7 Best British Films Movies to Watch On Amazon Prime

Staff & contributors

Kill Bill meets Bend It Like Beckham in this wild ride about a martial arts-obsessed British-Pakistani teenager who views her older sister’s impending marriage as a catastrophe to be averted at all costs. Aspiring stuntwoman Ria (Priya Kansara) can’t stomach the idea of free-spirited Lena (Ritu Arya) giving up on her creative dreams to marry a nauseatingly perfect man — not least because art school dropout Lena is her hero for refusing to conform to their community’s traditional ideas about respectability and success.

Polite Society makes room to sensitively explore Ria’s disappointment and the loneliness of rebellion, but writer-director Nida Manzoor doesn’t stop there, throwing in a sharp allegory disguised as a zany twist. Rather than upending our expectations for upending’s sake, the surprise metaphor refigures the movie as perceptive cultural commentary on the age-old devaluation of women as mere vessels for the next generation. What’s more, Manzoor takes the analogy full circle to thoughtfully imagine how this kind of dehumanizing misogyny might have affected previous generations, suggesting that the real villains lie offscreen. Movies as inventive and intelligent as this don’t come around often, but one that’s this funny, visually bold, unabashedly feminist, and full of stars-in-the-making is rarer still.

Genre: Action, Adventure, Comedy, Drama

Actor: Akshay Khanna, Ella Bruccoleri, Eunice Huthart, James McNicholas, Jeff Mirza, Jenny Funnell, Nimra Bucha, Rekha John-Cheriyan, Ritu Arya, Seraphina Beh, Shobu Kapoor

Director: Nida Manzoor

The title of Paweł Pawlikowski’s sophomore feature has a double meaning: it’s not only about the extraordinary lengths a Russian mother goes to remain in the UK, but it’s also set in the last seaside resort anyone would ever want to visit. While travelling to meet her English fiancé, Tanya (Dina Korzun) and son Artyom (Artyom Strelnikov) are detained at customs after failing to satisfy the immigration officer’s queries. With her fiancé refusing to answer her calls, Tanya panics and claims political asylum, not knowing that doing so means she’ll have to wait for over a year in a grim coastal town requisitioned as an asylum-seeker “holding area.”

Pawlikowski uses realism to highlight the crushing bureaucracy, dehumanizing conditions, and threats of exploitation that come with being an asylum seeker, but remarkably, bleakness isn’t the overriding tone. Local arcade worker Alfie (Paddy Considine) takes a shine to the duo and does what he can to brighten their gloomy situation — and, in the cruel limbo they find themselves in, his warm generosity and fondness for them imbues the film with an undeniable sense of hopefulness. It never detracts from the film’s realism (see: its bittersweet ending) but neither does Pawlikowski allow the precious gift of someone who genuinely cares to go ignored.

Genre: Drama, Romance

Actor: Adrian Scarborough, Bruce Byron, David Auker, Dina Korzun, Paddy Considine, Perry Benson

Director: Paweł Pawlikowski

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

2005 was a banner year for British period dramas, apparently: first, there was Joe Wright’s Pride & Prejudice (still arguably the genre’s crowning achievement), and then came Under the Greenwood Tree, a delightful made-for-Christmas-TV romance loosely based on the eponymous Thomas Hardy novel. Anyone familiar with the author’s typically tragedy-tinged stories — think Tess of the D'Urbervilles and Far From the Madding Crowd — will find themselves surprised by the light, pleasant tone of this one, in which the closest anyone gets to violent revenge is sabotaging a church organ by pouring a flagon of cider into it.

The romance here is threefold: when Keeley Hawes’ spinster schoolteacher Fancy Day (genuinely her name) arrives in an English village, she ignites a rivalry between wealthy farmer Shiner (Steve Pemberton), haughty clergyman Parson Maybold (Ben Miles), and James Murray’s die-hard romantic Dick Dewy (again: the names in this are a choice). The trio’s simultaneous attempted courting of Fancy doubles as both the entertaining will-she-won’t-she stuff of romantic dramas and a conduit through which the movie explores the class dynamics in England during the 19th century. It’s this deft intertwining of satisfying romantic period drama tropes with genuine reflection on the historical period itself — all while remaining lighthearted — that makes this underseen adaptation worth watching.

Genre: Drama, Romance, TV Movie

Actor: Ben Miles, James Murray, Keeley Hawes, Richard Leaf, Steve Pemberton, Terry Mortimer, Tom Georgeson, Tony Haygarth

Director: Nicholas Laughland

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Clive Brunt, Colin McPhillamy, Cyril Shaps, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

One of the many good movies from director Edgar Wright - if you loved Shaun of the Dead, then this Buddy-Cop Homage will make you double over (and question humanity – or lack, thereof) just as much. Sandford is a small English village with the lowest crime and murder rates, so when overachieving police Nicholas Angel (Simon Pegg) gets sent there because he was so good he intimidated those around him, he just about loses it. From car-chasing, bone-thrilling, head-blowing action, he graduates to swan-calling, thrill-seeking, sleep-inducing madness. But all that’s about to change – for the worse? For the better? You decide. An obscenely funny flick that has an intriguing plot and an even greater set of characters, Hot Fuzz wasn’t named the best film of the Cornetto trilogy for nothing, clearly cementing Pegg and Nick Frost as the ultimate action duo of the genre.

Genre: Action, Comedy, Crime, Mystery

Actor: Adam Buxton, Alice Lowe, Anne Reid, Ben McKay, Bill Bailey, Bill Nighy, Billie Whitelaw, Cate Blanchett, Chris Waitt, Colin Michael Carmichael, David Bradley, David Threlfall, Edgar Wright, Edward Woodward, Eric Mason, Garth Jennings, Graham Low, Jim Broadbent, Joe Cornish, Julia Deakin, Karl Johnson, Kenneth Cranham, Kevin Eldon, Lorraine Hilton, Lucy Punch, Maria Charles, Martin Freeman, Nick Frost, Olivia Colman, Paddy Considine, Patricia Franklin, Paul Freeman, Peter Jackson, Peter Wight, Rafe Spall, Robert Popper, Ron Cook, Rory McCann, Simon Pegg, Stephen Merchant, Steve Coogan, Stuart Wilson, Tim Barlow, Timothy Dalton

Director: Edgar Wright

Rating: R

“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller