What makes Apollo 11 stand out is its sharp minimalist approach, allowing the archival footage of the mission to the moon to speak for itself. It’s stunning to think that at one point or another we had collectively seen a bulk of the footage in this film, and yet somehow let it lay dormant until the moon landing had been reduced to black and white stills in our collective imaginations. Not only does this film reinvigorate the moon landing with the power that it once held, but it does so in a way that is more thrilling than anything the Marvel CGI wizards could muster. The vibrant score adds a layer of ferocious tension, while the breakneck pace gives the feel of a rollercoaster ride. If there is any fault to find here, it is most definitely with the film’s MAGA style yearning for a time and place that never existed. Spare us the teary-eyed patriotism and the clips of Nixon, a disgraceful criminal, and vile racist, yammering on about the world becoming one. Nevertheless, this is a fantastic example of why most biopics should just be documentaries and why the fanatical fear of spoilers is a tad silly. Spoiler alert: they land on the moon.
This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they're actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn't a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.
Do you know that euphoric feeling you get when you watch a smart, eloquent person talk about important ideas? Multiply that by two in Best of Enemies.This 2015 documentary traces the debates between two of the brightest intellectuals around the Nixon and Reagan eras. Gore Vidal and William F. Buckley couldn’t be more opposed to each other in ideas and values. One is an ardent liberal, who wrote books and movies around gay sex (back in the 1960s), female empowerment, and the fall of the so-called American Empire. The second is an elitist and a Republican guided by Christian values and status quo ideals.ABC put them together as commentators the 1968 presidential debates, and as such, they would change the future of talk-show TV forever. They both considered debating a sport, and they both were the best in their craft. It’s so, so entertaining to watch them spar with each other. They despised each other, I know that’s not something I should be proud of enjoying, but I did. These debates were not so much a clash of tepid arguments but more of a clash of geniuses.
Zero Days is a fascinating and alarming documentary about the Stuxnet computer virus that raised red flags throughout the cyber-security world in 2010 due to its complexity and ambiguous threat. Told in urgent fashion with first-hand accounts from cyber professionals from around the globe, Zero Days details the efforts of analysts to painstakingly dissect the Stuxnet code, and ultimately determine that it was the wayward product of a joint effort between the U.S. and Israel governments to sabotage centrifuges inside Iran's Natanz nuclear plant—in the hopes of slowing their development of nuclear weapons. The unfolding mystery of this story plays out with urgency and dismay, as the implications of this covert operation unfold, including the legitimate threat of retaliation by the Iranian government. It’s a stunning real-life thriller from renowned documentary Alex Gibney (Going Clear, Enron: The Smartest Guys in the Room) that not only details the complexities of advanced coding in a remarkably evocative visual manner, but also spells out much of the modern espionage involved in making such an elaborate operation even possible. Ultimately, the message here is that cyber warfare is very much our new reality, and this film deserves to be seen by anyone with any degree of concern over our safety and security in the 21st century.
A documentary about two "climbing" friends who attempt to summit Siula Grande in the Peruvian Andes in 1985. I say climbing friends because they are both somewhat egotistical, yuppie risk takers and seem to be the type who are only friends when their interests align. Nevertheless, they are truly ambitious, driven adventurers. A storm hits and one of the climbers gets injured. They both know that this is a death sentence, and events go on from there. The story is epic and nearly unbelievable, but for the fact that it actually happened. I am not a climber, but the plot and story will speak to any adventurer who must accept inherent risks, including death, in their outdoor endeavors.
This surprising documentary follows Jiro, an 85 year old Japanese chef, his Michelin-starred restaurant in the Tokyo underground, and his eager sons. While ostensibly about sushi – and believe me, you’ll learn about sushi and see absolutely gorgeous images of the raw-fish creations – the film’s dramatic impetus is carried by the weight of tradition, the beauty of a labor of love, obsession, and the relationship between father and son. Truly a must-watch.
Coherence is a film that captivates you to the point of questioning the reality that surrounds you. It's a Quantum physics based sci-fi thriller that keeps your eyes sealed to the screen - not with unrealistically beautiful actors or special effects, but with an original screenplay and unexpected twists. Very refreshing.
A Spanish 500 Days of Summer mixed with a more urban and up to date You've Got Mail. I liked this film a lot. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every level. Beautifully shot and beautifully written. Watching this will not be a waste of your time.
BPM is centered around AIDS activist in the early 90s in Paris representing the French branch of the advocacy group ACT UP. In a time where information about AIDS was as limited as access to the appropriate medicine, activists were divided into groups depending on their preferred methods of shaking up the system. Some wanted to express their anger at it while others tried to maneuver within it. But themselves being HIV positive for the most part, they shared a common sense of urgency and passion towards the cause. BPM is a beautiful yet honest portrayal of these activists, a movie as full of life and emotion as the people it portrays.