12 Best 20th Century Period Pieces Movies to Watch On Tubi Canada

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With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Allie Byrne, Anne Lambton, Anthony Hopkins, Barbara Hicks, Brian Lipson, Crispin Bonham-Carter, Emma Thompson, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Mark Tandy, Nicola Duffett, Patricia Lawrence, Peter Cellier, Prunella Scales, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

The last work by legendary American director John Huston is this exquisitely rendered adaptation of a James Joyce short story. The Dead is nestled inside an intimate festive dinner shared by the family and close friends of the Morkan sisters, two well-to-do elderly spinsters living in Dublin in 1904. The film is a family affair in more ways than just that, too: for Huston’s final feature, son Tony wrote the script and daughter Anjelica (as Gretta) was its star.

As with so many end-of-year gatherings, the prevailing mood of the dinner is one of sentimental nostalgia, as the hosts and their guests swap memories, toast each other, and tearily reminisce about the way things were. Anjelica Huston’s performance is also a quiet architect of that atmosphere, as Gretta slips in and out of dreamy reveries throughout the evening to the puzzlement of her husband Gabriel (Donal McCann) — something that surges to the fore in an astonishingly moving final revelation. Huston directed the film on his proverbial deathbed, which infuses it with significance — but, even if it wasn’t the capstone to his illustrious career, The Dead would still stand as one of the finest treatments of mortality and longing ever committed to the screen.

Genre: Drama

Actor: Anjelica Huston, Bairbre Dowling, Brendan Dillon, Colm Meaney, Dan O'Herlihy, Donal Donnelly, Donal McCann, Helena Carroll, Ingrid Craigie, Kate O'Toole, Maria McDermottroe, Marie Kean, Rachael Dowling, Sean McClory

Director: John Huston

From the director of Moneyball, Foxcatcher is a true-story-based thriller centered around Olympic wrestlers and brothers Mark Schultz (Channing Tatum) and Dave Schultz (Mark Ruffalo) and multimillionaire John du Pont (Steve Carell). When the latter invites both brothers to move to his estate and train there, with seemingly patriotic motives, only Mark accepts. As training for the 1988 Olympic Games starts, and Du Pont's motives become clearer, tragedy hits. This film is a slow-burning celebration of the exceptional talent it features, both Ruffalo and Carell received Oscar nominations for their roles.

Genre: Drama, Mystery, Thriller

Actor: Alan Oppenheimer, Anthony Michael Hall, Brett Rice, Brian Baumgartner, Channing Tatum, Daniel Hilt, Guy Boyd, Jackson Frazer, Jake Herbert, Jane Mowder, Joe Fishel, Lee Perkins, Mark Ruffalo, Mark Schultz, Richard E. Chapla Jr., Roger Callard, Samara Lee, Sienna Miller, Steve Carell, Tiffany Sander McKenzie, Vanessa Redgrave

Director: Bennett Miller

Rating: R

, 2016

It’s always fun to watch something that makes you second guess each move, that shifts seamlessly from one thing to another. Frantz is that kind of film, and as the deceptively simple premise unfolds—a widow befriends her late husband’s friend—you’re never really sure if what you’re watching is a romance, a mystery, or a sly combination of both. 

It helps that Frantz is also more than just a period piece, packed as it is with tiny but thoughtful details. When it is filled with color, for example, it does so in the muted palette of 1900s portraits, making each shot look like a picture come to life. When it talks about love, it goes beyond heterosexual norms and hints at something more potent and, at times, political. And when it takes a swing at melodrama, its actors ground the moment with enough restraint and reserve so that it never teeters on excess. All this results in a well-executed, gripping, and overall lovely film to watch.

