17 Best Psychological Thrillers Movies to Watch On Itunes

Staff & contributors
Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexander Clement, Anders Brink Madsen, Camilla Lau, Gustav Möller, Gustav Möller, Jacob Lohmann, Jacob Ulrik Lohmann, Jakob Cedergren, Jeanette Lindbæk, Jessica Dinnage, Johan Olsen, Katinka Evers-Jahnsen, Laura Bro, Morten Suurballe, Morten Thunbo, Omar Shargawi, Peter Christoffersen, Simon Bennebjerg

Director: Gustav Möller

Rating: R

Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment—administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist's personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that 'she' is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.

Genre: Drama, Science Fiction

Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani

Director: Alex Garland

Rating: R

Satoshi Kon’s Perfect Blue is a chilling psychological thriller and a fantastic next step for those looking to explore anime’s dark side. Kon animates with Hitchcockian flair and is so successful at memorable compositions that Darren Aronofsky even lifted a scene from this into Requiem for a Dream. 

Mima is a pop idol who abandons her singing career to become an actress. Shaken by a series of murders, and a stalker who knows her every move, she begins to lose her grip on reality. The rest is a riveting ride into Mima’s unraveling psyche in the vein of Mulholland Drive or Black Swan. This 1996 film not only anticipates the reality busting thrillers of the early aughts but also presages the way our identities are splintered across the internet.

Genre: Animation, Drama, Thriller

Actor: Akio Suyama, Emi Motoi, Emi Shinohara, Emiko Furukawa, Hideyuki Hori, Jin Yamanoi, Junko Iwao, Kishō Taniyama, Kiyoyuki Yanada, Kōichi Tōchika, Masaaki Okura, Masashi Ebara, Megumi Tano, Osamu Hosoi, Rica Matsumoto, Shiho Niiyama, Shin-ichiro Miki, Shin'ichirō Miki, Shinpachi Tsuji, Soichiro Hoshi, Takashi Nagasako, Tōru Furusawa, Yoku Shioya, Yosuke Akimoto, Yousuke Akimoto

Director: Kou Matsuo, Satoshi Kon

Rating: R

The best way to watch this movie is to be completely unprepared; it's a super indie (sub 1 million dollar budget) Canadian thriller that completely wowed critics and audiences, even as it (and we're being honest here) totally freaked them out. So, no spoilers, we can let you know it's an internet thriller with shades of Little Red Riding Hood, hyperrealistic violence, and extremely surprising plot twists. Also, there's less than 9 minutes of music in the entire film, which instead uses creepy ambient noises and breathing, so, yeah, it gets a bit tense.

Genre: Drama, Thriller

Actor: Ellen Page, Elliot Page, G.J. Echternkamp, Odessa Rae, Patrick Wilson, Sandra Oh

Director: David Slade

Rating: R

Adapted from the Lionel Shriver novel of the same name, We Need to Talk About Kevin is the story of a mother (Tilda Swinton) that never quite bonds with her child, but not by her choice. The son grows up to do a heinous act that begs the question: nature or nurture? This film is an uncompromising view on the development of an unloved child. Silent pain gets voice. Feelings are shown by actions not emotions in an authentic, comprehensible and aesthetic manner. Great work.

Genre: Drama, Thriller

Actor: Aaron Blakely, Alex Manette, Andy Gershenzon, Annie O'Sullivan, Ashley Gerasimovich, Blake DeLong, Caitlin Kinnunen, Daniel Farcher, Erin Darke, Ezra Miller, Francesca Murdoch, Georgia X. Lifsher, J. Mallory McCree, J.J. Kandel, James Chen, Jasper Newell, Jeffrey Mowery, Jennifer Kim, John C. Reilly, Jose Joaquin Perez, Joseph Basile, Joseph Melendez, Kenneth Franklin, Kimberley Drummond, Lauren Fox, Leland Alexander Wheeler, Leslie Lyles, Louie Rinaldi, Mark Elliot Wilson, Maryann Urbano, Paul Diomede, Polly Adams, Rebecca Dealy, Rock Duer, Rocky Duer, Simon MacLean, Siobhan Fallon Hogan, Suzette Gunn, Tilda Swinton, Ursula Parker

Director: Lynne Ramsay

Rating: R

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

This is a really weird movie starring Colin Farrell and Nicole Kidman. They play a wholesome and well-off couple where Farrell is a heart surgeon. The movie starts with him taking care of a teenager called Martin, who's not related to him or seems to have any real connection with him. It later turns out that Martin shares a special bond with the surgeon, a bond that will threaten his family in unexpected ways. The camera work and direction by Yorgos Lanthimos (The Lobster, The Favourite) offset the weirdness to offer an intriguing experience.

