99 Best Movies From Germany On Itunes Canada

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Much like Berlin’s infamous nightlife, which serves as the backdrop to the plot, this daring German real-time drama will eat you up and spit you out. After leaving a nightclub at 4am, Victoria, a runaway Spanish girl, befriends a gang of four raucous young men, climbing rooftops and drinking beers among the city’s moon-lit streets. The gang’s light-hearted banter is impressively improvised from a skeleton script, offset by Niels Frahm’s ominous original score.

But what starts out as late-night high jinks swerves into darker territory. Driven by her infatuation with the pack leader Sonne, played by Frederick Lau, Victoria ends up being recruited as a get-away driver for an ill-prepared bank robbery and loses herself in a sinister spiral of events. What sounds like a standard-issue crime drama is, in fact, a staggering cinematic experiment.

Filmed in one take, on location, and in real time, the movie’s production is indeed a gamble, but director Sebastian Schipper more than pulls it off. The claustrophobic camerawork of cinematographer Sturla Brandth Grøvlen leaves the viewer feeling like a hapless accomplice to Victoria’s plight. With Laia Costa giving an awe-striking lead performance, the high wire acting of the entire main cast only adds to this effect. Victoria is a stellar directorial debut, heart-stopping drama, and a truly immersive experience.

Genre: Crime, Drama, Romance, Thriller

Actor: Adolfo Assor, Andre Hennicke, Anna Lena Klenke, Burak Yigit, Daniel Fripan, Eike Frederick Schulz, Eike Frederik Schulz, Franz Rogowski, Frederick Lau, Hans-Ulrich Laux, Laia Costa, Lena Klenke, Martin Goeres, Max Mauff, Philipp Kubitza

Director: Sebastian Schipper

Rating: Not Rated, R

In both documentaries and films, adoptees meeting their biological parents for the first time is an event often painted in a sweet light. Never mind the child’s mixed feelings about it or the tragic reality that caused the split in the first place—it’s a reunion between family members, so it must be unequivocally special. In Return to Seoul, director Davy Chou doesn’t just debunk that myth, he subverts it by making the adoptee, Freddie, as unapologetically complex and emotionally enigmatic as possible. She resists affection but wallows in loneliness. She craves reinvention but stays in the same place for years. She’s in constant motion while being absolutely stuck in life. In other words, she’s a realistic embodiment of a person struggling to find some semblance of home. Chou displays an intimate understanding of the foreign experience, and he couples it with captivating cinematography, a rousing soundtrack, and fantastic performances across the board to make a daring, inventive, and thoroughly exciting film. 

Genre: Drama

Actor: Guka Han, Hur Jin, Kim Dong-seok, Kim Sun-young, Louis-Do de Lencquesaing, Oh Gwang-rok, Oh Kwang-rok, Yoann Zimmer

Director: Davy Chou

Rating: R

Andy Goldsworthy is a British sculptor, photographer, and environmentalist, whose art is specific to the natural locations he creates them in and made only from the natural materials he finds in them. This is putting it very technically: Goldsworthy is a solitary wanderer, absorbed in the moment, unworried about what comes after him. Using often only his bare hands, he creates fleeting works of art that often looks like nature itself could have created them. The opening has him calmly forming a spiral out of icicles using the heat of his hands to fuse the pieces together. As painstaking as this process is, his art is not meant to live forever. Once completed, it is handed over to the rivers and tides to do with it as they please. Directed, shot, and edited by Thomas Riedelsheimer, a German filmmaker, Rivers and Tides takes an in-depth look at Goldsworthy's ideas and craft, everywhere from upstate New York to his home village in Scotland. A calming and inspiring journey.

Genre: Documentary

Actor: Andy Goldsworthy, Anna Goldsworthy, Holly Goldsworthy

Director: Thomas Riedelsheimer

In a world where mortality has been overcome, people watch in awe as the as the 118-year-old Nemo Nobody, the last mortal on Earth, nears his end. He is interviewed about his life, recounting it at three points in time: as a 9-year-old after his parents divorced, when he first fell in love at 15, and as an adult at 34. The three stories seemingly contradict each other. Utilizing non-linear cinematography, Belgian director Jaco Van Dormael presents each of these branching pathways as a version of what could have been. The result is a complex, entangled narrative. That and the movie's ensemble cast, featuring Jared Leto, Sarah Polley, and Diane Kruger, have turned Mr. Nobody into a cult classic. The soundtrack, featuring several of the beautifully restrained music by Eric Satie, is also considered a masterpiece. While it is surely not for everybody, this is trippy, intimate, and existential sci-fi at its best.

