100 Best Movies on Netflix Canada Right Now

100 Best Movies on Netflix Canada Right Now

April 17, 2024

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agoodmovietowatch is a database of highly-rated movies. Because of this, we know that while Netflix US may have a larger catalog of titles, Netflix Canada actually has a larger catalog of good titles. Our latest count shows that we have 149 good movies for Netflix Canada, and only 120 for Netflix US (to find all the movies we suggest for Canada go back to the homepage and use the region selector in the top bar to choose your country). When you end up on a list like this, you must be accustomed with the confusion and frustration that come with browsing Netflix aimlessly. From our research, this is caused by two things. First, something called the paradox of choice, where the larger the options you have to choose from the harder it is to choose. Second, recommendation algorithms. A while ago Netflix removed their ratings and replaced them with match percentages. What this means is that if you watched a cop movie, you will have a 100% match record with other cop movies, good or bad. Our solution to both issues is a simple website that has a very limited selection of only good titles. We know they’re good because they’re loved by both critics and viewers at the same time. Below is a list of the best ones currently on Netflix Canada as rated by our users. When you’re done with this list, we highly recommend checking out the 40 Best TV Shows on Netflix Canada You Haven’t Yet Binged.

61. Phantom Thread (2018)

best

8.4

Country

China, United Kingdom, United States of America

Director

Paul Thomas Anderson

Actors

Amber Brabant, Amy Cunningham, Brian Gleeson, Camilla Rutherford

Moods

A-list actors, Romantic, Thought-provoking

A flawless Daniel Day‑Lewis stars in this thought-provoking romance. He plays a successful dressmaker in post-second-World-War London who falls for a waitress while on an excursion to the countryside. It’s hard to tell you what this movie is about without ruining the story for you but I can tell you how it made me feel: it kept me guessing the whole time. Day-Lewis’ character is so masterfully played that I felt that every move he made was calculated and that every line meant something. Plus, expect stunning dresses, beautiful country-side sequences, and an all-around gorgeous aesthetic experience.

62. Laurence Anyways (2012)

best

8.4

Country

Canada, France

Director

Xavier Dolan

Actors

Alexandre Goyette, Alexis Lefebvre, Anne Dorval, Anne-Élisabeth Bossé

Moods

Discussion-sparking, Romantic

This is a gorgeous French-Canadian movie with out-of-this-world sound work.

Laurence is deeply in love with his girlfriend, Fred. On his birthday, he announces to her that he wants to restart his life as a woman, having always hated his male body. Fred doesn’t know how to take the news: “everything I love about you is everything you hate about yourself”.

Laurence Anyways is about how their romance continues after this revelation. There are so many reasons to watch this movie: the story, the acting, the cinematography; but trust me, the soundtrack alone is reason enough.

63. Honey Boy (2019)

best

8.4

Country

United States of America

Director

Alma Har'el, Alma Har'el

Actors

Al Burke, Ben Maccabee, Byron Bowers, Clifton Collins Jr.

Moods

A-list actors, Gripping, True-story-based

There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself.  He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. 

Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf. 

 

64. Athlete A (2020)

8.4

Country

United States of America

Director

Bonni Cohen, Female director

Actors

Géza Poszar, Gina Nichols, Jen Sey, John Nichols

Moods

Discussion-sparking, True-crime

This groundbreaking documentary follows the USA Olympics sexual abuse case that made headlines in 2015. Through interviews with Olympians, their families, and investigative reporters, it’s also a documentary on the overall culture of abuse in gymnastics: sexual, physical, and emotional.

In one scene from the 1996 Olympics, gold medalist Kerri Strug has to run, vault, and land – all with a severe foot injury that was covered up by her coaches. She does this twice, limping between attempts and crawling off the mat on the second, crying. Meanwhile, her family, her coaches, the spectators – the World – is celebrating.

When she’s carried off, it’s Larry Nassar, the pedophile at the center of the documentary, who carries her.

Athlete A is groundbreaking exactly because it illustrates that the problem is not only with one doctor, or the 54 coaches who were also found guilty of sexual abuse, or the morally bankrupt leadership of USA Gymastics; it’s also about what went so wrong with society to see the abuse of young girls as cause for celebration.

65. West Beirut (1998)

best

8.4

Country

Belgium, France, Lebanon

Director

Ziad Doueiri

Actors

Carmen Lebbos, Liliane Nemri, Mohamad Chamas, Rami Doueiri

Moods

Thought-provoking, Touching, Warm

Director Ziad Doueiri is one of the first filmmakers to successfully break through to the global stage out of Lebanon, and West Beirut, which was selected as the country’s entry for the Best Foreign Language Film at the 1999 Academy Awards, is one of his most accomplished films.

The film stars the director’s son Rami Doueiri as Tarek, a young Lebanese boy who loves to shoot with his Super 8 camera and go on small adventures with his friends Omar and May in the streets of Beirut. But one day, he is faced with the ugly truth of the Lebanese civil war. As he learns more and more about the divided state of his country, he sets out on a mission in search of any lingering hope to help keep the beautiful idea he has of his country locked safe and sound in his brain. “Whoever asks about your religion, you tell them I’m Lebanese.”

