenage friends, who, in the ultimate act of independence, decide to spend their summer building a house in the woods and living off the land. The house soon becomes a microcosm of their relationships with each other and the world at large, prompting conflict and mirroring their own transformations as they grow. Simple yet powerful, the Kings of Summer has a lot to say.
A slice-of-life true-story-based film on growing old and in love. When on his own land, Craig Morrison (played by James Cromwell) starts building a more convenient house for his ailing wife Irene (Geneviève Bujold), he is faced with crippling bureaucracy. The state gives him the choice between stopping the construction or going to jail, while he is witnessing his wife’s health deteriorating even further. The act of going against the system brings out both how beautiful his relationship with his wife is, as well as his own resilience in this moving, insightful drama.
This is a revelation of a movie for its simplicity in handling a pretty serious and dark subject. It’s the story of a generally immature and newly unemployed stand-up comic in New York and her unplanned pregnancy with a man that was supposed to be a fling, and it’s surprisingly funny and yet rather touching. I can’t think of many actresses who would’ve fit the bill quite like Jenny Slate. Not only is she hilarious, but her treatment of a generally sensitive issue from the honest, crass point of view of a down-on-life, New York-er leaves you drowning in empathy for her. I recommend this for anyone looking to cuddle up, have a few little clever laughs and feel all tingly in the chest-al area.
Do not go in to this film expecting a traditional comedy, or anything you’ve previously known Hader and Wiig for. The Skeleton Twins is more of a beautiful, deep drama than it is a comedy – although it will produce many laughs. Due to unusual events, estranged siblings Milo and Maggie (Bill Hader and Kristen Wiig) reunite after years and attempt to repair their fractured relationship, despite their own individual misgivings. A very bittersweet and touching film starring two actors showing impressive range and versatility as their characters seek to rediscover the childhood friendship and camaraderie they had lost many years earlier. Again, don’t expect a traditional comedy, but an honest display of the complexities of sibling relationships and how conflict, compassion and understanding fits into it all. Really left me with a soft spot in my heart.
Editor’s note: we are only tagging this film as a drama.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos’ real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.
A couple decides to raise their six children in the wilderness of the Pacific Northwest, far from modern culture. They teach them how to raise and kill their own food, how to live in nature, but also give them classes on literature, politics, and music. The family drills boot camp-like workouts and climbs rock faces to create physical endurance. Then the wilderness adventure comes to an abrupt halt with a telephone call, and the family enters the world — with hilarious and sorrowful results. Emotionally raw and honest, with terrific performances by Viggo Mortensen, George MacKay and the entire cast of “children.”
If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy; then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).
Blue Ruin is a superbly acted, visually striking drama about a man’s poignant and brutally violent journey for revenge when the culprit responsible for the murder of his father is released from prison. While it might seem like any other revenge tale, it is so well-told and smart that any other similarities with its crowded genre gently fade away.
The first 15-20 minutes are pretty slow, but the pay-off is hot fire.
Nominated for an Academy Award for best documentary feature. On the day before Hurricane Katrina, a young aspiring rap singer in the 9th Ward turns her new video camera on herself and her neighbors. She keeps shooting as the water rises, neighbors struggle to rescue each other, people panic and flee. Weeks later she returns to her neighborhood and records the death and decay left behind. Raw and real, worth watching.
Ex Machina is the brilliant science fiction film from the writer of 28 Days Later (and 28 Weeks Later). It tells the story of a developer who is invited by his billionaire CEO to participate in a groundbreaking experiment with the artificially intelligent Ava. When the developer starts interacting with Ava, questions of trust and ethics collide with his own views and commitment to give an interesting and thrilling take on artificial intelligence from different angles. The visual effects are not only stunning but extremely efficient making Ex Machina feel as casually futuristic as Her, and in its emphasis on ideas as daringly simple as a David Fincher production.
The main reason to watch Love & Mercy could be that it’s about the life of Beach Boys leader Bryan Wilson, but it shouldn’t. That wouldn’t do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it’s a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.
The story of a single mother trying to raise an unstable teenager and their interactions with the world surrounding them, Mommy is a movie that aims straight for the heart and doesn’t miss. It is so intense that you are likely to feel a kind of emotional tiredness after watching it. However, it is a beautiful intensity so to speak. Because while it has many joyous moments as well as funny ones, its true brilliance is reached while you are being punched in the guts. This is the more impacting with perfect the performances from the cast, the elaborate soundtrack and Xavier Dolan’s impeccable staging.
Think of Mommy as the most beautiful heartbreaking movie you will ever watch, it will hurt, but you will never regret watching it, and you will find yourself recommending it to everyone you know.
