This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.
A heartwarming and (ironically) heartbreaking indie film based around the lives of Mary, an 8-year old girl from Australia, and her pen pal Max, a 44-year old man from America. The film follows these two as they deal with life's complications, from the perspective of a child and an autistic man. One of the most riveting and diverse films I've seen, with many joyous moments and cold plot twists. Would recommend 8 condensed milks out of 10.
This French film, written and directed by the filmmaker Sylvain Chomet, is in the strictest sense an animated foreign comedy film but it is unlike anything I have ever seen. It has a unique surrealist animation style that manages to stay oddly grounded. In other words, it wasn't some psychoactive drug trip but more like taking a look at the world through Salavador Dali's eyes. However what struck me the most while watching this film was how everything was animated to extenuate ugliness and imperfection. None of the surroundings and characters look like you see in most animated films, either hyper-realistic or like unblemished porcelain dolls; everything is drawn with blatant, over-exaggerated, and warped features. These features define each character as well as instantly evoking what thoughts and feelings the director wants you to associate with them. The characters' exaggerated features also allow the film to progress without almost any actual dialogue. Contextual clues and facial expressions were more than enough to conduct entire conversations as well as progress the story line without ever saying a word. This makes the movie accessible to people of all tongues without the subtitle stigma that many people have with watching foreign films. In conclusion, while this film is not for the causal movie watcher, it is still a beautifully imperfect work of hand-drawn art that is an experience that goes far beyond mere entertainment.
A Franco-Gaelic animated film nominated for an Academy Award, the Secret of Kells certainly isn't your average Disney fare. Set in 8th century Ireland, it is beautifully animated, taking cues from ancient illuminated manuscripts and Gaelic folk art. Featuring a plot heavily inspired by Irish mythology, it tells the story of the Viking invasion of Ireland and the creation of the Book of Kells, an Irish national treasure. The world of the film pulses with the lush greenery of the island, populated by fairies, giants, magic and mystery.
If you're living alone and just came back home from a bad day, it could make you feel like everything's alright again. This is the kind of movie that feels like a warm hug, that you'd keep in your hard drive to watch over and over again, just because it makes you feel so damn good! The story offers a realistic yet ultimately forgiving view of maternity, and growing up in general. From director Mamoru Hosoda, who's known for his other works like "The Girl Who Leaps Through Time", "Wolf Children" is another kind of beautiful that can only be fully understood after you watched it.
Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.
When asked about this film, Quentin Tarantino goes so far as to say, “If there’s any movie that’s been made since I’ve been making movies that I wish I had made, it’s that one.” Kinji Fukasaku’s cult classic follows an alternative reality set in Japan, where a random high school class is forced onto a remote island to fight to the death. While it does follow the quintessential ‘only one shall leave’ scenario (complete with over-the-top, almost comedic murder scenes), the raw emotion and character depth cuts far deeper than traditional action thrillers. The film will leave you out of breath but still satisfied with how the narrative plays out.
Set in a town drawn in chalk outlines on the floor of a dark studio room. However unconventional the unrealistic stage-like set, the story of Grace (Nicole Kidman), a woman who arrives at this town seeking refuge becomes real enough to absorb you in a disturbing examination of human morals. It's unique and features powerful performances, and will be more appreciated by anyone striving for something new. Directed by Lars von Trier.