Genre: Drama, Fantasy, Mystery, Romance, Science Fiction

Actor: Aaron Landt, Alice van Dormael, Allan Corduner, Andrew Simms, Audrey Giacomini, Ben Mansfield, Carlo Mestroni, Catherine Demaiffe, Christelle Cornil, Christophe Beaucarne, Clare Stone, Daniel Brochu, Daniel Mays, David Kennedy, David Schaal, Diane Kruger, Dominique Warnier, Harold Manning, Harry Cleven, Hugo Harold-Harrison, Jan Hammenecker, Jared Leto, Jenna Wheeler-Hughes, John Churchill, Juliette Van Dormael, Juno Temple, Laura Brumagne, Laurent Capelluto, Leni Parker, Linh Dan Pham, Lola Pauwels, Manfred Andrae, Marc Zinga, Marie-Ève Beauregard, Martin Swabey, Natasha Little, Nicholas Beveney, Olivier Bony, Pascal Duquenne, Philippe Godeau, Philippe Lévy, Pierre Chaves, Rhys Ifans, Roline Skehan, Sandrine Laroche, Sarah Gravel, Sarah Polley, Serge Larivière, Stéphane Taillasson, Sylvie Olivé, Tedd Dillon, Thomas Byrne, Toby Regbo, Vincent Dupont, Virginie Bordes, Vito DeFilippo

Director: Jaco Van Dormael

Rating: R

You might have to wipe some sweat from your forehead once you've finished watching this blistering political thriller. It doesn't make any sense to us that this 2006 movie by documentary director Kevin Macdonald made less than 20 million in box office revenue when it came out, but that makes it even more A Good Movie to Watch material. In addition to being thrilling entertainment, it offers insight into an easily overlooked chapter of recent world history and taut moral dilemmas. The dramatization of Giles Foden's novel features two intense performances: James McAvoy plays the sometimes naive (and maybe a bit too enthralled by power) Scottish doctor Nicholas Garrigan, who becomes the personal physician of none other than Ugandan dictator Idi Amin. Nicknamed “The Butcher of Uganda”, Amin is played by Academy Award-winning character actor Forest Whitaker, who perfectly captures his mood-swinging, crazy brutality. He also completely nails his Ugandan-English accent. An amazing watch!

Genre: Drama

Actor: Abby Mukiibi Nkaaga, Adam Kotz, Barbara Rafferty, David Ashton, David Oyelowo, Devon Diep, Dick Stockley, Forest Whitaker, Giles Foden, Gillian Anderson, James McAvoy, Kerry Washington, Martina Amati, Sam Okelo, Simon McBurney, Stephen Rwangyezi

Director: Kevin Macdonald

Rating: R

Fasten your seatbelts because this nasty little chase film will jerk the wheel when you least expect it, featuring balls-to-the-wall action and lots of Norwegian humor – dark humor that is. Based on a novel from the country's most famous crime writer, Jo Nesbø, Headhunters is brutal, insane, and incredibly good. This twisting, turning thriller tells the story of a corporate recruiter (Aksel Hennie), who has a secret side hustle as a nightly art thief. He ends up being pursued by the charismatic Clas Greve, a Dutch businessman played by none other than GoT-star Nikolaj Coster-Waldau. And this plot summary is as far as you will get without the whole thing swerving into another direction. Headhunters does not slow down unless it wants to destabilise you further with simmering suspense. Like a Lars von Trier on speed, expect all the raw colors, emotion, and slightly off-kilter characters you want from a Norwegian production – and brilliant entertainment!

