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11 Best Drama Movies On Crackle

Robert Downey Jr., Channing Tatum, and Shia LaBeouf star in this powerful drama about growing up in 80's Astoria, New York. It follows the memoirs of the author, director and musician Dito Montiel as he visits his ailing father after 15 years in Los Angeles, away from home. Told via flashback and present-day exposition, as well as several fourth-wall bending monologues,  A Guide to Recognizing Your Saints is a coming of age film that leaves a deep impact, with two Sundance awards and heaps of nominations to its credit. 

8.9

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

8.0

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

7.9

Filmed as a “found footage” of a Norwegian college film crew investigating local poachers, this movie really surprised me. To be fair, I didn’t really know what to expect. But I definitely didn’t expect to like this movie as much as I did. The pacing is on point. The suspense hits you at just the right times. There are a few drops of humour trickled throughout to keep a smile on your face. And that’s how my face stayed when the credits rolled.

7.8

Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.

7.8

Things We Lost in the Fire is a touching drama about Audrey (Hall Berry), a married mother-of-two, whose husband Brian (David Duchovny) is killed tragically in a random act of violence. Amidst her grief she comes to connect with Jerry (Benicio Del Toro), Brian’s childhood friend who is living an isolated life as a junkie, and ultimately invites him to live with her and her children. What may sound like a formulaic set-up, with broken souls coming together to find mutual reconciliation, is elevated immeasurably by Susanne Bier’s deft directorial hand. The celebrated director of After the Wedding and In A Better World weaves a poignant narrative about loss and human connectivity, featuring stunningly good performances by both Berry and Del Toro. It’s a film that’s likely to surprise you with its heartfelt tenderness and compassion.

7.5
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