229 Best Movies to Watch by Female director (Page 14)

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

19-year-old Dominican pitcher Miguel Santos, a.k.a. Sugar, dreams of making it into an American baseball team and pulling himself and his family out of poverty. He gets a chance to train for a team in Kansas, but on arrival struggles to be accepted in his new community.

Poignant and beautifully performed, Sugar is not the usual film about chasing the American dream, and it’s far from a typical baseball movie. It’s an honest portrayal, one that avoids sports-movie clichés in favor of an exploration of identity and the immigrant experience.

This movie is a complete no-brainer.

It follows two assistants in busy New York City, both of them overworked and underpaid. They come up with a plan to set up their bosses (Set it Up) so that when their bosses finally take some personal time together, they could too. In a lot of ways, it’s the perfect argument to anyone who says that the rom-com genre is dead. It’s light, it’s easy, and it’s entertaining.

At the same time, there is a heartwarming vibe that’s not too cliché, and a couple of well-known actors — Lucy Liu and Taye Diggs — that help carry the plot. Don’t expect to be mind-blown but this film will leave you feeling content.

Those who grew up watching baseball legend Reggie Jackson will know that his was a name you read all over the news. One of America’s first athlete superstars, Jackson had a reputation that preceded him—he was a celebrity you’d just as soon find in Studio 54 than in the gym, wearing diamond bracelets more than baseball mittens. But in his self-titled documentary Reggie, he finally tells his story in his own words. 

Reggie tracks his career in the context of the constant racism he and his fellow Black players in the league faced for many years. He explains why building the tough persona the media condemned him for years was necessary. It’s as autobiographical as it is historical, with Jackson often discussing how race informed every part of the sport, whether he wanted it to or not. The documentary is fascinating and informative, and it serves as an essential reminder of the inequality and double standards POC players faced and continue to face today.

Sincere and direct, Ana Rocha de Sousa’s debut feature is a tragic portrayal of an immigrant family in the United Kingdom. Known best abroad for her role in Love Actually, Lúcia Moniz shines as devoted mother Bela, who, along with Jota (Ruben Garcia) struggles to keep their family together. The couple and their three children, including the deaf middle child Lu (Sophia Myles), come under the scrutiny of social services, especially after the unexplained bruises. While at times heavy-handed, the film raises important questions on family separation and social services, especially with their limitations with children with disabilities.

It’s been years since Fahrije and the women of her village lost their husbands to the war. It’s one thing to move on after their passing, but quite another to never be sure about their whereabouts, dead or alive. Hive tells the story of how, in the wake of this inexplicable loss, the women of a Kosovo village reluctantly band together and make a new life for themselves and their families.

Thanks to its grit and restraint, Hive avoids the cheesy trappings of a melodrama. The dialogues are straightforward and the performances taut but affecting. Their battle with poverty and misogyny is sadly a familiar tale, but told through the lens of single mother/burgeoning entrepreneur Fahrije, it is rendered deeply personal and illuminating.