From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people's lives, you will love Paterson.
In a stunning (re)introduction to James Baldwin, intellectual, author, and social critic, this movie digs very deep into the American subconscious and racial history. It is based off a book idea that would have studied the famous assassinations of three of Baldwin's friends: Medgar Evers, Malcolm X and Martin Luther King, Jr., he wrote about 30 pages of it before he passed away in 1987. Raoul Peck picked up the project and made it into this movie, highlighting at the same time Baldwin's genius, his unique and always eloquent perspective as well as the beauty of his soul as a human being. A mesmerizing experience, it is an immensely sad fact that the narrative still feels as relevant now as it was in 1979, and as such this movie serves as a reminder on how far America still has to go.
In The Salesman, Oscar-winning director Asghar Farhadi (A Separation, About Elly), tells the story of a happily married couple who live in Tehran: Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti). When they are forced to move to a new apartment, something about the previous tenant causes a sudden eruption of violence that turns their lives upside down, causing strain on their relationship. Farhadi does what he does best here: deliver on complex issues that characterize his society through ordinary events. Every scene is a privileged look into Iran's collective consciousness. And even with all that aside, the film still stands as an extraordinary drama, with a tense plot and amazing performances across the board.
One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what's going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main character's early role models), and Best Adapted Screenplay.
A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine's dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what's important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.
Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.
Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?
Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.