When a girls soccer team is left stranded in the wilderness, things quickly descend from worrisome to outright, delightful, and sometimes unbearably weird. It’s a classic tale of survival injected with fresh mystery and drama, and as you watch these girls navigate humanity in all its extremes—from the primal urge to live to the existential need to bond—you’re left feeling both wildly entertained and deeply disturbed all at once.
Though Yellowjackets has drawn comparisons to beloved stories like Lost and Lord of the Flies, its unique pulse on the female experience is arguably its own thing: a sure and instant classic in the making.
An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It's a lovely and wholesome movie.
There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses.
This coming-of-age drama set near Sept-Îles in Quebec, Canada is about two indigenous Innu best friends who grow up together. One day, one of them meets a white guy and starts planning a life with him, which is seen by both her best friend and her community as a rupture with them.
“If everybody did the same thing you’re doing, we wouldn’t exist,” her friend tells her. Kuessipan is about that intersection between friends growing apart and indigenous identity, all set in the backdrop of Canadian reserve life. Won the Grand Prix at the Québec City Film Festival.
Cloudburst is the very funny and heartwarming story of two old ladies, Stella (played by Academy Award winner Olympia Dukakis) and Dotty (played by another Academy Award winner, Brenda Fricker) who escape their nursing home and drive to Nova Scotia, Canada to get married. Along the way, they meet Prentice, a hitchhiker on his way home to Nova Scotia as well. Cloudburst is the story of their road trip. Dotty is lascivious and loving. Expect to be shocked by Stella's potty mouth. The whole film is a great love story about devotion, acceptance and living life to the fullest.
After the sudden death of a teacher, 55-year-old Algerian immigrant Bachir Lazhar is hired at an elementary school in Montreal. Struggling with a cultural gap between himself and his students at first, he helps them to deal with the situation, revealing his own tragic past. A strong portrait without any weird sentimentality. 11-year-old actress Sophie Nélisse makes her brilliant debut.