Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives. 

Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?

With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.

A dark and existential comedy, Wristcutters: A Love Story follows Zia (Patrick Fugit), a young man who commits suicide, only to find himself in a bleak afterlife filled with other suicide victims. He discovers that his former partner has just joined him in this dreary realm and sets out to find her. From there, the film transitions into a macabre road-trip film as Zia and several acquaintances strike out in a beat-up old car in the name of love and redemption. Based on a short story by award-winning Israeli writer Etgar Karet, Wristcutters is a stunningly original film that will haunt viewers forever.

«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Good movies usually aren’t lengthy movies, unless we’re talking about cases like Toni Erdmann. It’s a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you’re a bit patient you will be surprised how much this movie will reward you.

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He looses his wallet, his children fight, the art he oversees is does not make sense to an interviewer… Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that’s just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

This drama was the first feature written and directed by an out Black lesbian, Cheryl Dunye, and it is an absolute joy: a cheeky faux-documentary that ingeniously blends lesbian dating life with a historical dive into Black actors in 30s Hollywood.

Dunye plays Cheryl, a self-effacing version of herself, an aspiring director working at a video store who begins to research an actress known as the Watermelon Woman for a documentary. The more Cheryl dives into her research, the more she sees parallels between her subject and her own relationship. 

As incisive as it is funny, The Watermelon Woman shares some common ground with other major indie debuts of the era like Spike Lee’s She’s Gotta Have It and funnily enough Kevin Smith’s Clerks, but Dunye’s style is wholly her own and a dazzling treat to experience.

Dick Johnson Is Dead is a heartfelt and unconventional portrait of how one can live life to the fullest even in their darkest days. Kristen Johnson’s follow-up to the highly acclaimed documentary Cameraperson, Johnson shows that her skills are no fluke as she crafts a witty film where she masterfully balances surreal tonal shifts to create a compelling experience. While it does have a repetitive nature, the final thirty minutes are heartbreakingly comedic, and make this one worth a watch!

A Swedish film about a world-famous conductor who suddenly interrupts his career to return alone to his childhood village in Norrland. It doesn’t take long before he is asked to come and listen to the fragment of a church choir, which practices every Thursday in the parish hall. “Just come along and give a little bit of good advice”. He can’t say no, and from that moment, nothing in the village is the same again. The choir develops and grows. He makes both friends and enemies. And he finds love. It’s a wonderful movie about faith, values, and the exploration of one’s spirit.

This Canadian drama is directed by, written by, and stars first-time director Agam Darshi. It’s a labor of love about a 30-something woman who takes care of her sick father while trying to become a writer.

Mona (the character) comes from an immigrant Indian family, and she is proudly the black sheep of the bunch. When a visitor greets her with “God is Truth” in Punjabi, she replies in English with “Merry Christmas”, and when aunties catch her smoking she gives them the middle finger. Not to mention she is sleeping with a married man.

And yet the way the movie is made it works as a universal story – one about finding purpose in taking care of one’s parents while navigating complex family dynamics.

Another indie zombie movie? Far from it. One Cut of the Dead, written and directed by Shin’ichirô Ueda, became a global sensation following its small theatrical run in Japan for its creative and original screenplay. A hack director and film crew are shooting a low-budget zombie movie in an abandoned WWII Japanese facility when they are attacked by real zombies. That’s all you need to know about the plot, as the film is full of surprises that will catch you off guard. Wondering how an independent film with a budget of just $25,000 was able to gross over $30 million worldwide? The answer lies in the film itself.