This is the true story of Oscar Grant III, a 22-year-old Black man in Oakland, California, who was shot dead by police in the morning hours of New Year’s Day 2009. Incidentally, 2009 was also the time when smartphones started going mainstream, and so the incident was not only captured by CCTV but also many private cell phone cameras. The murder went viral.

Grant is superbly played by Michael B. Jordan in what now counts as one of his breakthrough roles, when many only knew him as Wallace in the now-legendary crime drama The Wire. Director Ryan Coogler went on making two more movies with him, including Black Panther in 2018.

Produced by Academy Award winner Forest Whitaker and compassionately told, Fruitvale Station surpasses the sadness of its subject matter and amounts to an extraordinary celebration of life. A must-watch.

A wealthy paraplegic needs a new caretaker. His choice is surprising — an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone’s all-time top 10 list.

Russel Crowe, Nicole Kidman, and the immensely talented young actor Lucas Hedges (Manchester By the Sea) form an amazing pack of talent in this excellent drama. The story is based on the memoir by Garrard Conley, a true story. Set among deeply pious Christians in Arkansas, Hedges plays 18-year-old Jared Eamons, who discovers that he is gay. Crowe plays the father, a car dealer and a preacher, and Kidman the mom, who is a sweet-natured hairdresser with traditional values. When their son comes out to them after concealing his sexuality for some time, they pressure Jared into going to a Christian conversion camp, where his “lifestyle choice” is to be “prayed away”. The unspeakable camp is led by the Victor Sykes, who is as sinister as he is stupid, played with aplomb by Joel Edgerton, the writer and director. It’s a funny sidenote to a serious movie that many actors in this Southern drama are from Australia, including Edgerton, Crowe, and Kidman as well as Red Hot Chili Peppers bass player extraordinaire, Flea, who plays a drill-instructor-type PE teacher at the camp. The powerful performances are indeed what drive this drama and they contribute significantly to telling a story that needed to be told.

The movie opens with a guy called Tarzan, saying in a Russian accent: “I called my friend Michel, and I said can I buy a submarine, a used one?” Apparently, two days later he called him back asking: “With, or without missiles?” This should give you a decent idea of how the protagonists of this Tiller-Russell-directed documentary roll. Operation Odessa is the crazy true story of how the FBI, Pablo Escobar, and the Russian Mafia were played by three criminal outsiders in a $35 million submarine deal. Strictly speaking, it belongs in the true crime documentary genre, but it can also be treated as a real-life black comedy. The protagonists are so audacious, it is hard to believe that most of this story is true. The submarine deal story is only the tip of the iceberg here. Crazy, funny, and just really well done!

An inspired by true events tale about an elderly Irish woman trying to find the child she was forced to give up many years earlier. Steve Coogan co-wrote the script and, though the base story is a tragic one, his special brand of very subtle, wry wit is apparent in the dialogue throughout. Judi Dench plays the mother who had kept her “sinful” past a secret for fifty years and, being Judi Dench, I don’t need to bother going on about her exemplary talent, suffice to say she’s charming beyond measure in the role. Steven Frears directs, as usual, deftly, and keeps the story compelling scene after scene, intensifying the emotions inherent to each, whether they be heart-warming, comedic, or outright enraging. Whoever decided to let Steve Coogan have his way with the script, it was a brave and wise choice and together this cast and crew have produced a wonderful and important piece of cinema.

A relevant and deeply entertaining movie that only has the appearance of being about politics. In reality, it is about television, and one brilliant journalist’s pursuit of the perfect interview.  Richard Nixon stepped away from the public eye after the Watergate scandal, and was counting on a series of interviews three years later to redeem himself. His team assigns an unlikely reporter to sit in front of him, a British reality TV host named David Frost. Both men have everything to gain from this interview by going against each other, as Frost tries to extract a confession of wrongdoing in Watergate that Nixon never gave.  Who will win? The master manipulator or the up-and-coming journalist? Frost / Nixon was originally a play, and this adaptation is full of drama and boosts great dialogue.

A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time – this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.

Keira Knightley stars in this incredible true story of an Iraq War whistleblower who remains relatively little-known in the U.S. Katharine Gun was working for the communications office for the British government when she received a memo in the months leading to the war that showed that the U.S. requested illegal wiretapping assistance from the U.K. on U.N. diplomats. In a heroic act, she chooses to share this memo, hoping that it would stop her government (then led by Tony Blair) from going to war. Spoiler alert: didn’t happen, but this decision, which first seemed like a personal sacrifice, has severe implications on her family as the government finds out that she was behind the leak. A compelling political mystery of a case that deserves much more attention than it once got.

The Swimmers tells the true story of sisters Yusra and Sara Mardini (played by fellow sisters Nathalie and Manal Issa), Syrian swimmers trained to compete at the Olympics. When their athletic goals and overall safety are threatened by the increasing presence of war, the girls decide to take a chance and migrate to Europe, where they hope to live out their dreams and reunite with their family someday.

The Swimmers is a touching family drama that does right to center on the love and tension between the siblings. Yusra and Sara’s relationship perfectly encapsulates the envy and resentment but also the deep love and loyalty that are present in every sister bond. It’s tender in these moments, but it can also be equally searing—as a refugee drama, it chillingly tracks the complicated and inhumane processes of fleeing one’s country for a safer future.

As a crime thriller, Holy Spider is taut and terrifying, a modern noir that manages to unnerve despite the familiar moves it employs. The cat and mouse chase between serial killer and investigative reporter, for instance, is a classic tale, but that doesn’t make Holy Spider any less gripping. The film benefits from artful camerawork, considered acting (as the daring journalist Rahimi, Zar Amir Ebrahimi nabbed the Best Actress award at Cannes), and most of all a nuanced take on the situation in Iran. 

Despite having a clear stance against violence and corruption, nothing in Holy Spider is black and white. Contradictions abound, and even when presented with brief moments of justice, we’re left scratching our heads looking for more. Such is the case when the system, and not just an individual, is the true pest.