100 Best Foreign Comedies of All Time

Of course, it won’t be surprising that Man Bites Dogs is particularly violent, given that the entire film is basically a documentary of a serial killer. But even those used to the gore, murders, and gruesomeness might be taken aback by Benoît (Poelvoorde)’s immediate murders, the matter-of-fact explanations of how he selects his targets, the casual conversations about random topics inbetween kills, and the easy way he lures the filmmakers (and the audience) to the amusement he gains from all of it. Man Bites Dog isn’t an easy watch, and it definitely deserved its controversial reputation, but we can’t deny how hard it is to look away.

When visiting a new town, it’s easy to expect that there will be some differences from the place you’ve come from, but the strange small town of Zerograd is downright bizarre. From naked secretaries to cakes with that look exactly like his face, Zerograd is a boggling trip, with writer-director Karen Shakhnazarov parodying the ways the Soviet Union then clung to their distortions of reality, even as it crumbles, but it also eerily echoes the way governments around the world have manipulated their people’s concept of reality all for the sake of their respective states. Zerograd’s bizarre episodes don’t seem to go anywhere, but that’s sort of expected, especially with the world still having to deal with the loss of truth globally.

You know how, instead of condemning sexual violence, some people patronizingly advise women to go home early, move in groups for safety, and make sure to lock the door for safety? Stree takes this usual advice and uses it instead as fictional ritual practices for the men in the small town of Chanderi to escape from the titular spirit. It’s a rather cheeky inversion, one that resolves in a familiar, though understandable, way. While Stree takes a more comedic, jumpscare approach, it does rightly point out that if half of the population acted like this spirit, then the fear the other half feels would undeniably be reasonable.

Movie vampires are usually depicted in the spooky gothic way or the sexy, supernaturally romantic way. Mr. Vampire instead depicts this undead creature in a goofy manner, taking the Chinese jiangshi as an unfortunate mentorship program between Master Kau and his silly, incompetent assistants. It’s a bit corny, but director Ricky Lau creates action-packed yet comedic fights that Hong Kong cinema is known for, taking this creepy mythology with much more playfulness than we’re used to with vampires. Horror fans looking for a scare won’t find what they’re looking for in this flick, but action-comedy fans, as well as viewers that want to start watching horror films, might enjoy this slapstick satire in anticipation for Halloween.

Sure, it takes a special type of crazy to try to make it in the movies, especially if you’ve been at it for ten years without any sort of premiere, but the strangely persistent four-man production of Why Don’t You Play in Hell? takes this to even crazier heights, involving a yakuza gang war and potentially their lives. Writer-director Sion Sono infuses his signature gore with much more playful comedy, slinging together chaotic action scenes through the pure power of cool, and the entire roster’s enthusiasm for cinema is just so infectious, it’s compelling to watch, even when the plotlines don’t fully mesh well. Why Don’t You Play in Hell? is such a fun tribute to gritty action filmmaking.

This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends.
The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.

It’s slower and stranger than most comedies you may be used to, but there’s still lots of heart to be found in the way Classmates Minus follows the lapsed hopes and wishes of its core characters. Beneath all its stereotypically male yearnings for control and romantic wish fulfillment, there are potent ideas here about how a tired economy and jaded political culture can turn those in their middle age into completely different people. Writer/director Huang Hsin-yao provides narration for his own film, but rather than being distracting or conceited, his words add a level of needed sympathy to everything we see on screen.

Charming and heartfelt, Caramel captures the spirit and beauty of Beirut and its diverse and complex society. The story follows a group of women who work at a beauty salon as they navigate their relationships, dreams, and struggles in a changing and often restrictive environment. The film’s lush and colorful visuals, rich cultural references, and strong performances create a warm and intimate atmosphere that invites the audience to connect with the characters’ joys and sorrows. Although the ending feels listless, it is a delightful and empowering celebration of women’s friendship and resilience.

This film is immediately charming and spends ample time taking you through the mind of Goyo, to where you see where the wheels start turning in his head for each new interaction. It captures his infatuation, obsession, discomfort, and panic, without overdoing or over-explaining anything. Goyo himself (Nicolás Furtado) is an excellent heart of the show with his friendliness and sincerity, but stealing the show alongside him are his and Matute’s (Pablo Rago) solid sibling dynamic and Saula’s (Soledad Villamil) ice cold confrontation skills when you get to see it. It’s a very sweet film that avoids being cheesy, and I imagine Goyo himself would find this movie to be decent if he saw it.

The concept of a soulmate– the idea that there is someone out there that you’re meant to meet, who’s been made for you to be with, and vice versa– has inspired plenty of romance stories. Dil To Pagal Hai is one such musical centered on the idea. There are some flaws, especially with the love triangle, but the stacked cast, the classic soundtrack, and the elaborate, gorgeous dance numbers are just so enthralling to watch. There’s an interesting thread with the way the two leads’ lives mirror each other even before they meet, as well as the way the film contemplates the decades’ anxieties over crafting the modern woman, which makes Dil To Pagal Hai not perfect, but iconic nonetheless.