66. The Kings of the World (2022)

best

8.4

Country

Colombia, France, Luxembourg

Director

Female director, Laura Mora

Actors

Brahian Acevedo, Carlos Andrés Castañeda, Cristian Campaña, Cristian David Duque

Moods

Challenging, Character-driven, Dark

The Kings of the World is a surreal coming-of-age movie that follows Rá, Culebro, Sere, Winny, and Nano, street kids who are on their way to claim land that’s rightfully theirs. Their one goal is to finally make a home after living without one for so long, but they’re hindered by the inevitable tragedies that befall kids of their kind: impoverished, alone, and abandoned.

The title is ironic, but it also hints at their state of mind: these boys are unstoppable, rabble-rousers who live like there’s no tomorrow. They tear down private property and invade inns not out of spite, necessarily, but out of a knowledge that whatever they do they’re gonna be put down anyway, so they might as well live without rules.

Tackling powerful themes like land restitution and youth neglect, The Kings of the World is one of the most agonizing movies you’ll ever see. It’s also Colombia’s official Best Foreign Language Film entry in the 2022 Academy Awards.

67. Bo Burnham: Inside (2021)

best

8.4

Country

United States of America

Director

Bo Burnham

Actors

Bo Burnham

Moods

Funny, Grown-up Comedy, Original

A healthy mix of despair and self-deprecation has always been Bo Burnham’s signature, but Inside takes it to the next level. It’s a deconstructed film, rather than a simple one-night special; a one-man-show that constantly undercuts itself. Even more so, it sabotages its own immersive qualities and explores the depths of self-loathing by turning oneself into comedy material. Some may say, it’s a classic move, but the pandemic reality and Burnham’s unkempt look predispose us to embrace all the cringe (YouTube reactions), quirkiness, (the sock puppet), and frightening angst (suicide jokes) he puts forward. Emotional rawness and a polished DIY look fits the Netflix bill, but as far as the content goes, this one goes straight to the world heritage lockdown archives.

68. The Killer (2023)

best

8.4

Country

United States of America

Director

David Fincher

Actors

Arliss Howard, Bernard Bygott, Brandon Morales, Charles Parnell

Moods

Character-driven, Dark, Dramatic

David Fincher’s return to form almost ten years after Gone Girl turns the eponymous French graphic novel series into a stone-cold stunner. The Killer can be described as a crime thriller and a neo noir, but it’s perfectly Fincherian in the ways it withholds information from the viewer, building up suspense in a masterful rhythm. The film opens on the inside of a construction site—a WeWork office to-be—where our Killer stalks his pray across the street. A rather static beginning, where nothing much happens: one may question the thriller qualities of the film during its first act for similar reasons, but just give it time; that’s exactly what The Killer would say. But little does he know that time is something he doesn’t have much of…

69. Chronicle of a Disappearance (1996)

best

8.4

Country

France, Germany, Israel USA Germany France Palestine

Director

Elia Suleiman

Actors

Ali Suliman, Elia Suleiman, Fawaz Eilemi, Fuad Suleiman

Moods

Discussion-sparking, Funny, Original

The debut feature by Palestine’s most well-known director, Chronicle of a Disappearance is an unusual movie about the decades-long Israel-Palestine conflict in that it’s closer to absurdist comedy than anything else. The only physical violence we see here are men cat-fighting in the street or arm-wrestling each other in cafes, and Israeli presence is limited to a couple of bumbling police officers. Chronicle is full of slapstick cinema touches — right down to the Buster Keaton-esque eyes of director Elia Suleiman, who appears here as a silent wanderer — and yet we feel the bitter reality of the occupation framing every deadpan gag. 

Structured as a series of vignettes, Chronicle’s loose form is both a way to depict the stagnation and dry repetition in which Palestinians are stuck and a wry metaphor for all this listlessness. Suleiman speaks plainly in some chapters — such as the one following a woman who is repeatedly turned down from renting an apartment in Jerusalem because she’s Arab — and more obliquely in others, forcing you to recall the movie’s setting to understand his often-understated commentary. A singular film from an utterly unique director, Chronicle of a Disappearance is both a portrait of a country’s erosion and a quietly defiant act of resistance.

70. Falling in Love Like in Movies (2023)

best

8.4

Country

Indonesia

Director

Yandy Laurens

Actors

Abdurrahman Arif, Alex Abbad, Dion Wiyoko, Ernest Prakasa

Moods

Discussion-sparking, Funny, Lovely

Given the title, it isn’t surprising that Falling in Love Like in Movies would be a metanarrative with the main romance mirroring the filmmaking and the filmmaking reflecting the main romance. It’s a familiar approach, and at first, Falling seems to follow the inevitable ending where the couple falls in love, but right on time, in around Sequence Four, writer-director Yandy Laurens chooses a more honest, less chosen path– a path that plenty of previous romance films hasn’t examined– that still falls within the eight sequence screenplay structure Bagus talks about. While Bagus is pitching his film to Hana, and to his producer, Jatuh Cinta Seperti di Film-Film pitches a new way of thinking about love, grief, and of course, filmmaking.

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