When plucked out of your cushy, city life to labor on rural farmlands, it’s a tough change. It would have been a terrible one for Luo Min and Ma Jianling, if it wasn’t for Balzac and the Little Chinese Seamstress. Rather than depict this transfer policy as pure drudgery, the film depicts it as somewhat of a nostalgic summer romance in warm-tone shots and casual slice-of-life moments inspired by the semi-autobiographical novella written by writer-director Dai Sijie himself. It probably felt that way to his generation as well. But make no mistake. Sijie subtly pokes fun at the censorship the ways teenagers would do, that is, by saying what adults would like them to say, but doing exactly what they were told not to, anyway. That being said, there is a bit of a Western bias here– the banned books are Western, after all, and the two boys sharing French embroidery and sewing patterns seemed to be a strange plot point– but Balzac and the Little Chinese Seamstress warmly depicts his generation without losing sight of the drastic changes they had to go through.