2043 Best Drama Movies to Watch (Page 6)

Staff & contributors

In life and cinema, drama is everywhere. You’ll find it in thrillers, animations, romances, you name it. For entertainment that explores the human experience with sensitivity and sincerity, here’s a mixed bag of the best dramas to stream now.

Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexander Clement, Anders Brink Madsen, Camilla Lau, Gustav Möller, Gustav Möller, Jacob Lohmann, Jacob Ulrik Lohmann, Jakob Cedergren, Jeanette Lindbæk, Jessica Dinnage, Johan Olsen, Katinka Evers-Jahnsen, Laura Bro, Morten Suurballe, Morten Thunbo, Omar Shargawi, Peter Christoffersen, Simon Bennebjerg

Director: Gustav Möller

Rating: R

Directed by celebrated artist-turned-filmmaker Julian Schnabel, who won an award in Cannes for it, The Diving Bell and the Butterfly is the true story of the Parisian journalist and fashion editor Jean-Dominique Bauby (Mathieu Amalric), who suffered a devastating stroke at the age of 43. Paralyzed almost completely by what is termed locked-in syndrome, his left eye was the only part of his body that he was still able to move. In a Herculean effort, Bauby learned to blink in an alphabet code that eventually enabled him to communicate. The film alternates between Bauby's interaction with his visitors and caretakers (including painstakingly dictating his memoir, the titular Le Scaphandre et le Papillon) and dream-like fantasies and memories of his life prior to paralysis. The title alludes to this juxtaposition: the diving bell representing his final state of isolation, akin to a deep-sea diver under a bell, and the butterfly as a symbol for his blinking eye and the freedom he has in his mind, dreams, and imagination. Shot from Bauby's perspective, we see what he sees. Be it his divorced but loyal wife and his family visiting him, or his old father, played by Max von Sydow, which is probably the scene in this fascinating movie that will make you lose it and weep like the rest of us.

Genre: Drama, History

Actor: Agathe de La Fontaine, Anne Alvaro, Anne Consigny, Emma de Caunes, Emmanuelle Seigner, Fiorella Campanella, Françoise Lebrun, Gérard Watkins, Isaach De Bankolé, Jean-Philippe Écoffey, Jean-Pierre Cassel, Laure de Clermont-Tonnerre, Lenny Kravitz, Marie-Josée Croze, Marina Hands, Mathieu Amalric, Max von Sydow, Nicolas Le Riche, Niels Arestrup, Olatz Lopez Garmendia, Patrick Chesnais, Talina Boyaci, Zinedine Soualem

Director: Julian Schnabel

Rating: PG-13

It’s hard to overstate just how lovely — and quietly radical — this largely improvised Canadian docudrama is. The scenario (seven elderly women and their tour bus driver are stranded in the Canadian wilderness for a few days) is contrived, but the rich, lively conversations that feature are all drawn from the women’s real lives. As they hunker down and get on with the business of surviving with meager food — something they manage to do largely thanks to the bushcraft skills of Mohawk elder Alice — the strangers reflect on their long lives and open up to each other about their lingering fears and still-burning hopes.

They’re a diverse bunch — featuring Cockney transplants, lesbian pioneers, and nuns — and the film’s brief cuts to real photos from the women’s earlier years both underscore the rawness of what they’re saying and serve as testaments to the rich fullness of their lives. The Company of Strangers grants these women the kind of serious consideration and space that they’re denied in so many public spaces, but it never feels like a strained exercise in redressing that imbalance. Instead, this is simply a gentle, gorgeous, and profoundly moving portrait of women who aren’t done living yet.

