40 Best PG-13 Movies on Netflix Right Now

40 Best PG-13 Movies on Netflix Right Now

June 7, 2024

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agoodmovietowatch is a portal for highly-rated yet little-known movies. Below are our best recommendations rated PG-13 on Netflix.

21. The Saint of Second Chances (2023)

best

8.0

Country

United States of America

Director

Jeff Malmberg, Morgan Neville

Actors

Agnes Albright, Bill Veeck, Charley Rossman, Charlie Day

Moods

Easy, Feel-Good, Heart-warming

You don’t need to know a lot about baseball to appreciate The Saint of Second Chances. It has enough going on to keep you hooked from start to end, beginning with Jeff Daniels’ inimitable voice as the narrator and Charlie Day’s inspired casting as the younger Veeck, all the way down to the Veecks’ fascinating ties with American sports history and Mike’s inspiring and heartwarming second-chance philosophy. It all gets a bit too much at times, as if the filmmakers themselves were overwhelmed with their abundant material and creative decisions, but it’s executed with so much care and love that it seems as if this is the only way it could’ve come out: a wonderful mess. 

22. Godzilla Minus One (2023)

best

8.0

Country

Japan

Director

Takashi Yamazaki

Actors

Akio Nakadai, Eisuke Sasai, Etsuji Harada, Gohshuu

Moods

Action-packed, Character-driven, Discussion-sparking

The film starts with an atmosphere of almost peaceful defeat. We see a rather stealthy Godzilla, but it doesn’t last long until we’re back to regular programming with the metal-chewing monster. Time spent without Godzilla is spent on people trying to be heroes, armed with admirable optimism. The many scenes of wreckage turn this into a very human story about shared trauma. Godzilla vs other kaiju is usually an easy sell, but Godzilla vs people is a hard story to root for, just because of how unbalanced it gets. But the film finds a way to make it work—the final battle is epic, packed with a lot of heart and preparation.

23. Dick Johnson Is Dead (2020)

7.9

Country

United States of America

Director

Female director, Kirsten Johnson

Actors

Brett Eidman, Fredi Bernstein, Ira Sachs, Kevin Loreque

Moods

Funny, Grown-up Comedy, Mind-blowing

Dick Johnson Is Dead is a heartfelt and unconventional portrait of how one can live life to the fullest even in their darkest days. Kristen Johnson’s follow-up to the highly acclaimed documentary Cameraperson, Johnson shows that her skills are no fluke as she crafts a witty film where she masterfully balances surreal tonal shifts to create a compelling experience. While it does have a repetitive nature, the final thirty minutes are heartbreakingly comedic, and make this one worth a watch!

24. Under the Shadow (2016)

7.8

Country

Iran, Jordan, Qatar

Director

Babak Anvari

Actors

Amir Ranjbar, Aram Ghasemy, Arash Marandi, Avin Manshadi

Moods

Intense, Suspenseful

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

25. Fences (2016)

7.8

Country

Canada, United States of America

Director

Denzel Washington

Actors

Christopher Mele, Denzel Washington, Joe Fishel, Jovan Adepo

Moods

A-list actors, Character-driven, Slow

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

26. Minari (2021)

7.8

Country

United States of America

Director

Lee Isaac Chung

Actors

Alan Kim, Ben Hall, Chloe Lee, Darryl Cox

Moods

Character-driven, Discussion-sparking, Dramatic

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

27. Bathtubs Over Broadway (2018)

7.8

Country

United States of America

Director

Dava Whisenant, Female director

Actors

Chita Rivera, David Letterman, Florence Henderson, Jello Biafra

Moods

Easy, Feel-Good, Instructive

Even if you’re a huge Broadway fan, you’ve probably never heard of the “industrial musical.” While it no longer exists in practice, in the 1970s industrial musicals were shows that corporations commissioned for some of the biggest Broadway names to produce. The script would be based on the company’s offerings and history, and privately performed by real Broadway actors to audiences made up exclusively of company and factory staff.

Now, a documentary about industrial shows doesn’t scream “entertaining,” but to describe Bathtubs Over Broadway in such a manner would be selling it way short. It’s really about Steve Young, a comedy writer for David Letterman, and how his life changed when he found his first industrial musical LP when leafing through a crate of old records for a Late Night segment he was working on.

Ultimately, what makes this such an enjoyable watch is the protagonist’s enduring passion over what at first appears to be nothing but a niche obsession. But with time, as he connects with other collectors and the people who were involved in the original industrial musical productions, his passion breeds community and lifelong bonds. Even if you’re no fan of Broadway, this makes for a great pop culture documentary and an unexpectedly touching story of human connection.

28. It’s Kind of a Funny Story (2010)

7.7

Country

United States of America

Director

Anna Boden, Female director

Actors

Aasif Mandvi, Adrian Martinez, Alan Aisenberg, Ato Blankson-Wood

Moods

Uplifting, Warm

Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor — and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It’s kind of a Funny Story is based on a novel of the same name.

29. Forgotten Love (2023)

7.7

Country

Poland

Director

Michał Gazda

Actors

Adam Nawojczyk, Agata Łabno, Alicja Jachiewicz, Anna Szymańczyk

Moods

Character-driven, Emotional, Heart-warming

After two adaptations, with the 1982 version considered a Christmastime classic for Polish families, Forgotten Love can seem like a redundant take on the iconic Polish novel. With twenty more minutes, it seems like the new Netflix adaptation could only improve its take through better production design, and sure, it certainly delivers that pre-war aesthetic through period-accurate costumes, props, and sets. However, Forgotten Love takes a more streamlined approach to the novel’s plot, through changing certain character choices. Without spoiling too much, some choices paint certain characters in a better light, while other changes prove to add an entertaining twist, such as the humorous way the villagers defend Kosiba. Znachor takes the 1937 story into the present, bringing a new generation through the emotional journey of the cherished Polish tale.

30. Yellow Door: ’90s Lo-fi Film Club (2023)

7.7

Country

South Korea

Director

Lee Hyuk-rae

Actors

Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Ju Sung-chul

Moods

Easy, Feel-Good, Heart-warming

Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

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