Yes, The Shawshank Redemption and Mulholland Drive are both fantastic movies, but what is the point of reminding you of that in every list?
Beyond frequent cult overstatements and box office revenue correlations, we decided to count down the best little-known movies. A list of real suggestions of great movies few people know about that you can make your way through.
Our purpose at agoodmovietowatch is to reference movies you haven’t yet seen, that you can watch immediately and love. To do this, we only recommend movies that have received a high rating on IMDb combined with a high score on Rotten Tomatoes. This means that these movies have been appreciated by both critics and viewers, so you can trust that they’re awesome. We also only suggest movies that didn’t make a huge splash at the box office or which didn’t get the attention they deserved, so there is little chance you have already seen them.
Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement.
At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.
Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger.
Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.
Written and directed by Kenneth Lonergan (Manchester by the Sea) and featuring the ever-reliable Mark Ruffalo as well as a fantastic performance from Laura Linney, You Can Count on Me is a beautiful and beautifully told story of siblings growing apart and later finding each other again. Sammy (Linney) helped raise her younger brother Terry (Ruffalo) after they were orphaned at an early age. Now a single mother, her life turns around when Terry comes back after a long time of being absent, with the two having become almost completely different people in between. Such an honest, genuine exploration of unconditional love, think of it as much more hopeful The Skeleton Twins.
The Station Agent is about loneliness, change and friendship. Sounds corny right? It’s not. The characters are developed, they have their own reasons for the choices they make and nothing feels forced, neither actions or conversations. It’s a small and wonderful movie about a little man that moves out of the city and his comfort zone when his only friend dies, moves to said friend’s old train station and sets his life there. From there on it follows his social interactions with a slew of people, the relationships he forms with them. Oh, and the little man? Peter Dinklage (Tyrion Lannister), who pulls off a great performance, albeit a quiet one.
A heartwarming and (ironically) heartbreaking indie film based around the lives of Mary, an 8-year old girl from Australia, and her pen pal Max, a 44-year old man from America. The film follows these two as they deal with life’s complications, from the perspective of a child and an autistic man. One of the most riveting and diverse films I’ve seen, with many joyous moments and cold plot twists. Would recommend 8 condensed milks out of 10.
A cynical, gripping and unconventional French film that combines prison drama with the Goodfellas-styled narrative of the rise to criminal power. A Prophet takes age-old cliches and turns them upside down, resulting in a movie that manages to be completely original while remaining truthful to its influences. It’s not often that a film leaves me giddy with enthusiasm and has me constantly thinking back to it, but A Prophet achieves it. Incredible acting, fantastic pacing, great narrative arc, with a brutal, cynical and uncompromising take on morality, self-realization and life on the fringes of society. There are only two “action” sequences in this movie and they are as brutal and realistic as they are unexpected. Look past the subtitles, do yourself a favor and watch it.
From one small Texas town to the other, two brothers rob banks and travel with extreme precaution yet apparent recklessness. Played by Chris Pine and Ben Foster, their journey captures their essence as men and the essence of their surroundings. A character study, not of one character, but of many, Hell or High Water is a magical modern-day crime western that you can get soaked in so easily. Jeff Bridges plays the Texas Ranger that chases them adding another perfect performance to the beautiful aesthetic of this thriller that manages to combine realism with romanticism of the subject matter. What turns good men bad? Some of the stuff in this film, definitely.
This forgotten gem is the perfect family movie. It stars Michael Caine and Robert Duvall as the two eccentric uncles of Walter, a shy city kid (played by Haley Joel Osment). When Walter moves in with his uncles in rural Texas, he first has a hard time adjusting to his new surroundings. However his routine is changed after he starts hearing local gossip about his uncles, and reminiscence spurs in all three an incredible eagerness for adventure. Secondhand Lions has gathered impressive cult following in the past few years, and rightfully so. Its fast-paced, entertaining yet substantial storyline shines a light on the amazing performances by the cast, and offers a surprising mix of funny, heartwarming and sad. Look out for the flashback scenes.
I saw this movie about a month ago, and I can’t stop seeing it again every weekend. It’s so heartbreaking. Wiesler, an officer of the Stasi, is designated to spy on a playwright and his girlfriend because the State Security has doubts about their loyalty. However after a while Wiesler becomes absorbed in Dreyman and his girlfriend’s lives and that’s when the empathy and the human component surge to be confronted with orders, and the realities of the time.