Genre: Action, Crime, Mystery, Thriller

Actor: Aksel Hennie, Baard Owe, Eivind Sander, Gunnar Skramstad Johnsen, Irina Eidsvold Tøien, Joachim Rafaelsen, Julie R. Ølgaard, Julie R. Olgaard, Kyrre Haugen Sydness, Mats Mogeland, Mattis Herman Nyquist, Nikolaj Coster-Waldau, Nils Jørgen Kaalstad, Nils Jorgen Kaalstad, Reidar Sørensen, Reidar Sorensen, Signe Tynning, Sondre Abel, Synnøve Macody Lund, Synnøve Macody Lund, Valentina Alexeeva

Director: Morten Tyldum

Rating: R

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness.

Not a lot is said in this three-hour film, but when words (and signals) are shared, they are always underlaid with simple but transcendent truths. Drive My Car is a gripping film that explores love and loss in its own quiet way, at once intense and intimate.

Genre: Drama

Actor: Ahn Hwi-tae, Ahn Hwitae, Hidetoshi Nishijima, Hiroko Matsuda, Jin Dae-yeon, Masaki Okada, Park Yu-rim, Perry Dizon, Reika Kirishima, Ryo Iwase, Satoko Abe, Shoichiro Tanigawa, Sonia Yuan, Toko Miura, Toshiaki Inomata

Director: Ryusuke Hamaguchi

Rating: Unrated

Transit is based on a WWII novel — though you wouldn’t be able to tell from first glance. While the characters talk of German fascists occupying France, anachronistic details (like modern technology and clothing) suggest we haven’t gone back in time at all. Director Christian Petzold isn’t trying to confuse us: by blurring the backdrop, he’s making the terror and the desperation of the story more immediate — removing the distance that might have prevented us from really feeling what happens.

The uncanny historical echo effect works as intended, because the parallels Transit subtly draws between the past and today are horribly clear. What’s more, the movie’s intentionally ambiguous framing suffuses the plot with an otherworldly sense of mystery, a quality that gradually intensifies as Georg (Franz Rogowski) desperately searches for a one-way ticket out of hellish bureaucratic limbo before he finds himself waylaid by that most mysterious emotion of all: love. Unshakably haunting and undeniably poignant, this is a movie that will live under your skin.

Genre: Drama

Actor: Àlex Brendemühl, Antoine Oppenheim, Barbara Auer, Emilie de Preissac, Franz Rogowski, Godehard Giese, Grégoire Monsaingeon, Justus von Dohnányi, Lilien Batman, Maryam Zaree, Matthias Brandt, Paula Beer, Ronald Kukulies, Sebastian Hülk, Trystan Putter

Director: Christian Petzold

The Teacher’s Lounge is one of those movies where a simple misunderstanding is blown out of proportion, so much so that it causes the fabric of a community to unravel into chaos. Aided by a precise score, it ticks like a timebomb, with every second filled with so much dread and anxiety you have to remind yourself to breathe. It’s an impeccable and taut thriller, but it also works as an allegory about modern-day surveillance and authority. Director İlker Çatak gives the Gen-Z students and their much older teachers a level field where they struggle for control, and the result is both bleak and funny. It’s often said that schools are a microcosm of the real world, but nowhere is that more apparent than here. 

Genre: Drama, Thriller

Actor: Anne-Kathrin Gummich, Antonia Luise Krämer, Eva Löbau, Katharina M. Schubert, Kathrin Wehlisch, Katinka Auberger, Leonard Stettnisch, Leonie Benesch, Lisa Marie Trense, Michael Klammer, Özgür Karadeniz, Rafael Stachowiak, Sarah Bauerett, Uygar Tamer

Director: İlker Çatak

Rating: PG-13

From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.

