In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It’s about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It’s the perfect mix between easy and challenging. If there is ever such a thing, it’s this movie.

Disclosure is a patient and articulate study of the ways movies have physically conditioned us to respond to certain expressions of queerness with fear, disgust, or laughter. But it also serves as a reminder that trans bodies have been represented on screen for as long as movies have existed—making it all the more unacceptable that we still often only see reductive and harmful stereotypes of trans people over 100 years since the birth of cinema. However, Disclosure is far from a “takedown” designed to make viewers feel bad. At the end of it all this remains a celebration film’s power to dignify perspectives we rarely get to see through, and it’s one of the nerdiest and most passionate trips through film history you could hope to have.

This searing allegation of sexual abuse against Def Jam Recordings’ Russell Simmons unfolds with the intelligence and tenacity of a world-class prosecution. But more importantly, On the Record remembers to fight for a justice that’s restorative, too—paying proper tribute to Drew Dixon and many other equally creative and talented women behind the scenes in the American hip hop industry. With every new argument it introduces, this documentary encourages us not only to be open to new information, but to rewire our very way of thinking about race, intersectional feminism, and the music business. It may be a bit of a cliché, but On the Record really does leave you smarter than when you started, with a heightened awareness of how the present moment is inseparable from our history.

Studio Ghibli has brought us moving, remarkable animated films such as Spirited Away, My Neighbor Totoro, and Princess Mononoke. One of Studio Ghibli’s most overlooked movies is Yoshifumi Kondou’s Whisper of the Heart, which finds magic in the ordinary every day. Shizuku is a young girl with great aspirations to become a writer—the only thing stopping her is herself. When she comes across a curious antique shop, she befriends a mysterious boy and his grandfather, who are just the push she needs to look inward and discover her own artistic capabilities.

If you have ever wanted to create something bigger and better than yourself—a story, a song, a poem, a painting, a work of art—then Whisper of the Heart will excite you, will call to you, will remind you to answer your heart’s calling.

A sweet and romantic German movie about two Berliners who meet randomly and go on a road trip to the south of Europe. It might seem like a silly premise but it’s actually a philosophical movie, one that feels very realistic. The two characters debate human nature, politics, relationships, etc; almost throughout their trip. And they’re played by excellent newcomers who ooze charisma and make the question of what will happen between them incredibly thrilling.

The 400 billion (!) dollar industry of medical devices is director Kirby Dick’s latest fascination (Oscar winner Twist of Faith, Oscar nominated The Invisible War). This is one of those documentaries that will raise your awareness about a topic from 0 to I-should-do-something, as the number of victims and the negative impacts these devices are having are astounding. Of course, just like with any other careless American industries, greed, money, and lobbying are the culprits. This is an important watch that will probably come in very handy when you or a close one needs a medical device.

This movie is a dramatic masterpiece and a tribute to loving middle-aged women everywhere. It is unparalleled in the way it portrays its characters and the subtlety with which it tells their stories. The events are centered around a 52-year-old Georgian woman who decides to leave her family home and live alone without much of a notice. She trades chaos and domestic disputes for solitude, and the prospect of sad old age for an opportunity to build a new life for herself. In other words, she trades being the secondary character to her mother, husband, and children, to being the hero of her own story. A genuine and beautiful film. If like me you grew up with a mother who sacrificed everything for you, this will hit very close to home.

Based on a true story, The Whistleblower is the biography of a once Nebraskan police officer who volunteers for the U.N. peacekeeping mission in post-war Bosnia. Once there, she uncovers a human trafficking scandal involving peacekeeping officials, and finds herself alone against a hostile system in a devastated country. Rachel Weisz plays the whistleblower in a powerful lead role, but the true star of the movie is its director, Larysa Kondracki, who thanks to near documentary-style film-making delivers a perfectly executed political thriller with utmost authenticity.

The Kings of the World is a surreal coming-of-age movie that follows Rá, Culebro, Sere, Winny, and Nano, street kids who are on their way to claim land that’s rightfully theirs. Their one goal is to finally make a home after living without one for so long, but they’re hindered by the inevitable tragedies that befall kids of their kind: impoverished, alone, and abandoned.

The title is ironic, but it also hints at their state of mind: these boys are unstoppable, rabble-rousers who live like there’s no tomorrow. They tear down private property and invade inns not out of spite, necessarily, but out of a knowledge that whatever they do they’re gonna be put down anyway, so they might as well live without rules.

Tackling powerful themes like land restitution and youth neglect, The Kings of the World is one of the most agonizing movies you’ll ever see. It’s also Colombia’s official Best Foreign Language Film entry in the 2022 Academy Awards.