Florian Henckel von Donnersmarck’s film is a melodrama , quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state and the haunted freedom in that time.
An Academy Award nominated documentary about the genocide committed against nearly a million “communists” in Indonesia in 1965. Still in power, the paramilitary of Indonesia commonly known as the gangsters, call themselves “free men” and glorify their acts of government-sanctioned blatant extortion and heinous cruelty while the film cleverly juxtaposes them against the nation’s scarred history. The corruption, fear and violence that characterizes the figures of authority in the Indonesian military government are revealed in a raw manner in the film.
As its name suggests, the film will take you through the actual act of forcing a human to die. The gangsters that committed all those murders speak about and recreate the gruesome details of the circumstances, methods and experience of taking a life. Even more interestingly, they explore whether they believed it to be the right thing and how their conscience copes with the aftermath.
In its dark and abstract ways, it will have you question what you know not only about war crimes and government corruption, but on a much grander plane, about the treatment of the truth in history.
In the grand tradition of the ethnographic world tours like Mondo Cane, Samsara hits you in the face with the diversity and wonder of human life on earth. Unlike many of its predecessors, which often descended into colonialist gawping, Samara maintains a non judgmental gaze. This film uses no words or narration to travel the world showing you the breathtaking beauty of various countries, cultures, religions, cities, industries and nature. Shot on 70mm film, the definition and clarity has to be seen to be believed.
This is the story of an almost unknown musician of the let 60’s early 70’s. His name? Rodriguez. He was shunned in his native US, but beloved in the most unlikely of countries, South Africa under Apartheid. His bootleg albums circulated among his fans reaching amazing fame, however, the mysterious Rodriguez was across the globe, unaware. Winner of an Academy Award, it’s somehow a feel-good documentary that’s also very sharp when it needs to be.
A slow-burning Argentinian thriller about a retired legal counselor and the one case he investigated that just would not die, The Secret in Their Eyes is a taut and sharp mystery. As layers of mystery unfold, the story draws the viewer in and becomes entangled with the deteriorating political situation in Argentina. Notably, the film features a single-take 5 minute shot – a fantastic technical achievement and a testament to the directorial vision and skill.
True Romance is a wildly entertaining and twistedly enjoyable crime film, directed by Tony Scott (Top Gun) and written by a young Quentin Tarantino. It stars Christian Slater as a young nebbish comic book store employee named Clarence who falls in love with a prostitute named Alabama (Patricia Arquette), and sets his mind to rid her of her indebtedness to a volatile pimp named Drexel (Gary Oldman). The story eventually finds them absconding to California with a suitcase full of cocaine, with the intention of selling off their illicit cache to a Hollywood bigwig in order to pursue their dreams of freedom and opportunity. Replete with a remarkable cast of famous names and familiar faces (including Brad Pitt, Christopher Walken and even Val Kilmer as the ghost of Elvis), True Romance is a true 90’s-era classic. It showcases Tarantino’s trademark witty dialogue throughout, enmeshed with the savage humor and jarring violence that he has become so well known for. It’s very much an homage to Hollywood classics such as Bonnie and Clyde and Badlands (including a rousing score by Hans Zimmer inspired by George Tipton’s score for Badlands), and ultimately serves as one of Tarantino’s most underrated career accomplishments.
Death is a weird and scary concept. Ironically, however, the only way movies have been successful in covering it was through humor (Sunshine Cleaning and Beginners are other great examples). Departures gives this trend a new home, Japan. By doing so it almost never saw the light of day, since at first many distributors refused to release it given the taboos against people who deal with death. Eventually however it received so many accolades, including an Academy Award, that well-deserved attention was directed towards it. It’s one of those rare movies that will take you through all emotions: it will move from making you laugh, to making you cry, then happy, and finally highly interested in its subject matter. It’s a beautiful, funny, and compelling movie.
“Sometimes even the wrong train takes you to the right destination”. An Indian housewife dealing with her cheating husband and dying father seeks love, attention and appreciation through her cooking. By mistake, the lunchbox she sends to her husband through the famous delivery system of Mumbai is delivered to the wrong address, sparking an unlikely and unique romance through letters packed along with lunch every day. A very sweet, emotional and refreshing movie.
