A fantastic return to form for disgraced actor Mel Gibson, Get the Gringo is proof that you can have all the controversy you want off-screen, and come back to make a great piece of film. Fast, entertaining and crazy, Get the Gringo is a wild tale of a crime gone bad and eventually, becomes a fish out of water story of the lone 'gringo' in a Mexican prison. Perhaps most unbelievably, the film even makes you go "ahh Mel Gibson", and reminds you of his charm and talent. Nice comeback Mel.
Michael Douglas plays Grady Tripp, a craggy, lovable English professor struggling to finish the follow-up to a very successful first novel. It has taken him 7 years, and it's an obvious metaphor for his ridiculous life. The character navigates various tragicomic dilemmas with a stellar supporting cast including Frances McDormand, Tobey Maguire, and Katie Holmes. His editor is Robert Downey Jr. and his nemesis is Rip Torn. Bob Dylan wrote the theme song. How do you not love this movie? It's one of those films that feels like a warm, cozy house (despite the fact that it takes place in a Pittsburgh winter), and it's a great blend of humor and drama.
In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.
Chiwetel Ejiofor stars as a disgraced doctor-turned-immigrant cab driver who inadvertently stumbles upon London's black market organ trade. Audrey Tatou and Sophie Okonedo also star as fellow "illegals" struggling to make ends meet in the shadows of England. This film is about illegal immigrants, it is told from their perspective, and because of that it becomes so humane that it indulges in social commentary. It's a really interesting, sometimes thrilling, watch.
Featuring a Pre-Bond Daniel Craig, Layer cake can be described as a mix between Lock Stock, Two Smoking Barrels and Scarface—a darkly funny and incredibly violent film. It features great acting from Craig and the rest of the cast, action that will keep you on the edge of your seat once it gets moving and a complex and deep theme that can make you reconsider your worldview. This is a true action movie for the thinking man (or woman).
Elizabeth: Joseph Gordon-Levitt plays a high schooler trying understand his girlfriend's disappearance. Film noir style with excellent dialogue. Ian: Murder mystery from the perspective of an oddball kid in high school. All of the evidence seems to point him back to one person in town. Karch: A new-age noir film follows a high-school detective trying to unravel what happened to his ex-girlfriend through the mysterious underground drug ring at his school.
Whilst a classic in some circles, Festen is definitely not mainstream. You thought your family was truly messed up, think again. This macabre, Poe-esque, nightmarish tale of debauchery is shocking and will leave you feeling confused and slightly sickened. With a highly volatile tone and a great cast, this film is not one to be missed.
Ryan Gosling plays a Jewish Neo-Nazi in this extremely riveting window into the definition of inner conflict. It is a prime example of how character development should be done and it put Gosling on the map for me. He starts out as an exemplary student in Hebrew school until he starts questioning his teachings and exploring alternative ideologies, leading him to the neo-Nazi movement. Won the Grand Jury Prize at Sundance
This French film, written and directed by the filmmaker Sylvain Chomet, is in the strictest sense an animated foreign comedy film but it is unlike anything I have ever seen. It has a unique surrealist animation style that manages to stay oddly grounded. In other words, it wasn't some psychoactive drug trip but more like taking a look at the world through Salavador Dali's eyes. However what struck me the most while watching this film was how everything was animated to extenuate ugliness and imperfection. None of the surroundings and characters look like you see in most animated films, either hyper-realistic or like unblemished porcelain dolls; everything is drawn with blatant, over-exaggerated, and warped features. These features define each character as well as instantly evoking what thoughts and feelings the director wants you to associate with them. The characters' exaggerated features also allow the film to progress without almost any actual dialogue. Contextual clues and facial expressions were more than enough to conduct entire conversations as well as progress the story line without ever saying a word. This makes the movie accessible to people of all tongues without the subtitle stigma that many people have with watching foreign films. In conclusion, while this film is not for the causal movie watcher, it is still a beautifully imperfect work of hand-drawn art that is an experience that goes far beyond mere entertainment.
The best way to watch this movie is to be completely unprepared; it's a super indie (sub 1 million dollar budget) Canadian thriller that completely wowed critics and audiences, even as it (and we're being honest here) totally freaked them out. So, no spoilers, we can let you know it's an internet thriller with shades of Little Red Riding Hood, hyperrealistic violence, and extremely surprising plot twists. Also, there's less than 9 minutes of music in the entire film, which instead uses creepy ambient noises and breathing, so, yeah, it gets a bit tense.