50 Very Best Movies on Hulu Right Now

50 Very Best Movies on Hulu Right Now

June 18, 2024

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Because rights are unevenly distributed across streaming platforms, subscribers for services like Hulu can sometimes find themselves in luck and stream films and series that aren’t accessible on more popular platforms like Netflix. For this purpose, and among all films available, we made this list of the best movies on Hulu. It goes across genres and sub genres, from the funny and goofy comedy Soul Kitchen to the crazy and creepy We Need to Talk About Kevin. Notable mention goes to Still Mine and The Great Beauty, both of which feature excellent acting in tales about growing old (in very different parts of the world). You can also visit our best-of lists for Amazon Prime and Netflix.

31. How to Blow Up a Pipeline (2023)

best

8.0

Country

United States of America

Director

Daniel Goldhaber

Actors

Ariela Barer, Brian Landis Folkins, Calhoun Koenig, Christopher Hagen

Moods

Discussion-sparking, Gripping, Intense

On the one hand, How to Blow Up a Pipeline is a tense thriller—an excellently set-up heist that makes you wonder, until the end, whether the low-budget operation succeeds or not. On the other hand, it’s a thoughtful rumination on the evil and influence of Big Oil, which despite its relentless destruction of environments and communities, continues to run scot-free. 

Together, these parts make for a powerful, nerve-racking film about both the danger and necessity of eco-terrorism—a radical act that is impressively humanized and spared from caricature here. How to Blow Up a Pipeline’s themes may be big and its means explosive, but its rich characterizations of the young activists ground it into a relatable reality. One is dying due to toxins released by the nearby plant, another is forced to give up his property to make way for the construction of a pipeline. All are tired of the fruitlessness of government promises and peaceful protests. Rousing and relevant, there’s never been a more timelier film than this. 

32. The First Wave (2021)

best

8.0

Country

United States of America

Director

Matthew Heineman

Actors

Al Sharpton, Andrew Cuomo

Moods

Challenging, Depressing, Discussion-sparking

Focusing squarely on two families and a select few health workers, The First Wave gets intimate access to the fears and anxieties of individuals trying to contend with the effects of the initial outbreak of the coronavirus in New York. That these characters also tend to belong to already vulnerable sectors in the United States isn’t a superfluous detail—as director Matthew Heineman illustrates (without the use of detached talking heads interviews) how proper responses to a global pandemic like this one are still hampered by capitalist interests, and racist and xenophobic institutions built into American society. All of these obstacles make every setback and every moment of progress in these characters’ lives feel absolutely crucial, making for an emotionally overwhelming experience.

33. Kurt Vonnegut: Unstuck in Time (2021)

best

8.0

Country

United States of America

Director

Don Argott, Robert B. Weide

Actors

Edie Vonnegut, Kurt Vonnegut Jr., Morley Safer, Robert B. Weide

Moods

Lovely, Touching

Imagine a fanboy makes a film about his hero—you’d expect something mawkish and fawning, a tribute that praises the icon but sidesteps the flaws. Maybe in less expert hands, that could be the case. But despite being a longtime admirer of writer Kurt Vonnegut, Robert B. Weide’s documentary isn’t any of those things. Sure, it’s lovingly made, but it’s balanced and objective as it sketches a profile of Vonnegut not a lot of us have seen before. It’s also more than just a chronological account of his life; it’s simultaneously a film about this film, which has been in the making for 40 years, ever since Weide first met Vonnegut in 1988 and followed him through his death in 2007. At some point, their lives become tightly intertwined, and it’s impressive to see not just that friendship blossom but to watch it seamlessly fuse into the documentary. When Weide pitches the documentary to Vonnegut, he optimistically promises that it’ll be the definitive guide to his life. He’s right, it’s all that and a bit more.

34. Palm Springs (2020)

7.9

Country

United States Hong Kong, United States of America

Director

Max Barbakow

Actors

Andy Samberg, Brian Duffy, Camila Mendes, Chris Pang

Moods

Easy, Feel-Good, Funny

Andy Samberg, Cristin Milioti (Modern Love, Black Mirror), and J.K. Simmons star in this easy but original rom-com that takes place in a wedding time loop. Nyles (Samberg) finds himself living the same day over and over again, so he gives in to the monotony and the fact that there is no way to escape it. 

When he is about to hook up with one of the guests, Sarah (Milioti), he is attacked by a mysterious character. The routine of his time-loop is broken. 

Palm Springs is often surreal and philosophical, which are not adjectives usually used to describe rom-coms. It offers just enough twists to be original without jeopardizing the things that make it a good rom-com.

35. I Am Love (2009)

7.9

Country

Italy, United Kingdom

Director

Luca Guadagnino

Actors

Alba Rohrwacher, Diane Fleri, Edoardo Gabbriellini, Flavio Parenti

Moods

A-list actors, Character-driven, Romantic

Tilda Swinton stars in this gorgeous Italian production by Luca Guadagnino, part of the director’s “Desire Trilogy”, together with Call Me By Your Name and A Bigger Splash.

Swinton learned to speak Italian and some Russian for the movie, where she plays – to absolute perfection – the wife of a Milan textile mogul who starts having an affair with a cook.

It’s an elegant family drama that’s definitely more concerned with aesthetics than substance, but the setting in snowy Northern Italy and lush 35mm film make that very easy to look past.