Genre: Action, Drama, History, Mystery, Thriller

Actor: Abdelhafid Metalsi, Alexander Beyer, Ami Weinberg, Amos Lavi, Amrou Al-Kadhi, Andreas Lust, Ayelet Zurer, Baya Belal, Ben Youcef, Bijan Daneshmand, Brian Goodman, Charley Gilleran, Ciarán Hinds, Daniel Bess, Daniel Craig, David A. Hamade, Dianne Zaremba, Djemel Barek, Eric Bana, Faruk Pruti, Félicité Du Jeu, Geoffrey Rush, Gila Almagor, Guri Weinberg, Guy Amir, Hagit Dasberg, Hanns Zischler, Hiam Abbass, Hicham Nazzal, Hichem Yacoubi, Hisham Suliman, Igal Naor, Jalil Naciri, Jonathan Avigdori, Joram Voelklein, Karim Saidi, Karim Saleh, Lili Bordán, Liron Levo, Lisa Werlinder, Lyes Salem, Lynn Cohen, Mahmoud Zemmouri, María Casal, Marie-Josée Croze, Marie-Josée Croze, Martin Ontrop, Mathieu Amalric, Mathieu Kassovitz, Mehdi Nebbou, Meret Becker, Merik Tadros, Michael Lonsdale, Michael Schenk, Mihalis Giannatos, Moa Khouas, Moritz Bleibtreu, Moshe Ivgy, Mostefa Djadjam, Mouna Soualem, Mousa Kraish, Nasser Memarzia, Ohad Knoller, Omar Metwally, Omar Mostafa, Ori Pfeffer, Ossie Beck, Patrick Kennedy, Rad Lazar, Renana Raz, Richard Brake, Rim Turki, Robert John Burke, Sabi Dorr, Saïda Bekkouche, Sam Feuer, Sami Samir, Sarah Mennell, Sasha Spielberg, Sharon Alexander, Shmuel Edelman, Souad Amidou, Stéphane Freiss, Steven Spielberg, Tom Wlaschiha, Ula Tabari, Valeria Bruni Tedeschi, Valeria Bruni‑Tedeschi, Wojciech Machnicki, Yehuda Levi, Yvan Attal

Director: Steven Spielberg

Rating: R

Director Jim Jarmusch audaciously combined the DNA of French noir classics with that of samurai and mafia movies to produce this utterly original film. As advised by the ancient Japanese manual it often quotes, though, Jarmusch’s movie also “makes the best” out of its own generation by adding hip-hop into its wry genre blend. The results are more than the sum of their parts, especially because the film is so eccentric: no matter how au fait with its inspirations you are, you still won’t see “Forest Whitaker plays a lonely hitman who wields and whooshes his silencer pistol like a samurai sword, lovingly tends pigeons, and can’t even speak the same language as his best friend” coming.

Ghost Dog’s strangeness is never jarring, though, thanks to Whitaker’s cool, collected performance, an atmospheric score by Wu-Tang Clan's RZA, and the cinematography’s tendency to use smooth double exposures for scene transitions. It almost feels like we’re in another world: Jarmusch zooms in on the Bushido code obsessions of Whitaker’s single-minded character and the mafiosos’ dying laws, blurring out everything else so the movie becomes a meditation on the impulse to moralize one’s misdoings by subscribing to rigid definitions of “honor.” Not an exercise in surface style, then, but a bone-deep reflective masterpiece.

Genre: Crime, Drama

Actor: Alfred Nittoli, Angel Caban, Camille Winbush, Chuck Jeffreys, Clebert Ford, Cliff Gorman, Damon Whitaker, Forest Whitaker, Frank Adonis, Frank Minucci, Gano Grills, Gary Farmer, Gene Ruffini, Henry Silva, Isaach De Bankolé, Jamie Hector, John Tormey, Jonathan Teague Cook, José Rabelo, Joseph Rigano, Renee Bluestone, Richard Portnow, Roberto Lopez, RZA, Sharon Angela, Tracy Howe, Tricia Vessey, Victor Argo, Vince Viverito, Vinny Vella

Director: Jim Jarmusch

Rating: R

Fear of abandonment is at the heart of The Vanishing. Lovers Rex and Saskia are separated on their way to France after the latter vanishes without a trace. For the next three years, Rex dedicates his life to finding out what happened to Saskia in whatever way possible, endangering his own safety in the process. George Sluizer’s chilling psychological thriller shows the evils that curiosity and obsession can bring, and is a uniquely perverse look at the ugly side of truth-seeking.

Genre: Drama, Mystery, Thriller

Actor: Bernadette Le Saché, Bernard-Pierre Donnadieu, Caroline Appéré, Gene Bervoets, Gwen Eckhaus, Johanna ter Steege, Pierre Forget, Roger Souza

Director: George Sluizer

, 1995

Like a long, slow drag of a cigar, Smoke is a patient pleasure. Adam Holender’s leisurely lingering camera and the film’s relaxed editing allow us to savor the actors’ performances and the thoughtful script uninterrupted, trusting in their ability to captivate us. And captivate us is exactly what novelist Paul Auster’s screenplay and the film’s superlative ensemble do.

