This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.

There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.

We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.

When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it’s also a heartbreaking exploration of unfulfilled ambition.

In The Sun, a family of four is dealt with tragedy after tragedy, beginning with the younger sun A-ho’s sudden incarceration. The mother is sympathetic but the father all but shuns him as he chooses to throw all his affection to A-hao, the older brother, and his med school pursuits instead. Themes of crime, punishment, family, and redemption are then explored in gorgeous frames and mesmerizing colors with director Chung Mong-hong doubling as the film’s cinematographer. 

Despite itself, The Sun never falls into cliche melodrama territory. Its heavy themes are undercut by naturalistic acting and poetic shots, resulting in a deeply emotional but balanced film. Rich in meaning and beauty, The Sun will surely stay with you long after your first watch.

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. 

Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf. 

Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona’s footage on the pitch is pure wizardry, and you’ll feel that way whether you are a soccer fan or not. But that’s not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona’s modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn’t make his story less interesting that during his time in Naples he was affiliated with the mafia.

This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades. 

Following a group of journalists uncovering an entire architecture of institutional corruption in Romania, Collective makes for an inspiring watch—not just because these people are pursuing a story outside their usual wheelhouse, but because their enemy really is so much greater than they can handle. Yet they continue chipping away, never once backing down from speaking truth to power. Director Alexander Nanau understandably might not have much access to the government’s side, but he still manages to portray them as an ever-present, omnipotent invisible force, giving the film a thick atmosphere of dread and paranoia. But still, in the face of such overwhelming odds, the best thing to do is refuse to be scared into silence.

The highly unusual story of this documentary starts with Kevin Hearn, a member of the band Barenaked Ladies, realizing that his painting by famous Canadian Indigenous artist Norval Morrisseau is a fake. When he sues the collector he bought it from, he starts a series of inquiries that unravel a story that gets progressively darker: drug dealing, organized crime, addiction, sexual abuse, and completely crazy characters (reminiscent of Tiger King).

Behind all of that, There Are No Fakes is about the exploitation not only of Indigenous art but of Indigenous people in Canada in general.

Set against the backdrop of the Algerian Civil War in the 1990s, the film follows Nedjma, a young fashion student, as she navigates the challenges of pursuing her dreams while living under strict societal and religious constraints. Gripping and emotionally charged, the film paints a vivid picture of the oppressive climate and the courageous women who refuse to be silenced. The performances are outstanding, particularly Lyna Khoudri’s portrayal of Nedjma, who brings a compelling blend of vulnerability and determination to her character. Director Mounia Meddour’s storytelling is powerful and thought-provoking, shining a light on the resilience of women in the face of adversity and the importance of artistic expression as a form of resistance. 

There are three big reasons to watch Paddleton. The first two are Ray Romano and Mark Duplass, who play the two neighbors at the center of the story. And the third is Alexandre Lehmann, the director, who also is responsible for Blue Jay (on Netflix as well).

These two misfit neighbors find themselves together when one of them is diagnosed with cancer. They embark on a trip to the nearest pharmacy (a six-hour drive) which turns into an adventure.

This premise gives Paddleton a lot to play on: it’s a comedy, but it’s also a drama about a fatal disease. It’s a bromance, but it’s about a fragile friendship. All these contradictions make Paddleton a great slice-of-life movie. And again, both actors are amazing. Watching it just for them is worth it.

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.