36. Rushmore (1998)

7.9

Country

United States of America

Director

Wes Anderson

Actors

Alexis Bledel, Andrew Wilson, Antoni Scarano, Bill Murray

Moods

Easy, Feel-Good, Funny

If it weren’t for his knack for writing, Max Fischer (Jason Schwartzman) would never have gotten into a prep school like Rushmore. But his art secures him a scholarship, and what he lacks in smarts and money, he makes up for in school pride. As he flunks more and more of his academics, however, he is eventually kicked out, and it’s outside the halls of his beloved Rushmore, stripped of all titles and insignia, where he learns to be his true self.  

As the film’s comedic and emotional core, Schwartzman is a revelation as the ambitious and sharp-tongued Max. Equally captivating is Bill Murray’s deadpan but lovable turn as Max’s millionaire friend, Herman Blume. It’s a role so fitting, in fact, that the poor-rich-man character will follow Murray well into his career, long after the curtains close on Mr. Blume. Meanwhile, Wes Anderson will go on to do more colorful and stylized pictures than Rushmore, but thanks to its unbeatable wit and down-to-earth charm, the film remains to be one of the auteur’s most delightful and hilarious works to date. 

37. Bait (2019)

7.9

Country

United Kingdom

Director

Mark Jenkin

Actors

Edward Rowe, Georgia Ellery, Giles King, Mary Woodvine

Moods

Gripping, Mind-blowing, Suspenseful

Shot on a hand-cranked silent camera with all the sound and dialogue added in during post, Bait immediately stands out as a film that appears lost in time. With the visual texture and slightly displaced audio of an independent film made during Hollywood’s infancy, the movie manages to convey its character and class conflicts with an additional air of surreality, even in its simplest sequences of shots. But writer/director/cinematographer/editor Mark Jenkin doesn’t approach this project with an ironic or flippant attitude. Through the most fundamental techniques of an art form that’s constantly changing, he crafts a story about the inevitability of change and those who really stand to lose the most from the passage of time.

38. Alan Partridge: Alpha Papa (2013)

7.9

Country

France, United Kingdom

Director

Declan Lowney

Actors

Alan Rothwell, Anna Maxwell Martin, Anna Stockton, Colm Meaney

Moods

Character-driven, Easy, Funny

TV’s Alan Partridge — Steve Coogan’s brilliant skewering of small-time celebrity vanity — gets the big-screen treatment in this suitably parochial action thriller. The premise feels like the kind of ridiculous scenario the radio DJ would fantasize about in between songs: Pat (Colm Meaney), an ex-employee of North Norfolk Digital, returns to the station armed and takes his former colleagues hostage, refusing to negotiate with anyone but Alan. Those familiar with Coogan’s painfully self-absorbed character will foresee that going straight to his already delusions-of-grandeur-filled head, and it does; as one character puts it, he’s like a puffed-up robin.

Much of the hilarity comes from the way Alan’s obvious glee at the heroic position he’s found himself in distracts him from actually saving the day, but there is equally sharply drawn satire in the supporting characters, too. Favorites from the TV series, like Alan’s put-upon assistant Lynn (Felicity Montagu) — herself a brilliant feat of perceptive comedy — make welcome returns here, but, like Alan, their eccentricities are made accessible enough that Partridge virgins won’t feel their ignorance. With all the original writers back onboard (including Armando Iannucci, the comedy genius behind The Death of Stalin and Veep), Alpha Papa is another reliably hilarious entry in the Partridge canon. Back of the net.

39. Two Lovers (2008)

7.8

Country

France, United States of America

Director

James Gray

Actors

Alex Felix, Andrew Ginsburg, Anne Joyce, Anthony Ramos

Moods

A-list actors, Romantic

This is the most practical romantic movie I have seen though many would disagree with its ending. It’s a triangular love story that trades cashable means of storytelling with a much more sensible approach. After a failed relationship, Leonard Kraditor (Joaquin Phoenix) returns to live with his parents only to find himself torn again between an exciting neighbor and a woman his parents set him up with. Phoenix delivers an impeccable performance as it goes without saying but Gwyneth Paltrow and Vinessa Shaw really steal the show as the two love interests. They both deliver honest and very interesting portrayals. All in all, Two Lovers is a complex and very well-acted film that goes as far as examining the notion of love, and what we look for in people, through seemingly a simple story.

40. Official Competition (2022)

7.8

Country

Argentina, Spain

Director

Gastón Duprat, Mariano Cohn

Actors

Ana Belén, Antonio Banderas, Daniel Chamorro, Irene Escolar

Moods

A-list actors, Character-driven, Grown-up Comedy

After receiving virtually unlimited funding from a wealthy businessman, Lola (played by the always excellent Penelope Cruz) sets out to mount an ambitious adaptation of a bestselling novel. To make her vision work, she employs renowned actors Ivan Torres (Oscar Martinez) and Felix Rivero (Antonio Banderas), knowing full well that their opposite philosophies in art and life will clash. What follows is a series of preps and rehearsals that play out like social experiments in their twistedness, which all in all speak to the outrageousness of film, art, and life itself.

In this Spanish dark comedy, no one is spared from satire—from the idiosyncratic auteur down to the sell-out actor, all are parodied in equal measure, each of their egos broken down in great and hilarious detail.

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