The Salt of the Earth is a 2014 biographical documentary about famed Brazilian photographer Sebastião Salgado. Directed and narrated by Wim Wenders in collaboration with Salgado’s son, Juliano, the film tells Salgado’s life story from his childhood in northern Brazil, his early career as an economist, and ultimately the shift to photography that would lead him to over 120 countries as a world-renowned photojournalist. Shot in stunning black and white by Juliano and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man’s lifelong dedication to capturing humanity and nature in remarkable states of peril, compromise and elegance. From the Brazilian gold mine of Serra Pelada to the Yali Tribe of Papua New Guinea to the war-ravaged people of Rwanda (to name just a few), the film follows Salgado’s career through his photography, accompanied by his personal accounts of his many encounters and impressions. It’s Salgado’s grace, empathy and kindness that shine the brightest—remarkable for a man who has seen (and photographed) the worst of humanity over the course of his lifetime. It’s an utterly enthralling experience, upsetting at times in its frank display of war and death, but it ultimately serves as an exemplary presentation of Salgado’s work and his intimate reflections upon a career dedicated to truth, awareness and beauty.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
A couple decides to raise their six children in the wilderness of the Pacific Northwest, far from modern culture. They teach them how to raise and kill their own food, how to live in nature, but also give them classes on literature, politics, and music. The family drills boot camp-like workouts and climbs rock faces to create physical endurance. Then the wilderness adventure comes to an abrupt halt with a telephone call, and the family enters the world -- with hilarious and sorrowful results. Emotionally raw and honest, with terrific performances by Viggo Mortensen, George MacKay and the entire cast of "children."
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!