A Danish cargo ship is hijacked by Somali pirates in the Indian Ocean. The pirates demand millions of dollars in ransom and from there on, a psychological drama between the pirates and the ship owner develops, as they negotiate the price for the ship and its crew. A really great thing about this film is the fact that it doesn't get tangled up in the weepy feelings of the families back home - but instead focuses on the shrinking hope of the ship's crew and the psychological consequences of the brutal negotiation, that drives the ship owner to the edge of madness. Inspired by a true story. Brilliantly acted.
Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
13 Tzameti is a unique suspense movie from Georgia and the debut of director Géla Babluani. This film explores the life of a migrant worker from Georgia working in France, who literally gambles his life in a high stakes game of chance organized by powerful criminals. 13 Tzameti won the World Cinema Jury Prize at Sundance in 2008, and of course, a not nearly as good American remake. Do yourself a favor and check out the original!
Beginning with a great opening shot of townhouse on a side street in Paris, only ti discovers that the shot is actually from a video sent to Anne and Georges Laurent (Juliette Binoche and Daniel Auteuil). The married couple who live in that house have no idea who sent the video. More videos appear and events unfold. I can't say much more about this film without ruining it, it's definitely one of those films better enjoyed if you go into it not knowing a lot. Directed by Michael Haneke who won the Cannes Best Director Award for it.
In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!
Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?
A woman joins some acquaintances on a sailing trip only to get caught in a storm. They are rescued by a seemingly empty cruise ship and struggle to make sense of the mysteries that unfold. Definitely one of those "The less you know the better" type of films. If you like well-written creepy thrillers with a nice amount of gore, you will most likely enjoy this.
A non-comedic Melissa McCarthy stars in this movie based on a true story. She plays author Lee Israel who after struggling to pay her bills starts forging letters from famous writers. Being a great writer herself, she's able to skillfully mimic some of the greatest American novelists. But how far can she take it? With only her cat and an ex-convict friend at her side, this movie takes you through her desperation and anxiety as she turns into a full-blown criminal. Nominated to three Oscars, including Best Actress for McCarthy.
Pedro Almodovar’s films tend to swing wildly between comedy/farce and melodrama/tragedy. Volver somehow hits the sweet spot right in the middle of all four genres, with an added dose of magical realism. It’s a total joy to watch, which is really saying something since the story touches on murder, adultery, incest, malignant tumors, ghosts, and Penelope Cruz’s derriere. But maybe that’s the magic of Almodovar’s films? He’s able to take dark themes and surround them with bright colors, warm characters, and screwball humor—and really, is there anything better than that?