 

Genre: Drama, History, Romance, War

Actor: Alice de Lencquesaing, Anton von Lucke, Axel Wandtke, Camille Grandville, Claire Martin, Cyrielle Clair, Eliott Margueron, Elizabeth Mazev, Ernst Stötzner, Étienne Ménard, Jean-Claude Bolle-Reddat, Jean-Paul Dubois, Jean-Pol Brissart, Jeanne Ferron, Johann von Bülow, Johannes Silberschneider, Laurent Borel, Louis-Charles Sirjacq, Lutz Blochberger, Marie Gruber, Merlin Rose, Michael Witte, Nicolas Bonnefoy, Paula Beer, Pierre Niney, Rainer Egger, Ralf Dittrich, Torsten Michaelis, Zimsky

Director: François Ozon

Rating: PG-13

Millennium Actress, from famed animation director Satoshi Kon, is about lives lived and unlived. It follows Chiyoko Fujiwara, an actress from Japan’s golden age of cinema, as she recounts her life to two documentarians making a film about the history of the now-defunct Ginei Studios. Kon employs a metafilm narrative approach, framing Chiyoko’s lifelong search for her great love through the movie roles she has played, all interweaved through Kon’s stunning genre switches and signature match cuts. Millennium Actress poignantly explores the bittersweet irony of “larger-than-life” cinema, how it can contain a multitude of lifetimes and still be lacking, and how films serve as extensions of memories and yearning.

Genre: Animation, Drama, Fantasy, Romance

Actor: Fumiko Orikasa, Hisako Kyoda, Koichi Yamadera, Mami Koyama, Masane Tsukayama, Masaya Onosaka, Minagawa Junko, Miyoko Shoji, Showko Tsuda, Shozo Iizuka, Tomie Kataoka

Director: Kou Matsuo, Satoshi Kon

Rating: PG

Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in. 

Genre: Drama

Actor: Alessandro Cremona, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea

Director: Abel Ferrara

Rating: R

You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.

Genre: Crime, Drama

Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ted D'Arms, William S. Burroughs

Director: Gus Van Sant

Rating: R

Even for the greatest, things can change enough that what was once popular is now ignored, what was once appreciated is now neglected, and things eventually lose their spark. Originally written by iconic French filmmaker Jacques Tati for one of his daughters, the screenplay for The Illusionist landed in the hands of Sylvain Chomet, who turned Tati’s live-action script into a devastating animated father-daughter drama, where the titular Tatischeff meets Alice, whose childlike belief sparks inspiration again in his own art, whether it be straightforward vaudeville acts or advertisements he resorts to in order to sustain their living. While the hand-drawn animation enables the physical comedy, it does conceal the tragic reality behind Tati’s script, but even as it does so, it somehow mirrors how both Tati and Chomet’s genre created magic, however ephemeral it may be.

Genre: Animation, Drama

Actor: Didier Gustin, Eilidh Rankin, Jacques Tati, Jean-Claude Donda, Jil Aigrot

Director: Sylvain Chomet

Rating: PG

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Clive Brunt, Colin McPhillamy, Cyril Shaps, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. 

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Asuka Ohgame, Barbara Goodson, Christine Marie Cabanos, Daishi Kajita, Daisuke Ono, Hisako Kyoda, Kei Tomoe, Kenta Miyake, Kira Buckland, Kohei Kiyasu, Kosuke Sakaki, Manami Sugihira, Manami Tanaka, Mayumi Shintani, Megumi Han, Miki Hase, Minori Omi, Nanase Iwai, Natsuki Inaba, Non, Nozomu Sasaki, Rena Nōnen, Rio Kawakami, Risa Sakurana, Shigeru Ushiyama, Sunao Katabuchi, Tengai Shibuya III, Tomoko Shiota, Tsubasa Miyoshi, Tsuyoshi Koyama, Yoshimasa Hosoya, Yukitomo Tochino, Yuuki Hirose

Director: Sunao Katabuchi

Rating: PG-13

Robert Duvall...Bill Murray...need I say more? This popped up in my Netflix feed as a suggestion. Almost skipped over it, but my husband and I were up late and took a chance. WHOA! The acting is superb and what we thought would be a movie about revenge is unexpectedly about redemption. Robert Duvall is a hermit, looking forward to death. Bill Murray is a funeral home director looking for someone to bury. It's subtle, very subtle, comical and heartbreaking. Y'all will love it.

Genre: Comedy, Drama, Mystery

Actor: Andrea Powell, Andy Stahl, Arin Logan, Bill Cobbs, Bill Murray, Blerim Destani, Chandler Riggs, Danny Vinson, Gerald McRaney, Linds Edwards, Lori Beth Sikes, Lucas Black, Marc Gowan, Robert Duvall, Scott Cooper, Sissy Spacek, Tomasz Karolak

Director: Aaron Schneider

Rating: PG-13