Genre: Drama, Mystery, Thriller

Actor: Alicia Silverstone, Anita Farmer Bergman, Barry G. Bernson, Barry Keoghan, Beverly Kristy, Bill Camp, Bryant Bentley, Carly Tamborski, Charles Poole, Colin Farrell, David Pittinger, Denise Dal Vera, Drew Logan, Dylan Keith Adams, Herb Caillouet, Jerry Pope, Joanne Popolin, John Newsom, John W. Harden, Lea Hutton Beasmore, Megan Chelf Fisher, Michelle Dobrozsi, Ming Wang, Nicole Kidman, Raffey Cassidy, Robert Gerding, Steven Schraub, Sunny Suljic, William C. Ingram

Director: Yorgos Lanthimos

Rating: R

I Saw the Devil is a South Korean psychological thriller/horror film. IT IS NOT FOR THE FAINT OF HEART!!! It has a lot of blood and gore that could make even the strongest stomachs turn. A young woman is kidnapped from her car while waiting for a tow truck and the kidnapper murders her far from her car and scatters her body parts around. Her fiancé, a secret service agent of the National Intelligence Service, sets out to track down her murders and exact his revenge. If you're looking for a thrill ride, look no further- but don't say we didn't warn you.

Genre: Horror, Mystery, Thriller

Actor: Byung-hun Lee, Cheon Ho-jin, Choi Jin-ho, Choi Min-sik, Choi Moo-seong, Choi Moo-sung, Gook-hwan Jeon, Han Se-joo, Ho-jin Cheon, Ho-jin Chun, In-seo Kim, Jeon Kuk-hwan, Jo Deok-jae, Kim Dae-hye, Kim Gab-soo, Kim In-seo, Kim Jae-Geon, Kim Kang-il, Kim Kap-soo, Kim Yoon-seo, Lee Byung-hun, Lee Jun-hyuk, Lee Seol-gu, Lee Seol‑gu, Min-sik Choi, Moo-Seong Choi, Nam Bo-ra, Oh San-ha, Park Jeong-gi, Park Ji-yeon, Park Seo-Yeon, San-ha Oh, Seol Chang-hee, Son Young-soon, Uhm Tae-goo, Um Tae-goo, Yoon Byung-hee, Yoon Chae-yeong, Yoon-seo Kim

Director: Jee-Woon Kim, Kim Jee-woon

Rating: Not Rated

Penélope Cruz and Javier Bardem star in this mystery by Asghar Farhadi, the Iranian Oscar-winning director of A Separation and The Salesman. When Laura returns to her small Spanish hometown with her two daughters, she is greeted with the warm welcome worthy of someone who once was a loved member of the community. However, when an event concerning one of her daughters happens at a wedding, secrets come to the surface about her history that threaten the fabric of the whole village. Laura is masterfully played by Penélope Cruz, who seems to shift gears in this Spanish-language movie. Farhadi is outside of his usual territory, but he does what he does best: deliver a rich, thrilling family drama.

Genre: Crime, Drama, Mystery, Thriller

Actor: Barbara Lennie, Carla Campra, Eduard Fernandez, Elvira Minguez, Inma Cuesta, Iván Chavero, Jaime Lorente, Javier Bardem, Jordi Bosch, Jose Angel Egido, Mar del Corral, Penélope Cruz, Ramon Barea, Ricardo Darín, Roger Casamajor, Sara Salamo, Sergio Castellanos, Vicente Vergara

Director: Asghar Farhadi

Rating: R

A woman loses her phone on her way back to her countryside childhood home. Once there, she connects an old landline in hopes of finding her lost mobile, only to start receiving weird calls that seem to be from 20 years ago.

On the other side of the receiver is a girl who seems to be in danger. The Call is thrilling, sometimes scary, but also brilliantly shot, and its plot is so expertly woven. It’s a proper movie-night movie.

Genre: Mystery, Science Fiction, Thriller

Actor: EL, Jeon Jong-seo, Jo Kyung-sook, Jun Jong-seo, Kim Min-ha, Kim Sung-ryoung, Kim Sung-ryung, Lee Dong-hwi, Lee El, Lee Joo-young, Moon Chang-gil, Oh Jung-se, Park Ho-san, Park Hyeong-su, Park Hyoung-soo, Park Shin-hye, Ryu Kyung-soo, Song Yo-sep, Um Chae-young

Director: Lee Chung-hyun

Rating: R

Following is the first movie Christopher Nolan ever directed, a mesmerizing low-budget effort that introduced the world to the genius who will later give us Memento, Inception, The Dark Knight, and many other classics. Shot in "extreme" conditions to quote Nolan himself, for just over £3000, it had to be filmed in the span of a year on Saturdays only and in friends' houses. But almost none of that is visible in the sharp camera work, the magnificent acting (most of it was first or second takes), and the twisted script. It tells the story of an unsuccessful writer (The Young Man) who tries to find inspiration in following random people in the street, and doing it via strict rules. One day he follows a man in a suit (Cobb), who catches him and becomes intrigued by him. It turns out that Cobb has his own fascination with people's intimate lives, of criminal nature, which he lets The Young Man into. Using the same non-linear plot technique as in Memento, this movie is halfway between a thriller and a film noir. The inspiration for it came when Nolan's own apartment in London was robbed, and he was fascinated by the act of strangers going through his personal items. If you take into consideration the conditions of its making, this movie is a masterpiece.

