How to watch
David Fincher’s return to form almost ten years after Gone Girl turns the eponymous French graphic novel series into a stone-cold stunner. The Killer can be described as a crime thriller and a neo noir, but it’s perfectly Fincherian in the ways it withholds information from the viewer, building up suspense in a masterful rhythm. The film opens on the inside of a construction site—a WeWork office to-be—where our Killer stalks his pray across the street. A rather static beginning, where nothing much happens: one may question the thriller qualities of the film during its first act for similar reasons, but just give it time; that’s exactly what The Killer would say. But little does he know that time is something he doesn’t have much of…
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