Sunshine Cleaning is a great addition to that unidentified genre of grown-up comedies populated by other great entries like Your Sister’s Sister and Enough Said. It is however, less of a comedy than it is a heart-warming emotional tale. Powered by outstanding performances from Amy Adams and Emily Blunt, it ultimately evolves into a character study of failed potential and validation seeking. Sunshine Cleaning is enjoyable, satisfying to a fault, and provides an interesting peak into the lives of its characters.

A special forces team conducts a raid at a multi-story ghetto building where a criminal boss runs his business. Things quickly go wrong and chaos ensues. Full of pure action, with no overblown Hollywood-type CGI nonsense. It is made the way action movies should be made, full of realistic fight scenes. It is exciting, brutal and thrilling. The Raid: Redemption is definitely among the best action movies ever made.

Directed by Kim Longinotto and Jano Williams, this documentary combines intimate interviews, fly-on-the-wall observation, and striking cinematography to present a compelling glimpse into the lives of three transgender individuals working as hosts in Tokyo’s bustling Shinjuku district. With unprecedented access to the subjects’ lives, the documentary delves deep into their emotional journeys, capturing their hopes, fears, and aspirations surrounding identity, gender, and societal acceptance.  An eye-opening documentary that wastes none of its 53-minute runtime, Shinjuku Boys challenges preconceived notions and invites viewers to empathize with individuals navigating a world that often marginalizes them. 

This is Kristen Stewart’s proof that she is more than a lip-biting, vampire-loving teenager. Reactive and emotive, she will not disappoint you here. Rather, expect an electrifying and exceptional performance. Paired with Payman Moaadi, they both make of this work an emotionally poignant movie that questions the notion of freedom in the unlikeliest of places: Guantanamo Bay.

An offbeat film with a more than decent amount of suspense. To that it adds really good music and unexpected animation, to make for a very audacious, interesting and mostly fun film. It uses all this to show how life can change in a twist and how it can be influenced by weird connections of otherwise unrelated events.

Set in war-torn Berlin during World War II, this film explores the forbidden romance between a married mother of four and a Jewish woman working undercover for the resistance based on the real lives of Lilly Wust and Felice Schragenheim, as detailed in Erica Fischer’s book of the same name. As expected, all of the frightening challenges of Jewish people, women, and queer folks are presented bluntly. But there are enough touching and humane moments of empathy that contrast the harsh realities of war. The performances by Maria Schrader and Juliane Köhler are simply remarkable, bringing depth and authenticity to their characters’ intense connection and creating a poignant viewing experience. 

Fun and whimsical to its core, this animated film takes viewers on a visually captivating, surreal, and enchanting journey through a single night in Kyoto. The movie immerses you in an entertaining and eccentric world with its vibrant animation, characters, and offbeat humor following two unnamed characters only referred to as “The Girl with Black Hair” and “Senpai.” The narrative weaves together various quirky encounters, love interests, and strange events, keeping you engaged and curious. Blending romance, comedy, and coming-of-age themes, Night Is Short, Walk On Girl is a joyous celebration of youth, adventure, and the unpredictable nature of life’s unexpected twists and turns.

Margarita with a Straw is a bold and unflinching film that offers a sensitive and nuanced portrayal of disability, sexuality, and identity. The film follows the journey of a young woman with cerebral palsy as she navigates her way through life, love, and self-discovery. The film’s honest portrayal of exploring sexuality, its rich and diverse cast of characters, and its raw and emotional story make it a deeply affecting watch. It’s a triumph of representation and inclusivity, and a testament to the power of storytelling to challenge and change the way we see the world.

In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.

One of The Drop’s many strengths is its dark, clever, yet compassionate script. It will take you into the heart of the Brooklyn crime scene through the characters and their respective more or less fragile lifestyles. The extremely good performances, however, soon become the focus and attire of the film. James Gandolfini couldn’t be more at home in this context and excels with his usual menace, yet somehow relatable presence. Tom Hardy, however, surprises in unfamiliar grounds, sharply portraying a vulnerable character, whose vulnerability you will keep doubting. The Drop is consistent from start to finish, and with jaw-dropping moments here and there, it is both an interesting and enjoyable film.