4 Best Movies to Watch by Krzysztof Kieślowski

Staff & contributors

Even before any blood is inevitably shed during A Short Film About Killing (which serves as the expansion of another episode from director Krzysztof Kieślowski's Dekalog miniseries, alongside A Short Film About Love), there's something positively oppressive and sinister even just in the way the movie is shot. Kieślowski and cinematographer Witold Adamek use color filters to make the film deliberately ugly—as if the image is degrading right in front of us. Oftentimes shadows obscure the edges of the frame, shining a sickly yellow spotlight on the characters on screen. It's the perfect way to get right into the heads of these people existing in a lawless land driven by primal instinct.

When crime and punishment finally occur, they're equally difficult to watch unfold, but in different ways. Kieślowski lingers on the details—the tools and processes that we tell ourselves will make the act of killing easier. And what he's ultimately able to expose is how capital punishment has been made to seem humane, just, or necessary, when it's often even more barbaric, cruel, and unproductive than a crime borne of desperation. The very government that does nothing to address the roots of crime is the same one most eager to kill criminals instead.

Genre: Crime, Drama

Actor: Aleksander Bednarz, Andrzej Gawroński, Artur Barciś, Barbara Dziekan, Jan Tesarz, Jerzy Zass, Krystyna Janda, Krzysztof Globisz, Leonard Andrzejewski, Małgorzata Pieczyńska, Mirosław Baka, Olgierd Łukaszewicz, Władysław Byrdy, Zbigniew Borek, Zbigniew Zapasiewicz, Zdzisław Rychter, Zdzisław Tobiasz

Director: Krzysztof Kieślowski

Krzysztof Kieślowski’s drama stars Irène Jacob as two identical women living separate lives, and the intricate and indelible ways in which they are bound together. While Weronika, a Polish singer, balances her familial duties and intimate romantic relationship, a French music teacher named Véronique senses that she is not alone.

The Double Life of Véronique’s hypnotic and entrancing qualities will wash over you like a tide crashing over a bed of sand. It is a tough film to capture in words, when so much of it is just beyond words—Kieślowski’s film is one to be seen, sensed, and experienced. 

Genre: Drama, Fantasy, Mystery, Romance

Actor: Alain Frérot, Aleksander Bardini, Bogusława Schubert, Chantal Neuwirth, Claude Duneton, Gilles Gaston-Dreyfus, Guillaume de Tonquédec, Halina Gryglaszewska, Irène Jacob, Janusz Sterninski, Jerzy Gudejko, Kalina Jędrusik, Lorraine Evanoff, Louis Ducreux, Philippe Volter, Sandrine Dumas, Thierry de Carbonnières, Władysław Kowalski, Youssef Hamid

Director: Krzysztof Kieślowski

Rating: R

Krzysztof Kieślowski’s trilogy reflects both the colors and the values of the French republic: liberté, égalité, fraternité. In Trois couleurs : Blanc (Three Colors: White), Kieślowski explores not only the theme of equality, but also the ramifications of defining and “achieving” equality as a European ideal.

After failing to consummate their marriage, Dominique (the ever-bewitching Julie Delpy) divorces Karol (Zbigniew Zamachowski), leaving him broke and humiliated. Karol plots to exact revenge on his ex-wife, becoming richer and cruller in the process. 

Although this is often regarded as the weakest of the trilogy, White is worth a watch not just for completionists. Kieślowski interrogates what it means to be equal in sex and socioeconomic class—and if when we strive to move upward in society, whether we are really debasing our basic humanity and humility.

Genre: Comedy, Drama, Mystery

Actor: Aleksander Bardini, Andrzej Precigs, Barbara Dziekan, Bartłomiej Topa, Bozena Szymanska, Cezary Harasimowicz, Cezary Pazura, Florence Pernel, Francis Coffinet, Grażyna Szapołowska, Grzegorz Warchoł, Janusz Gajos, Jerzy Nowak, Jerzy Stuhr, Jerzy Trela, Julie Delpy, Juliette Binoche, Marzena Trybała, Philippe Morier-Genoud, Piotr Machalica, Piotr Zelt, Teresa Budzisz-Krzyżanowska, Wanda Wróblewska, Zbigniew Zamachowski, Zdzisław Rychter

Director: Krzysztof Kieślowski

Leave it to a master filmmaker like Krzysztof Kieślowski—known for the Three Colours Trilogy, The Double Life of Veronique, and the miniseries Dekalog (whose sixth episode was expanded into this film)—to take a premise as banal as that of a peeping tom and to turn it into something mysterious and poignant. There are definitely still parts to this story that may not hold up to scrutiny, like its belief in a romantic/spiritual connection that rewards the immature man for barging into a woman's life. In different hands, this subject matter would just be creepy. In Kieślowski's, the loneliness of these characters takes full shape.

As young postal clerk Tomek (Olaf Lubaszenko) quickly admits his spying to the older and more jaded Magda (Grażyna Szapołowska), the two are drawn to each other with a combination of fear, pity, and lust. And what Kieślowski does—with the help of cinematographer Witold Adamek's stunning, intimate frames; and his cast's subdued sorrow—is move the film away from concerns about consent and control, and to tell a story about what it means to truly be seen and acknowledged by another person. In an existence made up of meaningless routine and temporary relationships, seeing someone else at their most vulnerable feels like lightning.

Genre: Drama, Romance

Actor: Artur Barciś, Grażyna Szapołowska, Olaf Lubaszenko, Piotr Machalica, Stanisław Gawlik, Stefania Iwińska

Director: Krzysztof Kieślowski