This new seven-part docuseries is directed by Martin Scorsese and features conversations between himself and New York author Fran Lebowitz.

Fran talks about her experience in New York, and she’s hilarious, but no one finds her more so than Scorsese. He spends the show recovering from one laugh only to go into the next long one.

Fran has lived in New York a long time, and people know that so they come up to her to ask her about the city. “If I were a civil war buff, and I saw Abraham Lincoln, I’d think ‘Oh! he was there. Let me ask him.’”. That’s who she is.

Beginning as a small-town murder mystery but eventually taking the shape of a police procedural, a spy drama, and a sociopolitical thriller, Sherwood fully reinvigorates the crime genre for British TV. With every twist comes a reminder of how deeply alienated the people of this former mining village have become from themselves, each other, and the outside world. Because underneath all the investigation lies a boiling tension: the scars of a past conflict among trade unionists on strike, the “scabs” who crossed the picket line to continue working, and police forces further provoking all this friction. These internal divisions haunt everything in Sherwood, brought to life by a superb ensemble—David Morrissey, Robert Glenister, Lesley Manville, Adeel Akhtar, and more—who all carry the weight and shame of being left behind by the world around them.

In the early 2000s, amid the rapid rise of online piracy and the consequent fall of paid music, tech genius Daniel Ek would find Spotify, a revolutionary streaming platform that served as a middle ground between user accessibility and artist rights. But even now, at its peak, Spotify’s success seems mystifying. How did they get away with providing free music to all? 

Enter The Playlist—an impressive attempt at answering that very question. In this fictionalized account, key players in Spotify’s success are given their own episode-long arc, starting with the visionary himself, Ek (played by Edvin Endre), followed by the artist, the coder, and the industry insider, to name a few. By employing multiple perspectives, each with its own cinematic style (a particular favorite is that of the lawyer’s, the most experimental out of all the episodes), The Playlist manages to spin the technical and complicated story of Spotify’s origins into something fresh, dynamic, and addictive. Despite utilizing the Rashomon effect—risky but rewarding in this case—The Playlist rarely strays from its main point and, the result is a lean, well-rounded story that’s just as credible as it is heightened. 

Plenty of things go on between love and separation, marriage and divorce. There is the pleasant high of intimacy, the devastating low of heartbreak, the frustration of misunderstanding, and the bliss of friendship. Fleishman is in Trouble explores all this from the point of view of recent divorcees Toby and Rachel Fleishman, but interestingly, this POV is narrated by their friend, Libby. The result is a multifaceted take on love, entertaining and enlightening in its nuance. Based on the bestselling book by essayist Taffy Brodesser-Akner, the series is also strikingly written. Whether it’s Libby’s storytelling you’re hearing, Toby’s witticisms, or Rachel’s dagger-sharp remarks, prepare to cry and laugh in equal measure.  

In a case of perfect casting, Jesse Eisenberg plays the neurotic Toby, Claire Danes his unhappy wife, and Lizzy Caplan their quick-witted friend. Other sitcom greats make appearances too, like Adam Brody and Josh Radnor, making Fleishman Is in Trouble highly watchable on all fronts. 

Netflix’s resurrection of the hit Danish drama Borgen comes in the form of Borgen: Power & Glory, a miniseries that sees Birgitte Nyborg (played by powerhouse Sidse Babett Knudsen) step down as prime minister and take over the foreign minister position while wrangling over power, principle, and family. In this particular revival, Birgitte butts head with the new prime minister, who is all for drilling oil in the autonomous region of Greenland despite Birgitte’s firm stance against climate change. The event turns into a geopolitical crisis that tests Birgitte’s values.

The series is as whipsmart, relevant, and funny as ever, although if you haven’t seen previous seasons of the show yet, don’t fret. Borgen: Power & Glory efficiently catches you up on all you need to know in the first few minutes. It’s a standalone, engaging drama that’s a breeze to go through at just eight episodes.

Made up entirely of B-roll and random, unglamorous footage of New York City, as well as the intentionally awkward, stuttering narration of its creator, How To with John Wilson might be the most unlikely series to offer touching, life-affirming insights about human connections and the simple beauty of the world we live in. As Wilson sets off at the start of each episode trying to provide advice on a mundane topic, his curiosity and self-effacing nature land him in increasingly odd places with different strangers around the city. The show may seem like nothing more than a bunch of vignettes loosely strung together at first, but upon closer look there’s truly clever wit and intelligence that goes into every single transition. How To’s power sneaks up on you—quietly teaching us the value of community and how we’re always a part of something much more interesting.

It’s amazing how shows fueled only by fast talk can feel as gripping as any thriller out there. The Diplomat is cerebral and heavy on geopolitical jargon, but somehow, it manages to feel genuinely exciting, each new episode impossible to not play next. Thanks is due in large part to Keri Russell who, fresh out of her incredible stint in The Americans, returns here as messy and intense and endearing as ever. 

On the one hand, The Diplomat is about the delicacy of diplomacy, about how every decision made at this level has ripples of consequences throughout the globe. But it’s also, amusingly, a marriage story. Russell plays a woman who has long been defined by her more renowned if a bit egotistical husband, played perfectly by Rufus Sewell. They have a complex relationship that is as much of a career partnership as it is a romantic one, and part of the show’s charm is blending this story arc with the main one. 

Fans of West Wing, Veep, and Homeland will find much to like in this series, not least of all are the informative takes and worthwhile performances. 

After struggling to recapture the magic of the first few Star Trek series for the better part of two decades, the franchise has finally returned to its original formula of self-contained space adventures, progressive politics, and an unabashedly hopeful tone—all to magnificent results. Strange New Worlds is classic Trek in every sense: from its truly out-there, ’60s-style sci-fi stories; to its warm sense of humor; to its welcome focus on sentiment and emotion even amid large battles and dangerous situations. The series accomplishes all of this while keeping every member of its crew unique and charismatic, crafting powerful character moments for them even in the thick of things—elevated by uniformly brilliant performances from its cast, led by a commanding Anson Mount. It’s Star Trek for old and new fans alike, and a great reminder of the distinct strengths of episodic TV.

Capturing the craziness of a political campaign, Wave Makers portrays a behind-the-scenes look of a fictional campaign team as they work to get their party elected. While branded as a political drama, the Taiwanese Netflix series focuses on the dynamics of its team members, starting with their day-to-day work – how they deal with on-the-spot PR issues, budget cuts, and negotiations – and ending the first episode with the personal issues that affect them, such as work-life balance, career growth, and personal revenge. Focusing on the team makes for an interesting approach in portraying how the personal affects the political, and the show easily balances these two through its well-written sequences and careful direction. It’s no wonder it’s already inspired a #MeToo wave in Taiwan.

Fresh and fast-paced, Searching for Soul Food is a love letter to the titular cuisine. Known as one of America’s cuisines, soul food has been brought and developed around the world as a means for their own survival and the preservation of their cultures. Chef Alisa Reynolds enthusiastically introduces the viewers to the cuisine, digging deep (sometimes literally) into its roots and the resulting dishes. While the show sometimes gives speedy infodumps about the food, Reynolds infuses some sense of warmth and liveliness that makes the facts highly engaging. It’s clear that Reynolds and the team serve each episode with sincere love and respect for the cultures presented here.