Koreeda’s troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his ‘real’ son grew up in—and his aversion to what they stand for. But who is real and who isn’t? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent’s struggle. As always with Koreeda’s works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

If you’re living alone and just came back home from a bad day, Wolf Children can make you feel like everything’s alright. It’s the kind of movie that feels like a warm hug and one that you will likely bookmark to get back to for this exact reason. Co-written and directed by Mamoru Hosoda, who’s most known for The Girl Who Leaps Through Time, the title is to be taken without any salt: it tells the, allegedly true, story of a woman raising children who are half-human and half-wolf. It all starts with Yuki studying at Tokyo University, where she meets a mysterious and handsome young man, who can turn into a wolf at will. They fall in love and have children inheriting this strange skill. This is where the colorful visuals and life-affirming vibe of this anime give way to a bleak narrative turn. Wolf Children is a strange story of love and parenting told in an imitable style.

The title of this 2018 Palme D’or winner is not to be taken metaphorically: Shoplifters is about a marginalized family of day workers, crooks, and small-time outlaws, who live on the fringes of Japanese society. Osamu (Lily Franky) and Nobuyo (Sakura Andô) both have jobs but spruce up their low-wage income by committing petty crimes. One day in winter, Osamu takes in a bruised girl he finds outside in the cold and introduces her to the family in his ramshackle house. But when the second-youngest member of the family, Shota (Kairi Jyo), finds himself teaching her how to shoplift, he faces a moral dilemma that threatens to unravel the family’s fabric. If you were hitherto unfamiliar with the unique storytelling and social realism of Hirokazu Koreeda, we really recommend checking it out—as well as his other movies, namely, Still Walking, Like Father, Like Son, I Wish, and After the Storm. His 2018 outing features the last ever performance of Kirin Kiki, who plays the elderly matriarch and passed away that same year. Like many of Koreeda’s works, Shoplifters is an understated, beautiful, and mysterious study of the effects of poverty and trauma and a delicate portrait of a family in Japan’s urban underbelly.

There are many movies by the much-celebrated Japanese auteur director Hirokazu Koreeda on A Good Movie to Watch. Why? Because, like all the movies we showcase here, his work is often little-known, but unbelievably good. After the Storm is no different. Much like his other works, notably Like Father, Like Son, Shoplifters, and Nobody Knows, it deals with the topic of family dynamics, regret, and disappointment. But his movies are never dramatic downers but delicate dioramas, understated in tone. Once a successful writer, Ryota (Hiroshi Abe) is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior until one day, during a storm, they all find themselves trapped in Ryota’s childhood home. Subtly touching on notions of inter-generational bond and tension –⁠ Koreeda’s works are mesmerizing and stick with you long after you’ve finished watching.

Written and directed by Academy-Award-winning Kenneth Lonergan (Manchester by the Sea, Gangs of New York), you can certainly count on the qualities of this subtle, beautiful, and moving drama about two siblings growing apart and reuniting later in life.

An Academy-Award-nominated Laura Linney plays Sammy, a single mother in a small town who is extremely protective of her 8-year-old son. When her younger and somewhat troubled brother Terry (played by the ever-reliable Mark Ruffalo) visits her out of the blue, Sammy has to deal with a slew of contradicting emotions towards her brother, whose appearance threatens to upend her life as she knew it.

Straight, thoughtful, and beautifully crafted, You Can Count on Me is an honest and genuine exploration of unconditional love in celluloid form. Think of it as much more hopeful The Skeleton Twins.