It’s a new term at Kimberly Magic School, an academy with an 80% survival rate. Immediately we are introduced to the school’s magical compound and our two main leads, Oliver Horn and Nanao Hibiya. Nanao, in particular, sticks out in her samurai garb and nonchalance toward danger (and most social cues), which is saying something since this is already an odd world filled with talking plants, magical creatures, and a busty, threatening headmistress. Because it chooses worldbuilding over backstories, the fantasy series doesn’t seem as formulaic as it could be. But it does expertly set up the dangers the students will experience in the next seven years. It’s also interesting that the magical students rely on swords instead of the usual wands; the possibility of even deadlier fights later in the series makes it an easy draw.

There are two sides to Gamera Rebirth that don’t mix all that well yet in the first two episodes watched for this review, but still complement each other in intriguing ways. There is, of course, the part of the show concerned with monsters fighting monsters—classic kaiju spectacle that makes good use of the series’ jagged CG animation, though the action never quite reaches a level of true excitement or tragedy. What’s more surprising about Gamera Rebirth, then, is its story of three young friends whose childhood is violently interrupted by both the titular giant turtle creature and the violence of the American military on their soil. This part of the show doesn’t benefit from the series’ visual style (which only seems to inhibit the characters’ emotional expression), but there’s a rawness to this main plot that keeps it just as urgent as the kaiju stuff. The kids swear and get beaten up, as they try to make sense of this turbulent time in their life.

After the fall of the Demon Lord, the Demon realm hosts a tournament to find a successor. Strangely, the contestant predicted to win (stronger than other contestants in every way) is Helck, a human with a disdain for humankind. With the tournament underway, fantasy and action are abundant in the first episode alone. The mystery of Helck’s participation and the constant loom of a race war set the trajectory of the series but humor and gimmicks are never far behind. Whether it’s a ridiculous card-building game, twins with coffee-triggered telepathy, or the sudden onslaught of winged creatures, Helck has something to offer.

The best thing about a Cinderella story is knowing she’ll get a Prince Charming™ by the end (with or without the rats and pumpkins). The first episode of My Happy Marriage sets up the fairytale expectations to a T. Mistreated by her step-mother and step-sister – and a tragic mom-is-dead backstory – this anime hits expected beats which means it’ll either be a comfortable watch or a predictable skip. The silver lining comes when Miyo’s step-sister marries her long-time crush while she is sent away to marry a difficult man known to repel his suitors. A swoon-worthy, slow-burn romance is surely on the horizon, enveloped in a strikingly beautiful, dreamy animation. 

With the ingredients of a standard sci-fi animated series, Mech Cadets almost shines with its thoughtful approach to grief, parental expectations, and self-discovery for its child-to-teen audience. From Stanford losing his father and his dream of being a pilot to Frank becoming a Robo pilot despite his prosthetic leg, the series tries to build something substantial beneath the generic giant mechas and alien antagonists. But with so many mecha/robot franchises coming to mind, the show has no distinctive qualities to stand apart. It’s an overall straightforward animation that carries expected lessons on responsibility and teamwork, which kids will surely enjoy, that is, until the next Transformers-esque show is released. 

Science fiction imagines new worlds we’ve never seen before, but the world of Synduality: Noir doesn’t feel that way. Noir feels like it presents a familiar world, except with an added touch of AI assistants called Maguses. The fighting piloted mecha robots are reminiscent of Gundam and Pacific Rim. At times, the action looks like automated 3D animation made to cut costs. However, even if the world-building was stronger, Synduality: Noir doesn’t feel like a show that wants to tell a story. There aren’t enough moments that we get to spend with the main characters Kanata and his Magus Noir to justify creating a whole series around it. We don’t even need to get into the icky slave-like dynamic between the (mostly) male Drifters and their (mostly) female Maguses.

Being reincarnated as a vending machine is, admittedly, a good hook. But when you’re watching a machine fight frogs in a new dimension, the plot starts to lose you. At its core, it’s an easy watch, without any nefarious characters (yet), but even though Boxxo always finds a way to utilize the powers of his new vending machine body and has a genuine, endearing personality, the gimmick doesn’t hold attention past that. It is a wholesome isekai adventure, but the vending machine-loving vending machine isn’t as memorable as you’d think.