The film kicks off in Auggie Wren’s (Harvey Keitel) Brooklyn smoke shop, where myriad customers linger to chat and unexpected friendships form. The serendipitous network around which Smoke revolves unfurls gradually, like a curling wisp of smoke: Auggie’s patron Paul (William Hurt), a writer's block-struck novelist grieving the violent death of his pregnant wife some years ago, has his life saved by Harold Perrineau’s Rashid, the estranged 17-year-old son of a struggling mechanic (Forest Whitaker). Ashley Judd and Stockard Channing also feature in Auggie’s portion of the film, one of its five loose vignettes (although the film flows much more fluidly than a chapterized structure suggests). Auster’s contemplative, dialogue-driven screenplay — along with the film’s unhurried editing and luxuriating cinematography — make Smoke a gorgeous example of the art of savoring, which is exactly what you want to do with this wonderful movie.

Genre: Comedy, Drama

Actor: Ashley Judd, Baxter Harris, Clarice Taylor, Deirdre OConnell, Erica Gimpel, Forest Whitaker, Giancarlo Esposito, Harold Perrineau, Harvey Keitel, Jared Harris, José Zúñiga, Malik Yoba, Mary B. Ward, Mel Gorham, Michelle Hurst, Murray Moston, Stephen Gevedon, Stockard Channing, Victor Argo, William Hurt

Director: Wayne Wang

Rating: R

An absolutely beautiful film about superficiality, arrogance, and heartbreak. It focuses on the life of Aydin, a retired actor who now lives very comfortably managing a small hotel and a number of other small properties. Throughout the film Aydin's image shifts as he tackles the problems of his rather typical life. Having said this, there is nothing else typical about this film. It captures human relationships with an almost frightening precision. It almost feels as though you have an inside view into someone's actual life as Aydin battles it out with his sister Necla and his young wife Nihal. To me this is easily one of the best dramas of the decade, and if you so much as like movies that focus on humans and their interactions, it will be that for you too.  Nuri Bilge Ceylan will make 3 hours pass more quickly than they ever have before.

Genre: Drama

Actor: Ayberk Pekcan, Demet Akbag, Ekrem İlhan, Emirhan Doruktutan, Haluk Bilginer, Mehmet Ali Nuroğlu, Mehmet Ali Nuroğlu, Melisa Sözen, Nadir Sarıbacak, Nadir Sarıbacak, Nejat İşler, Nejat İşler, Serhat Kılıç, Serhat Mustafa Kılıç, Serhat Mustafa Kılıç, Tamer Levent

Director: Nuri Bilge Ceylan

Rating: Not Rated, Unrated

Based on the Austrian novel, The Piano Teacher is as brilliant and as disturbed as its protagonist. The film follows Erika Kohut (Isabelle Huppert), the repressed masochist in question, and the trainwreck of a relationship that she develops with her student Walter Klemmer (Benoît Magimel). Their dynamic is undeniably toxic. Austrian auteur Michael Haneke frames each scene with clinical detachment, but it is absolutely brutal how the two characters try to assert control over each other, engage in sadomasochism, and repeatedly violate each other’s boundaries. Huppert’s heartrending performance fully commits to the merciless treatment Erika receives. But more tragic is the way Erika’s unusual relationship could’ve freed her, could’ve helped her process her abuse, and instead, reinforces her repression. It’s scary to make yourself vulnerable by admitting your desires, only for them to be used against you.

Genre: Drama, Romance

Actor: Anna Sigalevitch, Annie Girardot, Benoit Magimel, Cornelia Köndgen, Dieter Berner, Eva Green, Gabriele Schuchter, Georg Friedrich, Gerti Drassl, Isabelle Huppert, Karoline Zeisler, Klaus Händl, Liliana Nelska, Michael Schottenberg, Rudolf Melichar, Susanne Lothar, Udo Samel, Vivian Bartsch

Director: Michael Haneke

Rating: R