All the synopses going around the internet won’t fail to let you know that The Falls takes place at the height of the COVID-19 crisis. The film is certainly marketed that way, with commercial posters featuring the leads in ubiquitous face masks, socially distanced from the blurred crowd. 

But interestingly, The Falls is not just a situational, pandemic-era story. More than anything else, it tells the story of Pin-wen and Xiao Jing, mother and daughter who, despite previously living a life of comfort, are now dealt with unfavorable circumstances (exacerbated but not entirely caused by the pandemic). Now, they are forced to navigate life with only each other, and it’s in the isolation they instate from the rest of the world do they forge a genuine and heartwrenching bond any and all family members will immediately recognize and perhaps even sympathize with. 

The Father is a compelling inner look at the ways dementia distorts memories. By occupying the unstable headspace of 80-year-old Anthony (Anthony Hopkins), the film allows us to experience his frustration and confusion firsthand. We, too, are unsure about the ever-shifting details we’re presented with. Conversations are circular and time seems inexistent. The faces we know are swapped with names we don’t know. Even the tiniest elements, such as the wall tiles and door handles, are constantly changing in the background. We grasp for the slippery truth with Anthony but always come up empty and unsure.

In a thoughtful move by director Florian Zeller, we also get a glimpse of the lives surrounding Anthony. The daughter Anne (Olivia Colman), in particular, is often the victim of her father’s tirades, but she takes care of him still, conflicted as to where to draw the line between his needs and hers. 

With its fluid editing, subtle detail-swaps, and empathic portrayal of characters, The Father is just as technically impressive as it is movingly kind.

A sweet feel-good movie starring Nick Offerman as a dad who has to deal with his only daughter leaving for college and his record store struggling. The daughter is played by Kiersey Clemons who you might recognize from the show Easy. And Ted Danson has a great role too. This is a relatable and heartwarming movie, one of the best the so-called “indie” genre has known in a long time.

A Franco-Gaelic animated film nominated for an Academy Award, the Secret of Kells certainly isn’t your average Disney fare. Set in 8th century Ireland, it is beautifully animated, taking cues from ancient illuminated manuscripts and Gaelic folk art. Featuring a plot heavily inspired by Irish mythology, it tells the story of the Viking invasion of Ireland and the creation of the Book of Kells, an Irish national treasure. The world of the film pulses with the lush greenery of the island, populated by fairies, giants, magic and mystery.

Through positively adorable characters and zero dialogue whatsoever, Shaun the Sheep Movie reminds viewers young and old of the sheer artistry that goes into a truly great children’s cartoon. Animated by British stop motion godfathers Aardman Animations, the film delivers one excellent visual joke after another, while still telling a coherent story that arrives at surprisingly tender places touching on the importance of community and home. In an animation industry that’s constantly trying to innovate, a movie like Shaun the Sheep stands as a reminder that there are certain fundamentals in storytelling that deserve to be preserved and passed down to every new generation. It’s the loveliest thing around.

Paul Giamatti knocks in out of the park in Win Win. The movie has so much humanity in it as well as a fantastic story that’s rooted in normalcy. At last a movie about second chances that is anything but cheesy. The rhythm of the humor in this movie helps you move through the serious themes unscathed (for the most part). In sum, the jokes are spot-on and the acting is excellent.

Studio Ghibli has brought us moving, remarkable animated films such as Spirited Away, My Neighbor Totoro, and Princess Mononoke. One of Studio Ghibli’s most overlooked movies is Yoshifumi Kondou’s Whisper of the Heart, which finds magic in the ordinary every day. Shizuku is a young girl with great aspirations to become a writer—the only thing stopping her is herself. When she comes across a curious antique shop, she befriends a mysterious boy and his grandfather, who are just the push she needs to look inward and discover her own artistic capabilities.

If you have ever wanted to create something bigger and better than yourself—a story, a song, a poem, a painting, a work of art—then Whisper of the Heart will excite you, will call to you, will remind you to answer your heart’s calling.

Co-produced by the legendary Studio Ghibli and directed by Dutch animator Michaël Dudok de Wit, The Red Turtle is a tale about a man shipwrecked on a desert island whose fate is changed upon meeting a giant turtle. Beautiful images are pulled together and combined with the film’s delicate symbolism about humanity and nature, in a story told with remarkable restraint. The only sound in the movie is that of nature and the film’s beautifully relaxing score. Using only simple ingredients, The Red Turtle is an enigmatic, captivating, and highly-recommended gem that, after all, encompasses life itself.

Set in 1650 against the backdrop of the English colonization of Ireland, Wolfwalkers follows the story of Robyn, a young apprentice hunter who arrives in Ireland with her father to wipe out the last wolf pack. Completing the “Irish Folklore Trilogy,” Tomm Moore’s film is a tale of sisterhood, friendship, and acceptance told with phenomenal artistry. Beautifully animated, with warm autumn colors and refined attention to detail, the film is beyond pleasing to the eye. The outstanding voice work from Honor Kneafsey and Eva Whittaker, along with a well-written and emotionally compelling story, make Wolfwalkers a unique animation experience for young viewers and adults alike. 

Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.