A doorway opens at the beginning of Spring, Summer, Fall, Winter… and Spring, and through this doorway you are brought into the movie’s world. Explanations or plot transitions rarely exist, and dialogue is kept at a minimum level. And yet this movie remains an incredibly simple film. Following a Buddhist master and his apprentice, it is a fable very much in the ‘cycle of life’ form, offering gentle complexity in the timeless and sole framework of a floating Buddhist monastery. That’s all I can say without saying too much. If you are into aesthetically pleasing films, go watch this.
Once again, Mads Mikkelsen gives us an unforgettable performance in this Danish thriller. Lucas is a new teacher in a small town. He is just starting a new life after a divorce and the loss of his last job. One day, a child from the class he is teaching accuses him of an unforgivable act. The lie will spread throughout the small community and will tear Lucas’ life apart. The Hunt, or “Jagten” in its original version, is one of those rare thrillers that will haunt you for days, and make you question everything in its aftermath. Extraordinary!
A documentary that is immediate and plays out like a thriller. Beautifully shot in Virunga National Park in the Eastern Congo, the story focuses on the struggles between Park Rangers and a list of adversaries including poachers, oil company goons, and an Islamic revolutionary army. The stories of the endangered gorillas and the people who struggle to protect them will break your heart and at the same time give you hope in humanity. On top of this, the editing is superb and gives the film an intensity that rivals any recent thriller.
The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on The Indonesian Genocide of 1965-66, where the military government systematically killed up to one million communists in a purge of opposing ideologues. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy “The Ram” Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it’s too late to fix, and mourn the end of our successes.
On his daughter’s birthday, Oh Dae-su gets drunk and soon he’s arrested by the police. His friend bails him out of jail and while he is making a phone call Oh Dae-su disappears. Oh Dae-su is held by unknown captors, in a room for 15 years only to see the outside world through a television. But one day he’s released. That’s all that can be revealed, without actually revealing too much of this intense and twisted film. All I can add, and this is precisely how I recommend Oldboy to new viewers: “You’re welcome & I’m sorry.” It is truly a twisted film, one that is so mesmerizing in it’s directing, acting, and plot, all of which will stay with you whether you would like it to or not.
Another fantastic documentary from 2012, this one tells the remarkable story of the 1992 Lithuanian Olympic Men’s Basketball team that received scant attention in the shadow of the renowned U.S. “Dream Team” of NBA superstars (Michael Jordan, Magic Johnson, etc.). The Lithuanians’ story is all the more fascinating in that it comes immediately on the heels of their country’s freedom from Communist rule. With little hope of participating in the Barcelona games, they received the most unlikely last-minute assistance from the Grateful Dead, of all sources. A really great true-life story, told with an exuberance and a verve not often expected from non-fiction filmmaking. I challenge anyone watch this one and walk away uninspired.
The main reason to watch Love & Mercy could be that it’s about the life of Beach Boys leader Bryan Wilson, but it shouldn’t. That wouldn’t do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it’s a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. “Bad egg” Ricky Baker has been bounced out of more foster care situations than he cares to remember until he’s given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi’s work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
A wealthy paraplegic needs a new caretaker. His choice is surprising — an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising. It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone’s all-time top 10 list.
You will not come out of this movie the same person you were going into it. Get ready to cry your eyes out, scream in anger, and rejoice that such a powerful love can exist in our world. DO NOT READ ANY SPOILERS OR SUMMARIES BEFORE VIEWING! This loving documentary about the father of a young boy is one of the best movies of this decade! We can’t recommend this film enough!
You will be most astonished by this electrifying documentary if you are not a racing fan, and even more if you have never heard of Ayrton Senna. The movie matches this character in being captivating beyond belief; incredibly powerful and sublime.
Director Asif Kapadia develops a compelling and exciting picture of F1 and the man that was Ayrton Senna. At a time when F1 cars were +1000hp fire breathing monsters and the grid was stacked with world champions, Senna rose above the rest to take 3 world championships and win the fabled Monaco Grand Prix a record 6 times. Unfortunately Senna’s life was cut short at the age of 34 in a devastating racing crash. By many he is still considered one the best and most exciting racing drivers to have ever stepped into an F1.
