There are only two main characters in Good Luck to You, Leo Grande: Nancy, a retired teacher who was recently widowed, and Leo, an adept sex worker with a mysterious past. They're almost always in one place and work on a single goal: pleasure. But despite the seeming monotony, the movie is crackling with wit and sensuality every step of the way. It doesn't waste any time getting to the heart of the matter. Nancy and Leo go back and forth about their past, with Nancy divulging much about the stigma of aging and Leo about the stigma of sex work. They also dive into the shame attached to pleasure, ultimately revealing more than just their naked bodies to each other and to the audience.
This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story". Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling. American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.
Sixteen-year-old Rae Earl struggles with many things, among them: severe mental illness, a distorted body image, and less-than-ideal home life. In an attempt to redefine herself and pursue the teenage dream she’s always wanted, she reconnects with her estranged friend Chloe and the cool new people she’s met in Rae’s absence. As Rae gets to know this group more, she embarks on a coming-of-age journey that is, at turns, hilarious, awkward, and painfully real.
Set in ‘90s-era UK and scored to the unbeatable, headbanging tunes of English rock, My Mad Fat Diary is also an effective throwback of a show. It’s sure to be nostalgic to those who grew up in that era, while also doubling as a finely-aged portrait of a simpler time to the rest of us. Elevated, too, by diary doodles come to life and Rae's unflinching witticisms, the series is a gem for anyone who has struggled to come to terms with their teenage self.
This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they're actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn't a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.
A simple movie about a Scottish country singer with a dream to go to Nashville, U.S.A and reach stardom. It starts with her leaving prison to return to her mom's house, where her kid was being raised in her absence. Heavy stuff, but this girl is determined to let nothing get in the way of realizing her dreams. Will she make it? At what cost? Wild Rose answers those questions with a warm script that's designed to make you feel good without completely misleading you. Think of it as a more grounded A Star is Born.
This legal drama is about a kind of lawyer that is rarely romanticized: a divorce attorney. In fact, a family of them: two sisters and their mother who have the same job.
“There is a paradox in a divorce lawyer who's actually averse to divorce", a coworker tells one of the daughters, played masterfully by British TV veteran Nicola Walker.
In fact, The Split is not so much about divorce as it is about family, what it takes to make it work and what causes it to become dysfunctional. And there is perhaps no better illustration than the dynamics of a family whose profession is litigating for and against families being together.
One of the many good movies from director Edgar Wright - if you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he intimidated those around him, he just about loses it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide. An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.
Martin Freeman stars opposite the ever-reliable Daisy Haggard (Back to Life) as two parents who are overwhelmed by their two kids. “I would die for those kids but often, I also want to kill them,” his character jokes.
Breeders might be a comedy but it's a relatable portrayal of how consuming raising kids can get. The days of serene vacations in Spain are long gone, replaced with uncontrollable rage and lack of sleep.