A summer’s night, it’s around 2 AM and you’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour. The film depicts the story of David Foster Wallace, as played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, as played by Jesse Eisenberg. It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant. Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what’s going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main charachter’s early role models), and Best Adapted Screenplay.
Browse through all the highly-rated and little-known movies available to stream for free on Amazon Prime or watch some of the other great movies on Prime below.
A beautiful and touching story about staying true to your inner morals and humanity in the middle of a raging war. Set during the conflict between Abkhazia and Georgia, Ivo (Lembit Ulfsak), an old Estonian farmer, takes in two wounded soldiers from opposite sides, who agree to not kill each other as long as they stay under Ivo’s roof. It’s not “Saving Private Ryan” heroic nor “Pianist” heartbreaking. Tangerines is instead a powerful movie in its simplicity, as the story evolves around 4 men and a crop of tangerines. Yet for some reason, it still tells the story of every war, and the people in it.
The Sunset Limited (2011)
A one-act play remade by HBO starring Samuel L. Jackson and Tommy Lee Jones (who also directs). Two men with different beliefs debate the existence of God after a failed suicide attempt. Starting with subtle conversations, the audience quickly gets plunged into deep philosophical musings resulting in relatable yet interesting ideas. Fans of The Man From Earth and similar thought-provoking dialogue-driven films will definitely appreciate this. The following will serve both as a warning and as an argument to go watch it: the whole 90 minutes it spans revolves solely around a smart discussion between two characters in the same room.
Enron: The Smartest Guys in the Room (2005)
A documentary about the rise and fall of the Enron Corporation, the energy-trading and utilities conglomerate that gained worldwide attention in 2001 upon its headline-grabbing bankruptcy. Detailing the massive amount of fraud and malfeasance committed by the organization’s top executives, the film delves into the many intricate strategies and “special purpose” entities that were manufactured in order to hide enormous losses and debt from shareholders and the general public. It’s a fascinating and distressing examination of hubris and greed, with so many ethical considerations laid aside in the pursuit of financial gain. The film is as pertinent today as it was when it was released in 2005—perhaps even more so in this post-financial collapse era of increased distrust in corporate agendas.
In the Bedroom (2001)
Frank (Nick Stahl) is a young man involved in a relationship with an older, recently divorced mother-of-two Natalie (Marisa Tomei). Despite the reticence of his caring parents (Tom Wilkinson, Sissy Spacek) and the ominous presence of Natalie’s ex-husband, Frank is drawn increasingly closer to Natalie and her sons. Tellingly, the title of the film is an allusion to the fact that two lobsters caught in a “bedroom” trap will inevitably turn upon one another in order to survive. Indeed the film explores increasingly dark territory as it plays out the drama of the story’s central love triangle and subsequent fallout. It’s highly affecting storytelling — the type of film that will stay with you long afterward, as you unwind all of the characters’ emotions, actions and their ramifications. Nominated to five Academy Awards including Best Picture, Best Actor, Best Actress and Best Supporting Actress.
Goon is funny, violent, and sweet as hell. You’ll be surprised by how nasty it is but you will not care. What you will want to do, on the other hand, is rip through the screen, hug the main character and smack all the other ones. Goon is also a great example of a feel-good movie that isn’t solely focused on being a feel-good movie, as well as a great love story, with all its absurdities and high emotional load.
World’s Greatest Dad (2009)
Summary: it’s a really unusual movie, especially for a star like Robin Williams. It’s almost an indie film actually. Robin Williams plays Lance Clayton, the father of a typical rude teenage boy Kyle Clayton (Daryl Sabara) wherein Sabara’s character meets an unusual demise, and out of embarrassment of the situation the father ghost-writes a suicide note from his son. This white lie leads to another and another and so on until his lies spread further than anticipated. The movie definitely earns points for making the film that was set out to be made. They wanted to make a dark comedy and a dark comedy was what they made. It’s even uncomfortable to watch at times. Between Lance’s love life and Kyle’s non-existent one there’s enough awkwardness that you feel like you can’t wait to get to the next scene just so this one can be over. All in all the actors did a truly fantastic job. Each character seemed well developed by the individual actor to the point where every gesture, line delivery, and awkward silence seemed too natural and organic. Additionally, the writing was exceptional for this movie, as no dialogue was ever wasted. Each and every little detail in each and every shot of each and every scene was very carefully designed to continually push the aesthetics, this film is a big success.
I Capture the Castle (2003)
Set in the 1930’s English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra’s point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra’s comic and intelligent point of view. A classic and a must-see.