The story of a single mother trying to raise an unstable teenager and their interactions with the world surrounding them, Mommy is a movie that aims straight for the heart and doesn’t miss. It is so intense that you are likely to feel a kind of emotional tiredness after watching it. However, it is a beautiful intensity so to speak. Because while it has many joyous moments as well as funny ones, its true brilliance is reached while you are being punched in the guts. This is the more impacting with perfect the performances from the cast, the elaborate soundtrack and Xavier Dolan’s impeccable staging.
Think of Mommy as the most beautiful heartbreaking movie you will ever watch, it will hurt, but you will never regret watching it, and you will find yourself recommending it to everyone you know.
Winner of an Oscar and a Golden Globe among endless accolades, A Separation is the much celebrated movie about an Iranian couple faced with the decision of leaving the country for better opportunities or staying to take care of a sick parent. If you’ve ever been curious about the humans of Iran beyond the politics, and by cultural extension, humans of Middle-Eastern countries, watch A Separation.
But hold it, “An interesting foreign movie” is not how A Separation should be viewed (it’s not Slumdog Millionaire). As someone who grew up in a middle-class Muslim family, this film may be the only one to thoroughly portray many integral aspects of my upbringing. It perfectly depicts the delicate interaction between high moral standards and the realities of underdevelopment: how many bad people are only good people running out of options, and how parents raise their children in a shell of love and protection by keeping them away from the outside world while struggling to also introduce them to it. On a separate level, it also portrays how people live ready to have every privilege they have ever had revoked and how the constant need to “man up” transforms people, as well as the role of religion in all this.
A Separation is my movie, not yours. And so I am asking you to watch this film the same way I’d want you to come visit and get to know my home country.
Short Term 12 is exactly like being injured in a part of your body where you didn’t think it was possible to get injured before. It will hurt but it will make you care.
Natural and understated by budget and by purpose, it is powered by perfect performances that will take you on an emotional roller coaster ride you will never forget. It is at times sweet, at times depressing and at times hilarious.
The thing is, without even taking into consideration its small budget or the importance of the issues it talks about – we would still consider Short Term 12 as one of the best movies of the past 20 years.
A critical favorite and award-show sweeper, The Great Beauty celebrates the sheer decadence of Italian cinema and the Italian capitol, Rome, in a tour de force of luxury and gorgeousness. Following an aging bon vivant and Roman socialite who squandered a youth of artistic promise for the simple pleasures of being, the film is a meditation on art, regret, pleasure and the beauty of the eternal city.
In the mood for an impeccably crafted real-life thriller? This movie is for you. On the way out of a nightclub Victoria runs into four raucous German men who convince her to hang out with them. She is from Spain and has been temporarily living in Berlin. Her German isn’t very good, but her English is passable. She shares some drinks with her new friends, and strikes up a flirtation with one of them. But what starts out as light-hearted hijinks at 4:30am eventually swerves into darker and more dangerous territory, as Victoria is coerced into participating in her German companions’ dangerous plans. While the plot may sound like your standard issue crime drama, Victoria turns out to be something a little different, due to the thrilling and unusual way it was filmed – in a single shot. In interviews the director has talked about his process, and the challenges of filming an over 2-hour movie (it clocks in at 138 minutes) in over 20 different locations throughout the city of Berlin. The “one take” filming process could be viewed as a stunt, but in this case, I think it works well to serve the story. The tension built from the tightrope walk of the actors and filming crew adds to the ratcheting tension of the story line. Laia Costa give an astounding lead performance. There is not a single scene in Victoria where she is not present, and the movie would simply not work without her. A crazy, awesome movie.
Six vignettes that test the limits of psychotic human extremes are masterfully woven with layers of irony and satire. Each story begins in a relatable situation, but the characters propel themselves into an incomprehensible circumstance. Lovers of dark comedy will be delighted, shocked, and awed by this emotional thrill ride all while laughing their asses off. Truly, nothing more needs to be said about this film, so sit back and let the insanity ensue.
A movie which will catch you from the first second, with one of the best movie beginnings of all time, up until its outstanding end. It is a slow-burning and calm film with nonetheless a very powerful impact. Incendies is guaranteed to be one of those movies you will never forget.
The story is about Jeanne and Simon who, to fulfill their mother’s last wishes, must journey to her birthplace in an unnamed Middle-Eastern country. There they discover her tragic and sad past life, and unveil a deeply disturbing secret which will change their lives forever. The movie contains a series of flashbacks telling the story of the mother, Nawal Marwan, while the rest is from the viewpoint of her children.