We call it a Netflix true crime documentary, but, in fact, this compelling four-parter is much more than that. It homes in on the fate of an immensely empathetic, soft-spoken, and likable family man, who loses his teenage son to drug-related violence in New Orleans’ notorious Lower 9th Ward in 1999. With corruption rampant in the city’s police department, he takes matters into his own hands and investigates his son’s murder by himself.

In doing so, main protagonist Dan Schneider notices a rise in opioid prescriptions from one doctor in particular. Fueled by a relentless determination to protect other children from addiction, he quits his job and begins gathering evidence against this doctor and, by extension, the company responsible for the sale of the notorious opioid-based painkiller Oxycodone: Purdue Pharma. In the course of his investigation, Schneider records all his findings, evidence, and intimate thoughts on audio and video. This sense of immediacy and the pretty breathtaking twists of his story make this Netflix production rise above other true crime formats. It uses the power and charisma of one individual to come to grips with a crisis of global proportions.

In the early 2000s, amid the rapid rise of online piracy and the consequent fall of paid music, tech genius Daniel Ek would find Spotify, a revolutionary streaming platform that served as a middle ground between user accessibility and artist rights. But even now, at its peak, Spotify’s success seems mystifying. How did they get away with providing free music to all? 

Enter The Playlist—an impressive attempt at answering that very question. In this fictionalized account, key players in Spotify’s success are given their own episode-long arc, starting with the visionary himself, Ek (played by Edvin Endre), followed by the artist, the coder, and the industry insider, to name a few. By employing multiple perspectives, each with its own cinematic style (a particular favorite is that of the lawyer’s, the most experimental out of all the episodes), The Playlist manages to spin the technical and complicated story of Spotify’s origins into something fresh, dynamic, and addictive. Despite utilizing the Rashomon effect—risky but rewarding in this case—The Playlist rarely strays from its main point and, the result is a lean, well-rounded story that’s just as credible as it is heightened. 

There is footage and coverage to prove that the pizza bomber story actually happened but watching Evil Genius: The True Story of America’s Most Diabolical Bank Heist everything is so intriguing it is almost impossible to believe. A pizza-delivery guy shows up to rob a bank with what he says is a bomb secured around his neck, something that he claims is part of a treasure hunt. By robbing the bank, he will unlock the next set of clues that will allow him to defuse the bomb. Bank tellers comply but on the way out he is suddenly arrested by the police, who doubt his claims, handcuff him and keep him at a distance. The device he has around his neck then starts beeping. What follows is one of the most unusual investigations ever led by security forces, brilliantly framed by executive producers Duplass brothers. A perfect follow-up to their other amazing True-crime Netflix collaboration, Wild Wild Country, it’s a tight 4-episodes that is equally terrifying and intriguing.

This is the type of show where you will laugh your ass off in one scene, and then find yourself moved to tears in the next. It’s so heartfelt, so smart, and so, so well-written. The premise of the show is the revelation of a Nobel laureate that he used his own semen in his trailblazing research on fertilization. This prompts his daughter to search for her unknown siblings. She is stuck with two particularly interesting sisters, one of whom is a lawyer who tries to sue their father. One additional plus for me personally is the Australian accent. I love it in a comedy/drama, ever since I watched The Let Down on Netflix.

I can’t think of a good reason why this review shouldn’t just be two words: David Attenborough. With a voice that makes you wish every other voice in your life was the same, the star of Planet Earth teamed up with Netflix to make this new nature show. It took four years to film, and it bounces countless times between continents in every episode. It’s rich, vivid, and oh so beautiful. So they just made another Planet Earth? Not exactly. Our Planet has a much stronger environmental message. It’s not a line here and there about the negative impact we’ve had on the planet – it’s the theme behind the whole show. It’s frank, sad, but always, always, stunning.

This excellent new miniseries is a drama that takes place in an ultra-Orthodox Jewish family. Esty, a nineteen-year-old girl who is unhappy in her arranged marriage, escapes this community and travels from New York to Berlin in hopes of starting a new life.

Like all good realistic dramas, there are no truly bad people in Unorthodox. Everyone is trying to do what they think is right, which still makes for very complicated situations. Esty is played by Israeli actor Shira Haas and I know this word is overused but she really is a revelation.

Leya is a businesswoman and single mother in her 20s who is trying to get her struggling startup off the ground while working at a restaurant.

When she finds an investor who’s willing to help her realize her dreams, he requests that she first pays off her outstanding debts to her previous investors. For this, she borrows from her brother-in-law who is in a violent drug gang.

It’s such a stylish and fast-paced thriller, based on Jens Lapidus’s famous Stockholm Noir Trilogy, except the gender of the lead role is reversed.

Netflix’s resurrection of the hit Danish drama Borgen comes in the form of Borgen: Power & Glory, a miniseries that sees Birgitte Nyborg (played by powerhouse Sidse Babett Knudsen) step down as prime minister and take over the foreign minister position while wrangling over power, principle, and family. In this particular revival, Birgitte butts head with the new prime minister, who is all for drilling oil in the autonomous region of Greenland despite Birgitte’s firm stance against climate change. The event turns into a geopolitical crisis that tests Birgitte’s values.

The series is as whipsmart, relevant, and funny as ever, although if you haven’t seen previous seasons of the show yet, don’t fret. Borgen: Power & Glory efficiently catches you up on all you need to know in the first few minutes. It’s a standalone, engaging drama that’s a breeze to go through at just eight episodes.

In Please Like Me, twenty-year-old Josh (Josh Thomas) navigates love and adulthood alongside his friends and immediate family. He’s far from perfect, and his loved ones are far from always right, but the ups and downs they go through—as small-stakes as they may seem—are always familiar and relatable. 

Please Like Me touches on modern issues and treats them both wryly and realistically so that the series never verges on either extreme. It’s charming and sensitive and bold, and the whiny arrogance that often curses millennial shows is balanced here thanks to smart self-deprecating jokes and tender characterizations. Despite its pleading title, Please Like Me is very easy to watch and, as such, very easy to love. 

16th century Korea—the small kingdom is governed by a royal family, but the sudden death of the king causes a power struggle among the elite, which in turn opens the window for either genuine change or further corrupt rule. At the heart of this is Crown Prince Lee Chang (Ju Ji-hoon), who conspires with the rebel scholars to bring his corrupt rivals down.

This all sounds familiar, if not a bit trite, but before you can start to pin it down, Kingdom quickly morphs into something more than just a period drama. The introduction of fantasy, terror, and neverending gore elevates Kingdom into a multi-genre feat—an impressive blend of political intrigue and pure zombie horror that never fails to keep you at the edge of your seat.