Starring Matthew Broderick and a young Reese Witherspoon as, respectively, Jim McAllister, a high school teacher and Tracy Flick, a notorious ‘that girl’ in his class. When Tracy decides to run for class president, we see the floodgates open as all sorts of bizarre and insane behavior pours out of the two. Quickly, it becomes clear that Tracy will do nearly anything to win, and as circumstances spiral out of control, madness descends – along with hilarity!
Punch-Drunk Love (2002)
Adam Sandler, though currently imminently marketable, incredibly played out and boring, used to be a real actor. This is the film by which his legacy will be judged, where we see the funnyman drop the mask and actually show real feelings besides bumbling rage. Sandler’s hurt and confused performance is beautifully vulnerable and true and is complimented by P.T. Anderson’s incomparable direction (the man behind Boogie Nights and There Will Be Blood), creating a true masterpiece of American cinema.
The Cider House Rules (1999)
The Cider House Rules is the 1999 adaptation of John Irving’s best-selling novel, about a young man named Homer Wells (Tobey Maguire) who is raised in an orphanage in Maine during WWII. Trained from an early age in obstetrics (and abortions) by the kindly Dr. WIlbur Larch (Michael Caine), Wilbur yearns to explore the world and eventually embarks on a spirit quest that finds him working as a day laborer on an apple farm in rural Maine. The cast of characters that Wilbur encounters (utterly superb across the board) and the unexpected challenges that he faces throughout the film really imbue this tale of self-discovery with warmth and heart. It’s incredibly touching and borderline heartbreaking at times, yet never loses its air of utter compassion and humanity. A true must-see.
The One I Love (2014)
Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it — especially my review, will ruin this film for you. Just watch it. If one’s penchant is typically opposed to titles with ‘love’ in them, then it’s for you. Just hit ‘play’, or ‘start’, or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.
What’s Eating Gilbert Grape (1993)
“Moving” is definitely the best adjective to describe this movie, in which teenage Johnny Depp plays the part of Gilbert Grape, a young boy who feels stuck in a little town where nothing exciting ever happens. Gilbert has to carry the weight of his family, a morbidly obese mother and a mentally handicapped brother, both of who depend entirely on him and his two sisters. But one day a beautiful girl comes across his way, and shows him a whole new perspective in life. Anybody with a heart will appreciate this film’s effots to show the difficulties that some families with disabled members have to face. The biggest highlight of this movie is Leo DiCaprios’s performance of Arnie, an 18 year-old boy with cerebral palsy. He does it so brilliantly that he outshines Depp and Juliette Lewis, who are great too.
The Lobster (2015)
A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.
Renton (McGregor), a Scottish twenty-something junkie, must choose to clean up and get out, or continue following the allure of the drugs and the influence of friends. Find out if he chooses life in this brutal yet entertaining Danny Boyle masterpiece. While definitely not for the faint of heart, Trainspotting still manages to be funny at times, and provides an overall very entertaining experience.
Swiss Army Man (2016)
Probably the weirdest film you’ll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It’s an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it’s a definite must-watch for anyone looking for a refreshing comedy.
Salmon Fishing in the Yemen (2011)
A light and simple feel-good movie with great performances from an impressive cast. Ewan McGregor plays the country’s best fisheries expert who is approached by a consultant (Emily Blunt) to help bring the sport of fly-fishing to a desert in the Middle-East, a place at the peak of tensions. The Prime Minister’s office, with the help of the media, try to then bring this story to the public as a show of something good happening in the region. It’s a quirky movie with a beautiful love story and a few interesting ideas on the current state of journalism. Both leads are absolutely charming together.
Living on One Dollar (2013)
An earnest, simple documentary with an equally as simple premise: four friends travel to Guatemala for 8 weeks and try to live on one dollar a day each. What starts as an experiment for them quickly becomes an illustration of levels of poverty some of us will luckily never experience. More than 1.1 billion people (almost four times the population of the U.S.) do live on less than one dollar a day, and this film is a journey to their world – a journey to what it takes to live a life in poverty and exactly what that entails. Other than making you realize the luxury you live in, this film will leave you wanting to do more for your fellow humans.
Beautiful Girls (1996)
With an ensemble cast featuring a young Natalie Portman and a less murderous Uma Thurman, Ted Demme’s “Beautiful Girls” recreates the worries and woes that thrive in the minds of a tight knit group of working class friends stuck in their own small town Massachusetts world. Warm, quirky and filled with champagne diamonds, both metaphorical and tangible, for anybody who’s ever walked the thirty something walk, it’s a film that’ll make you want to remember all the friends you wish you still had and actually still do.