Genre: Adventure, Drama

Actor: Alice Diabo, Beth Webber, Catherine Roche, Cissy Meddings, Constance Garneau, Michelle Sweeney, Winifred Holden

Director: Cynthia Scott

While quite testing for viewers, this is one of the craziest, most high-energy movies you'll ever watch. In this incredible German drama, child actor Helena Zengel plays Bernadette aka Benni, a traumatized 9-year-old child who tends to lash out and has been repeatedly suspended from every school she went to. Benni is a so-called “Systemsprenger” (which is the original German title). A system crasher is a child so uncontrollable and aggressive that, over time, she falls through the grid of special schools, foster care, and social work facilities. Despite the best efforts of her designated social worker, Frau Bafané, played by Gabriela Maria Schmeide, she is turned down by everyone, testing the patience of her surroundings, wherever she goes. A trip with Micha (Albrecht Schuch), a tough boxer and anger-management trainer, turns out to be the last resort. Directed by Nora Fingscheidt, System Crasher is intense, punky, and wild with an almost eerie sense of authenticity. Its devastating effect is helped along by its unique, hyperactive camerawork. Much like the social workers themselves, you might have a hard time keeping professional distance to all this. This intense drama will stay with you for a long time.

Genre: Drama

Actor: Albrecht Schuch, Axel Werner, Barbara Philipp, Bärbel Schwarz, Bruno Thiel, Cederic Mardon, Gabriela Maria Schmeide, Gisa Flake, Helena Zengel, Imke Büchel, Jana Julia Roth, Julia Becker, Lisa Hagmeister, Louis von Klipstein, Maryam Zaree, Matthias Brenner, Melanie Straub, Moritz Thiel, Peter Schneider, Roland Bonjour, Steffi Kuhnert, Tedros Teclebrhan, Till Butterbach, Victoria Trauttmansdorff

Director: Nora Fingscheidt

Rating: 12

Summer 1993 charts a formative summer in the life of young Frida (Laia Artigas), a brooding six-year-old who, having just been orphaned by AIDS, is sent from her home in Barcelona to live in the countryside with her uncle (David Verdaguer), his wife (Bruna Cusí), and their little girl (Paula Robles). Catalan director Carla Simón drew on her own childhood experiences for the film, making Summer 1993 feel intimately told. It’s shot from the perspective of its young protagonist and is guided by the unpredictable rhythms of memory: we experience Frida’s new life the way she might remember it when she’s older, via snapshots of moments that stand out to a child, like the day she spent amongst the chickens in a neighbor’s farm or the moment another kid asks her why she isn’t more visibly upset about her mother’s recent death.

That emotional enigmaticness is what makes Artigas’s naturalistic performance so absorbing: she never plays Frida in a predictable dramatic register, so much so that it’s easy to forget we’re not watching a documentary. The unexpected little ways her grief manifests itself — along with Simón’s assured, impressionistic directing — make this a profoundly heart-rending watch throughout, and especially so in its gut-punch of a final scene.

Genre: Drama

Actor: Bruna Cusí, David Verdaguer, Fermí Reixach, Isabel Rocatti, Laia Artigas, Quimet Pla

Director: Carla Simón

Koreeda is a master of the tender gaze. He deals so softly, elegantly, and emphatically with the characters in his films, it will make you feel like you're watching life itself in all its complex, emotional splendor. Maybe this is particularly true for this movie because it has been inspired by Koreeda's memories of his own childhood and the passing of his mother. Still Walking is a quietly toned movie spanning a period of 24 hours in the life of the Yokoyama family, as they gather to commemorate the passing of their eldest son. At the center of the story is the father, an emotionally distant man who commands respect both from his family and community. Opposite from him sits the other son, the black sheep, who seeks his father's validation. Directed, written, and edited by Koreeda, this dynamic is one of many in this slice-of-life movie about how families deal with loss. And, however distant the culture or setting in Japan may seem to the outsider, you're bound to recognize either yourself or your family among the tender scenes of this masterful drama.

Genre: Drama, Family

Actor: Haruko Kato, Hiroshi Abe, Hotaru Nomoto, Kazuya Takahashi, Kirin Kiki, Ryoga Hayashi, Shohei Tanaka, Susumu Terajima, Yoshio Harada, You, Yui Natsukawa

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

, 2022

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom.

Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already. 

Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction

Actor: Adam Scott, Britt Lower, Christopher Walken, Dichen Lachman, Jen Tullock, John Turturro, Michael Chernus, Patricia Arquette, Tramell Tillman, Zach Cherry

Rating: SPG

Nothing about Saint Omer is easy. A female Senegalese migrant (Guslagie Malanga) is put to trial for committing infanticide, but throughout the film, it becomes clear how much of a victim she is too, of an uncaring and deeply prejudiced society. “What drove her to madness?” Her attorney asks at one point. We’re not sure. We're not necessarily asked to side with her, nor answer the many hard-hitting questions brought up in the film, but we sit with the uneasiness of it all and, in that silence, confront our ideas about motherhood, womanhood, personhood. 

This confusion is what makes the film so compelling. Despite the court’s best efforts, Laurence isn’t meant to be understood. She’s meant to be an example of the ever-ambiguous, forever-complicated, always-hurt person. It’s human nature after all to be this complex and messed up. The film shows us that the best that we can do in situations like this is to listen, understand, and as our protagonist Rama (Kayije Kagame) does, make peace with the noise. 

Genre: Crime, Drama

Actor: Aurelia Petit, Guslagie Malanda, Kayije Kagame, Louise Lemoine Torrès, Salimata Kamate, Valérie Dréville, Xavier Maly

Director: Alice Diop

, 2003

From Korean director Park Chan-wook, who also brought you the far quieter The Handmaiden, comes a movie that is positively terrifying. Its premise alone is enough for any sentient human being to shudder. On his daughter's birthday, the good-for-nothing Oh Dae-su (played by Choic Min-sik) gets drunk and is arrested by the police. A friend eventually bails him out and, while he is making a phone call, Oh Dae-su disappears. Not knowing why, he is held in the same room for 15 years for no apparent reason. Until, one day, he is released. That's all that can be revealed about this winner of the Grand Jury Prize at Cannes in 2004 without giving away too much. All we can add here is the way we recommend Oldboy to people admitting to not having seen it yet: “Watch Oldboy. You're welcome. We're sorry.” A crazy, twisted film that goes to extremes. A cult classic and a statement.

Genre: Action, Drama, Mystery, Thriller

Actor: Byeong-ok Kim, Choi Min-sik, Dae-han Ji, Dae-yeon Lee, Han Jae-duk, Hye-jeong Kang, Ji Dae-han, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Kang Hye-jeong, Kang Hye-jung, Kim Byeong-Ok, Kim Byung-ok, Kim Su-hyun, Kwang-rok Oh, Lee Dae-yeon, Lee Seung-shin, Lee Young-hee, Min-sik Choi, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Oh Tae-kyung, Park Jae-Woong, Park Myung-shin, Seo Myeong-Seok, Seung-Shin Lee, Syd Lim, Yoo Il-han, Yoo Ji-tae, Yoo Yeon-seok, Yoon Jin-seo, Yoon Jin-yul

Director: Chan-wook Park, Park Chan-wook

Rating: R

, 2022

The Iranian director Jafar Panahi has faced constant persecution from his country's government for over a decade, for his career of sharply political films speaking truth to power. In fact, No Bears—which was shot in secret, in defiance of the government banning him from filmmaking for 20 years—had its initial festival run in 2022 while Panahi was in prison. Evidence of Panahi's drive to keep making his movies, no matter what, are clear in this film's limited resources and occasionally inconsistent video quality. But even those obstacles can't get in the way of his vaulting ambition.

No Bears operates on several different layers that all express Panahi's growing frustration with—but also his commitment to—making art that only ever seems to put himself and other people in harm's way. At its base level, this is a suspenseful small-town thriller, as an exiled Jafar Panahi (playing himself) tries to evade suspicion from the villagers around him. At the same time, Jafar is struggling to direct a film remotely, which creates a strain on his production crew. On top of that, the characters in his film undergo their own drama, seeking asylum out of Turkey. All of this is edited together under a stirring screenplay written with heart, humor, and the hope that the institutions that try to scare us will never keep us in the dark forever.