Genre: Drama, Mystery, Thriller

Actor: Alex Haw, Barbara Stepansky, David Julyan, Dick Bradsell, Emma Thomas, Gillian El-Kadi, Jennifer Angel, Jeremy Theobald, John Nolan, Lucy Russell, Nicolas Carlotti, Paul Mason, Rebecca James

Director: Christopher Nolan

Rating: R

, 2016

Arch-provocateur Paul Verhoeven received widespread acclaim for his assured and darkly funny adaptation of Philippe Dijan’s award-winning novel, his first film in the French language. 

It’s a controversial revenge thriller about a domineering businesswoman who is raped in her home by a masked man. Refusing to let the attack affect her life, she refuses to report the incident and tracks down the assailant herself.

Verhoeven directs the material with confidence and a troubling lightness of touch, while fearless Isabelle Huppert gives one of the best performances of her long and illustrious career. Some people found Elle empowering while others felt it perpetuated misogynistic attitudes. Either way, it makes for a passionate post-viewing discussion.

Genre: Crime, Drama, Thriller

Actor: Alice Isaaz, Anne Consigny, Anne Loiret, Arthur Mazet, Caroline Breton, Charles Berling, Christian Berkel, David Léotard, Eric Savin, Fleur Geffrier, François Nambot, Hugo Conzelmann, Hugues Martel, Isabelle Huppert, Jean Douchet, Jean-Noël Martin, Jean-Yves Freyburger, Jina Djemba, Jonas Bloquet, Judith Magre, Laurent Lafitte, Laurent Orry, Loïc Legendre, Lucas Prisor, Marie Berto, Nicolas Beaucaire, Nicolas Ullmann, Oury Milshtein, Raphaël Kahn, Raphaël Lenglet, Stéphane Bak, Vimala Pons, Virginie Efira, Zohar Wexler

Director: Paul Verhoeven

Rating: R

This movie will first confuse your perception of the narrative with a feud involving the two magicians (played by Hugh Jackman and Christian Bale), but you will soon be hooked by the twists and turns of the plot. The unveiling of the mystery will leave you in awe, however it is the storytelling and the process that Christopher Nolan puts together so beautifully that is the greatest thing about this movie.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Andy Serkis, Anthony De Marco, Brian Tahash, Chao Li Chi, Chi Chaoli, Chris Cleveland, Christian Bale, Christopher Neame, Daniel Davis, David Bowie, Edward Hibbert, Enn Reitel, Erin Cipolletti, Ezra Buzzington, Gary Sievers, Hugh Jackman, James Lancaster, James Otis, Jamie Harris, Jim Piddock, Jodi Bianca Wise, John B. Crye, Johnny Liska, Kevin Will, Mark Ryan, Michael Caine, Monty Stuart, Piper Perabo, Rebecca Hall, Ricky Jay, Robert W. Arbogast, Rock Anthony, Roger Rees, Ron Perkins, Russ Fega, Samantha Mahurin, Scarlett Johansson, Tim Pilleri, William Morgan Sheppard

Director: Christopher Nolan

Rating: PG-13

This is a fun genre mashup B-movie, in the vein of old John Carpenter films or those movies you used to run across on late-night cable in the 80s and early 90s. Dan Stevens (that handsome chap from Downton Abbey) gives a knock-out performance as the titular guest (David), who in the movie’s beginning has just shown up on the doorstep of the Peterson family. He says he’s there to pay his respects to the family -- he served with their son, who died in action -- but there is something just a little bit off about him. Everyone in the family is charmed by David except for daughter Anna (Maika Monroe), who approaches him with extreme caution even though she’s clearly impressed by his six-pack abs. The films starts at a slow burn before devolving into nutty, violent chaos, but maintains a dark cheeky sense of humor throughout. The goth pop soundtrack is also killer.

Genre: Action, Mystery, Thriller

Actor: Adam Wingard, AJ Bowen, Alex Knight, Brendan Meyer, Brenden Wedner, Candice Patton, Chase Williamson, Chris Ellis, Dan Stevens, Ethan Embry, Frank Bond, J. Nathan Simmons, Jesse Luken, Joel David Moore, Justin Yu, Katie Anne Mitchell, Lance Reddick, Leland Orser, Maika Monroe, Matthew Page, Mike Miller, Nancy Jeris, Sheila Kelley, Steven John Brown, Tabatha Shaun, Tina Borek

Director: Adam Wingard

Rating: R