6 Best Fantasy Movies On Itunes India

Staff & contributors

The Cabin in the Woods came to be as Buffy The Vampire Slayer writers Drew Goddard and and Joss Whedon set themselves on a mission to upgrade the slasher genre. With this film, they wanted to satirize the way it slips into torture porn. In other words, they aspired to make a clever, punchy new classic. Amassing a 30 million dollar budget attests to their hopes: a massive backend of VFX work provided an elaborate film world, where different levels of 'reality' are at play. As six college students head into the woods to spend a debaucherous weekend undisturbed, a whole underground laboratory monitors their every move. It appears that a big operation is underway to trap the unsuspecting crowd into a curated murder scenario, straight out of a horror movie. Among the victims, we see Chris Hemsworth at the time his career was just taking off, so that's history in the making for you.

Unfortunately, in its devotion to provocatively render some horror tropes irrelevant, The Cabin in the Woods cannot help but reinforce others. It still carries the whiff of the late 2000s' misogyny in the way it portrays women and it certainly doesn't try hard enough to disrupt the genre's opposition to female sexuality. The characters of Dana (the virgin) and Jules (the experienced one) are sure to make you wince, as they're written as flat as a piece of paper. So you say no to torture porn, but embrace misogyny...?

Genre: Fantasy, Horror

Actor: Adrian Holmes, Amy Acker, Anna Hutchison, Aya Furukawa, Brad Dryborough, Bradley Whitford, Brian J. White, Chelah Horsdal, Chris Hemsworth, Dan Payne, Dan Shea, Ellie Harvie, Fran Kranz, Greg Zach, Heather Doerksen, Jesse Williams, Jodelle Ferland, Kristen Connolly, Lori Stewart, Matt Drake, Nels Lennarson, Patrick Gilmore, Patrick Sabongui, Peter Kelamis, Phillip Mitchell, Richard Cetrone, Richard Jenkins, Rukiya Bernard, Sigourney Weaver, Terry Chen, Terry Notary, Tim DeZarn, Tom Lenk

Director: Drew Goddard

Rating: R

One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Winchester, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Nicholas Hoult, Nicolas Cage, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

When David and his sister Jennifer fight over the TV remote, they are suddenly transported to David’s favorite sitcom, Pleasantville. They’re told by a spirit guide that their best bet at getting out is fitting in, but their modern sensibilities prove to be too much for the genteel ‘50s town. Soon, the residents learn about sex, art, criticism, and politics, and it’s up to the twins to control the ensuing mayhem and guide them to the right path. 

In hindsight, Pleasantville seems ahead of its time, preceding Marvel’s WandaVision as the ultimate, deconstructed homage to 20th-century television. But unlike the series, Pleasantville dives deep into personal and social politics, all while maintaining an impressive balance of wisdom and humor. Equally notable is the film’s transformation from black and white to Technicolor, which, aside from being a symbolic and technical feat, is also a piece of pure, mesmerizing cinema.

Genre: Comedy, Drama, Family, Fantasy

Actor: Andrea Baker, Charles C. Stevenson Jr., Danny Strong, David Tom, Dawn Cody, Denise Dowse, Don Knotts, Erik MacArthur, Gerald Emerick, Giuseppe Andrews, J. Patrick Lawlor, J.T. Walsh, James Keane, Jane Kaczmarek, Jason Behr, Jason Maves, Jeanine Jackson, Jeff Daniels, Jenny Lewis, Jim Antonio, Joan Allen, John Ganun, Johnny Moran, Justin Nimmo, Kai Lennox, Kevin Connors, Kristin Rudrüd, Laura Carney, Lela Ivey, Maggie Lawson, Marc Blucas, Marissa Ribisi, Marley Shelton, McNally Sagal, Nancy Lenehan, Natalie Ramsey, Patrick Thomas O'Brien, Paul Morgan Stetler, Paul Walker, Reese Witherspoon, Robin Bissell, Stanton Rutledge, Tobey Maguire, Weston Blakesley, William H. Macy

Director: Gary Ross

Rating: PG-13

Seven years after Zootopia, Pixar takes another crack at a racial prejudice metaphor — but, while the analogy is less creaky here, it’s still an awkward one, as diametrically opposed elements like fire and water stand in for human beings. The gaping flaws in its central concept aside, Elemental does wring something compelling out of its story: an exploration of second-generation immigrant guilt.

That might seem like an oddly specific and complex topic for what is ostensibly a kids’ film to grapple with, but this is the Pixar of Soul and Bao, not Finding Nemo and Toy Story. Ember (Leah Lewis) is an anthropomorphized young flame whose parents migrated from their home in Fireland to run a store in the NYC-like melting pot of Element City; she’s keenly aware of the sacrifices they made to give her a better life and believes the only way to repay them is to abandon her own dreams and run their store. This is the one part of Elemental’s metaphor that really lands, but it’s unfortunately sidelined to make way for an inter-elemental romance between Ember and a water-man that only pulls the focus back onto the film’s biggest weakness. Still, its emotional specificity and beautiful animation prevent it from being a total washout.

Genre: Animation, Comedy, Drama, Family, Fantasy, Romance

Actor: Alex Kapp, Catherine O'Hara, Joe Pera, Jonathan Adams, Leah Lewis, Mamoudou Athie, Mason Wertheimer, Matthew Yang King, P.L. Brown, Ronnie del Carmen, Ronobir Lahiri, Shila Ommi, Wendi McLendon-Covey, Wilma Bonet

Director: Peter Sohn

Proof that even the most tired tropes (which the holiday genre is arguably entirely made up of at this point) can still be warm and enjoyable with above-average craft and a fun cast, Candy Cane Lane avoids the monotony that tends to plague other Christmas movies. Which isn't to say that the film is a new classic—it still concludes too easily and doesn't give its more emotional side the space to breathe. But with an entertaining fantasy premise (specifically, a sort of scavenger hunt based on The Twelve Days of Christmas) bolstered by strong visual effects and supporting actors who have been given free rein to improvise, the movie stays dynamic and lightly humorous, if a little lacking in substance.

Genre: Comedy, Family, Fantasy

Actor: Aidan Kennedy, Ali Astin, Amanda Schoonover, Amy Johnston, Anjelah Johnson-Reyes, Catherine Dent, Chris Redd, D.C. Young Fly, Danielle Pinnock, David Alan Grier, Eddie Murphy, Genneya Walton, Iman Benson, James DuMont, Jenly Crespo, Jillian Bell, Kelly Younger, Ken Marino, Kevin Olusola, Kimberly Christian, Kirstin Maldonado, Lombardo Boyar, Madison Thomas, Matthew Sallee, Mitch Grassi, Nick Offerman, Preston Galli, Reginald Hudlin, Riki Lindhome, Robin Thede, Scott Hoying, Stephen Tobolowsky, Tallie Brinson, Thaddeus J. Mixson, Tiago Roberts, Timothy Simons, Tracee Ellis Ross, Trevante Rhodes

Director: Reginald Hudlin

Rating: PG

A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13