Genre: Drama, Thriller

Actor: Jafar Panahi, Naser Hashemi

Director: Jafar Panahi

Wise, superbly acted, and gorgeously put together, all of these apply to Nightmare Alley. In a world where remakes are more in vogue than needed, Guillermo del Toro shows us how it's done. A sumptuous tale of a man's rise and fall guarantees some spectatorial pleasure, but having both Bradley Cooper and Cate Blanchett in the same film (plus unsung genius Toni Collette and all-round-favorite Willem Dafoe) pushes us into talent overload, in the best possible way. In addition to its thrilling plot and studded cast, Nightmare Alley is also psychologically literate enough to make a carnival out of the human soul. It's no surprise that in 2022, it got four Oscar nominations, including Best Picture where it certainly would have had my vote.

Genre: Crime, Drama, Thriller

Actor: Bill MacDonald, Bradley Cooper, Caleb Ellsworth-Clark, Calvin Desautels, Cate Blanchett, Catherine McGregor, Charles Langille, Clifton Collins Jr., Clyde Whitham, Dan Lett, Dani Klupsch, Daniel Falk, Danny Waugh, David Hewlett, David Strathairn, Dian Bachar, Holt McCallany, James Collins, Jesse Buck, Jim Beaver, Lara Jean Chorostecki, Lili Connor, Linden Porco, Mark Povinelli, Martin Julien, Mary Steenburgen, Matthew MacCallum, Natalie Brown, Paul Anderson, Perry Mucci, Peter MacNeill, Richard Jenkins, Romina Power, Ron Perlman, Rooney Mara, Sarah Mennell, Stephen McHattie, Tim Blake Nelson, Tim Post, Toni Collette, Troy James, Vikki Ring, Walter Rinaldi, Will Conlon, Willem Dafoe

Director: Guillermo del Toro

Rating: R

In a world where mortality has been overcome, people watch in awe as the as the 118-year-old Nemo Nobody, the last mortal on Earth, nears his end. He is interviewed about his life, recounting it at three points in time: as a 9-year-old after his parents divorced, when he first fell in love at 15, and as an adult at 34. The three stories seemingly contradict each other. Utilizing non-linear cinematography, Belgian director Jaco Van Dormael presents each of these branching pathways as a version of what could have been. The result is a complex, entangled narrative. That and the movie's ensemble cast, featuring Jared Leto, Sarah Polley, and Diane Kruger, have turned Mr. Nobody into a cult classic. The soundtrack, featuring several of the beautifully restrained music by Eric Satie, is also considered a masterpiece. While it is surely not for everybody, this is trippy, intimate, and existential sci-fi at its best.

Genre: Drama, Fantasy, Mystery, Romance, Science Fiction

Actor: Aaron Landt, Alice van Dormael, Allan Corduner, Andrew Simms, Audrey Giacomini, Ben Mansfield, Carlo Mestroni, Catherine Demaiffe, Christelle Cornil, Christophe Beaucarne, Clare Stone, Daniel Brochu, Daniel Mays, David Kennedy, David Schaal, Diane Kruger, Dominique Warnier, Harold Manning, Harry Cleven, Hugo Harold-Harrison, Jan Hammenecker, Jared Leto, Jenna Wheeler-Hughes, John Churchill, Juliette Van Dormael, Juno Temple, Laura Brumagne, Laurent Capelluto, Leni Parker, Linh Dan Pham, Lola Pauwels, Manfred Andrae, Marc Zinga, Marie-Ève Beauregard, Martin Swabey, Natasha Little, Nicholas Beveney, Olivier Bony, Pascal Duquenne, Philippe Godeau, Philippe Lévy, Pierre Chaves, Rhys Ifans, Roline Skehan, Sandrine Laroche, Sarah Gravel, Sarah Polley, Serge Larivière, Stéphane Taillasson, Sylvie Olivé, Tedd Dillon, Thomas Byrne, Toby Regbo, Vincent Dupont, Virginie Bordes, Vito DeFilippo

Director: Jaco Van Dormael

Rating: R